Parked (2010)

Pretty good movie overall. First half was nothing special but it got better as it went along.

A movie that not only functions as a solid scarefest but a razor-sharp satire.

This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.

I wouldn't call Parked an excellent movie like some others on here but it's a good movie enough to watch once and that's about it. The story is okay but in my eyes it's been told a bit too slow. The homeless guy living in his car because of unfortunate circumstances with a heroin junkie as his neighbor also living in his car. You can have some sympathy for one and a bit lesser for the other. It's interesting to watch them becoming friends with all the differences they have, and to watch them struggle to get their life back on track again. Colm Meaney and Colin Morgan did a good job playing the two main characters. The movie could just have used a bit more tempo and a happier note but it is what it is. Not bad but not excellent.

This film really surprised me. I found it purely by chance and I really liked it!It contains a lot of layers but basically is the story of Fred (Colm Meaney), who is hinted to be a former alcoholic, and his struggling with addiction, personalized by the charming drug addict Cathal (Colin Morgan). Quoting the first lines of Dante's Inferno AND the last line from the same, the film does nothing to hide the fact that Fred has reached the middle of his life and has indeed lost the right path, but that he manages to get to Purgatory with some help and guidance from the dead-to-society Cathal as his Virgil.Furthermore, as mentioned above, there are lots of other layers to the story. For example Cathal also personificates youth, which Fred is leaving behind. And there's also the part about Fred needing to be honest about his (housing)situation before he can experience a change (very much in line with The divine Comedy). And there might even be some Beatrice to the piano playing Jules.Another surprise to me was that the symbolism is abundant in this film, Fred repairs other peoples watches (people who are more or less "stuck in time"), Fred finally jumping into the pool, the fireworks, the line about "the leaf falling from the branch", the various religious items etc. etc. Surprisingly the symbolism never feels out of place in the film and never slows the pace of the story.It's definitely a film that grows on you, and I won't hesitate to recommend it. A little warning though: It's very melancholic and it WILL make you feel sad.Finally: All the actors are great in this and leads Colm Meaney and Colin Morgan deserve all the praise they can get. I haven't seen either of them in anything else than Parked but I very much want to now.

Parked is a small, independent Irish film with a big heart and unexpected emotional punch. The film is a study of humanity, of keeping that humanity, and ultimately, how we need and depend on each other for any life that's worth living.Colm Meaney gives a stand-out, restrained performance as Fred Daly, a man reduced to living in his car when he can find no work and no public aid. He parks his 'abode' in a public beach front parking lot, and he is obviously hanging on by a thread, using the comfort of routine to get him through day after dreary day. Until he finds himself with a neighbor, a young drug addict named Cathal who parks his 'home' in the same lot, and shows Fred how to snatch humor, and even joy, out of a seemingly hopeless existence.What elevates this movie is the direction, the beautiful cinematography, a haunting musical score, but most especially the acting. As I said, Colm Meaney, who couldn't give a bad performance if he tried, is poignantly stolid as a man abandoned and alone, clinging to what little civilization he has left.The real surprise is Colin Morgan, who plays drug addict Cathal. His performance is a wonder. He has taken a mostly unsympathetic character and imbued him with pathos and humanity. His performance shows, by turns, a jittery, sad, friendly, hopeful and ultimately, powerless and heartbreaking youth abandoned by all those who should care.The story of Fred and Cathal and their unlikely friendship is the crux of the movie and told in an organic, decidedly non-Hollywood and non-contrived fashion. It grows naturally and is nurtured with care by the director who lets the story tell itself.A beautiful film, poignant yet hopeful and well worth seeking out.

A very moving film - a credit to the producers Ripple World and to a very talented cast. The story follows Fred Daly (Colm Meaney), an introverted and marginalized middle-aged man who returns to Ireland and ends up living in his car. He befriends a young homeless junkie, Cathal (Colin Morgan) and the two find comfort and a glimmer of hope in their low-key friendship.Meaney gives a superb performance, walking the tightrope between sentimentality and cheap laughs without ever falling into either trap. He plays a man clinging to the last vestiges of normality, whether it be watering a plant or brushing his teeth, - a drowning man by the sea, clinging to the smallest pieces of debris to stay afloat. Morgan, best known as Merlin in the TV series of the same name, shows huge promise as a big screen actor.Well written by Ciaran Creagh whose theatre background has given him a good ear for dialogue. Directed with elegant understatement by Darragh Byrne and with some beautiful photography from John Conroy including cinematic landscapes that lifted it away from potential TV-style relentless grimness.If there is a single word for the movie, it is uncompromising. It takes a hard, unblinking look at lives on the margins but manages to retain its characters' humanity. I watched it at the LA Irish Film Festival 2011 and there were more than a few tears shed in the audience, which again is a credit to the film-makers in a world where shiny things and explosions usually dominate. For sure it is a slow burn, but all the more elegant for that. Full of sadness and pathos, but leaving the door open for a final sliver of hope to shine through. Bravo.