The Neptune Factor (1973)

The Worst Film Ever

Excellent, Without a doubt!!

When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.

This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

For a movie about a race against the clock to rescue a group of scientists trapped in an undersea research facility that's been hit by an earthquake, The Neptune Factor is incredibly dull. The problem is that for most of the movie, nothing happens. Ernest Borgnine (who I'll give a little credit as he does his best with this snoozer of a script), Ben Gazzara, and company spend most of the movie on a slow motion tour of the ocean floor looking for their missing colleagues. Garzzara is the worst, showing the same kind of emotion usually reserved for everyday, mundane tasks like doing the laundry or grocery shopping. You'd hardly know from his demeanor that the lives of three people rest in his hands. And when something does finally happen the special effects are so ridiculous looking that the movie losses any credibility it might have had. The "giant" sea creatures the rescuers run into are little more than normal salt water aquarium fish filmed with a zoom lens and a bad looking miniature of the submarine. That's right – The Neptune Factor looks like it was filmed in someone's home aquarium. A giant clown fish – oooooh, how scary! There's nothing much more frightening than the sight of a ludicrously large Nemo.To say I was disappointed by The Neptune Factor would be a gross understatement. A good cast is put to waste with nothing to do. In the end, I've got to rate this one a 2/10.

Produced during the early swell of the 1970's disaster movie cycle, this Canadian-made adventure film combines elements from that genre along with a little sci-fi. An undersea research lab investigating the cause of earthquakes gets some firsthand data when a tremor rocks the ocean floor, sending the lab careening into a deep crevice. On the surface, doctors Pidgeon and Mimieux, along with divers Borgnine and Rhodes, attempt to locate the lab along with its three inhabitants, one of whom is Mimieux's boyfriend. With time running out (the lab only has seven days worth of life support) and with no clues to the lab's whereabouts, they call in Gazzara, who operates a special deep water sub called Neptune. With considerable difficulty and conflict, they discover that the lab has slipped far beneath the normal realm of exploration, meaning the Neptune must go to places heretofore never witnessed by man. Once there, they find that the deepest recesses of the ocean contain massive, over-sized fish and sea life thanks to the warmth emitted from volcanic fissures, creatures which severely obstruct the crew's chances of retrieving the men they're searching for! Pidgeon is far beyond the peak of his talents here, often seeming befuddled and dispassionate, despite his inherent likability from decades of prior screen triumphs. Borgnine is markedly heavier than he was just one year earlier in "The Poseidon Adventure", though his stunt double is notably more slender. His performance is almost reserved in contrast to some of his more bombastic portrayals and he doesn't embarrass himself (even if he is not the first person who comes to mind as a deep sea diver!) Mimieux is attractive, but hasn't got much to do besides look worried, stunned and dazed. Gazzara is horribly miscast and gives a stoic, wooden performance topped off with an atrocious Atlanta, GA accent. Rhodes is another one without a lot to do, but he retains his likable persona. The film has been roundly criticized from its release to the present for its effects concerning the "giant" fish (actually regular sea life projected UP CLOSE against the portals of the Neptune) and that aspect of the film is definitely preposterous and poorly handled. However, there is still considerable tension and some otherwise fine miniature work and underwater photography. Another issue is the amount of light and clarity of the water at these murky depths and the premise that men can simply emerge from their vessels and scuba dive in pressures that intense. One thing that robs the film of emotional impact is the fact that the audience barely gets to meet the trapped technicians before they disappear and their plight is never shown through the duration of the film. Also, the finale is rushed and rather poorly handled. Continuity is an issue as well. Mimieux appears in a different wash and wear outfit nearly every time she appears, even in the same day. It's a miracle her clothes don't change within scenes. (Note the way she and Pidgeon seem to wear the same outfits whenever they're on deck, no matter which day it is.) More unbelievable than the giant fish is the presumption that Borgnine can shimmy in and out of his (oddly ragged considering how new everything else is!) scuba suit in the time allotted. A scene between Mimieux and Borgnine, which may have illuminated her relationship with the missing doctor and added a little more emotional depth to the story, was cut prior to release. Still, there's something endearing about the clean, bright sets, the earnest performers, the mysterious and unusual aspects of the storyline and the mostly effective effects. Though it can be a bit tedious at times, it should be a reasonably pleasant viewing for fans of the stars or for fans of 70's disaster flicks. Mimieux and Borgnine would reunite a few years later in "The Black Hole."

This is an adorable little kids movie from the '70's. 5 stars is pushin it for this one, though. It's not bad but its by no means good. It's just really endearing, in its own out-dated way. So, OK, you've got Ben Gazarra, Ernest Borgnine, and superhuge seahorses in an undersea adventure/race-against-time-kind of thing. I wonder if the guys and 'bots over at MST3K ever got a hold on this one? It would be perfect material for them. It's lame in a wonderful way. If you like Benny Gazzarra, and/or Ernest Borgnine, and would possibly be interested in seeing them marvel at superhuge seahorses when they're in this superdeep sea rift, then I think you should see this movie. No. I urge you to see it.

A B+ movie that was a very good attempt to do in the ocean what Kubrick did for space. The filming on location and in the well-designed Ocean Lab underwater set reminded me of Jacques-Yves Cousteau's "World Without Sun" (1964). The plot may have been thin, but was clearly well intended and thought out in a somewhat scientific chain of thought that would be worthy of Walt Disney's concept of the "Plausible IMPOSSIBLE". The special effects were non-existent in this film (20th merely distributed it) but with the resources they did use, the film was enjoyable as a little excursion. Special Effects don't make a film; an interesting plot does. The plot here is an old and tried one in the movies: the disaster flick. When I saw this film on the big screen, the story did succeed in capturing my interest. Will they find the missing scientists? Did anyone survive? Do they all make it back? When the story entices the viewer to ask these questions and wondering at what will happen in the next 60 seconds -- as this film actually DOES do! -- then the producer and director succeeded at what they were trying to do. I enjoyed this film so much; I stayed in the theater and sat through it a second time! A good film -- if they ever decide to do a remake, I hope they give it a budget that will include good special effects. After all, when they re-made "IT! The Terror From Beyond Space," they had a hefty budget and retitled it ALIEN. Two and half stars out of five ain't bad.