Mrs. Dalloway (1997)

I'll tell you why so serious

It is neither dumb nor smart enough to be fun, and spends way too much time with its boring human characters.

The acting is good, and the firecracker script has some excellent ideas.

It is encouraging that the film ends so strongly.Otherwise, it wouldn't have been a particularly memorable film

I had never heard either of Virginia Wolf nor of Mrs Dalloway but my mum received a free DVD of this film with her daily newspaper ( a very common practice in the UK apparently ) so she gave me this on a recent visit to England and I thought "Why not" as I have always enjoyed Vanessa Redgrave in the films I have seen of her. I think that to appreciate fully this sort of film you need to be English or have lived many years in England. Much attention is given to recreating the period, the accents, the costumes and decors of the 1920's in that country and the result is truly remarkable. I can understand Americans and other foreigners not appreciating this as it is very far removed from their lifestyle. Also, the plot is rather tame ( I would have preferred more sex and passion ) but presumably the novel in question did not include this. I was also confused by the introduction of a "sub plot" whereby a WW1 soldier with shell shock married to an Italian wife commits suicide and couldn't understand the relation between this and Mrs Dalloway. In spite of these misgivings I actually felt pleasure watching the film. The actress who portrayed Clarissa Dalloway young, Natacha something-or-other, had subliminal beauty which reminded me of the great actresses of the 1940's, something you very rarely see nowadays, and I have always liked a great deal Michael Kitchen every time I have seen him in a film. I would therefore recommend the film to all those who like "period pieces" but would warn that the plot is rather tame and subdued and that if you are looking for passion, sex and romance you might be left disappointed, or at least hungering for more, especially as the ending is rather flat and unoriginal. As you can see, my feelings are rather mixed, there is good and bad but globally my appreciation will be positive, hence a rating of 7 !!

I kept waiting for the film to move me, inspire me, shock me, sadden me in some way but it stirred none of my emotions. It just meandered along to the end. None of the characters seemed very unique or complex, they just seemed like actors reciting their lines. I think it could have been a better movie if the characters expressed more emotion. The only one who did and was believable was the veteran and he probably committed suicide just to get out of the movie as soon as he could. It was a waste of talent, film, their time, and mine. If there is a message or meaning or genius in this story, it certainly is well-hidden or I am very dense, which I doubt.

Like most of Virginia Woolf's literary output, I appreciated the film-version of "Mrs. Dalloway" more than I enjoyed it. There are flashes of blinding beauty in this movie, however, the film's "sum" is not equal to its "parts". Of course, Vanessa Redgrave continues to astound me with her talent. And ---yes, the film is beautifully made and attention to period detail is evident. And --- yes, parts of the story are very heart-rending. Yet.... why does this film satisfy me but not move me? Like a guest at one of Mrs. Dalloway's parties, I am more impressed with the effort that went into the production than the product itself.

While I agree with some of the more perceptive comments made here, I have a few of my own to add. First, the novel on which this film is based is an all-time favorite of mine and I'm happy to have seen it beautifully translated into cinematic form. The contrast between the personal and inner life of an upper class English woman and the horrors produced by war (in this case, symbolized through the experience of one man, brilliantly portrayed) is both moving and exacting. Vanessa Redgrave gives a splendid performance as Clarissa...sensitive, radiant, conservative and uncertain about life decisions as she looks back (nicely depicted in flashback). Michael Kitchen as her would-be lover of old is perfect for the role...quietly romantic, sexy, with just the right British propriety. The troubled young war veteran and his wife are well cast and Marleen Gorris should be credited with graceful directing.