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The Snapper

The Snapper (1993)

November. 24,1993
|
7.2
|
R
| Drama Comedy

Sharon Curley is a 20-year-old living with her parents and many brothers and sisters in Dublin. When she gets pregnant and refuses to name the father, she becomes the talk of the town.

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Reviews

Scanialara
1993/11/24

You won't be disappointed!

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Wordiezett
1993/11/25

So much average

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FirstWitch
1993/11/26

A movie that not only functions as a solid scarefest but a razor-sharp satire.

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Verity Robins
1993/11/27

Great movie. Not sure what people expected but I found it highly entertaining.

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billcr12
1993/11/28

I recently watched The Guard for a second time and was in the mood for another Irish comedy. The Snapper was a poor choice. A twenty year old girl living with her mother, father and four fellow siblings becomes pregnant and will not name the dad. Most of the film takes place in pubs with the expectant mother drinking heavily with three other girls. This is not funny, and I do not understand the 7+ rating on IMDB. Stay away from this noisy mess and instead check out The Guard for Brendan Gleeson's brilliant performance.

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movieman_kev
1993/11/29

The Irish family, the Curleys, return. This time out Sharon Curley is pregnant and refuse to tell anyone who the father is. Having seen "The Commitments" (great film by the way), I was looking forward to seeing the second in the trilogy. And yes it's as good as the first, if not better as it seems to be more of a personal film I didn't really care for how Sharon's friends carried on in the beginning, but all the characters are believable and Colm Meany seems to be born to play Dessie Curley. One of the far to few films that take a pro-life stance (as soft as the stance may be) And I look forward to being able to watch "The Van" as soon as possible.My Grade: B+

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Dennis Littrell
1993/11/30

Fine acting by Colm Meaney (Dessie Curley) and Tina Kellegher (Sharon Curley) carry this offbeat tragi-comedy about the perils of out of wedlock pregnancy in a working class Irish family. I think the Pope would approve of how this subject was handled, if he approved of the subject being handled in the first place.What do I mean? Well, here's an unwanted pregnancy that in the apprehension of some people could arguably be seen as a result of something about as close to a rape as it gets without technically being rape, depending upon how you define your "technically." (She was drunk and an older man took advantage of her in the parking lot of the pub.) I won't say more for fear of spoiling the plot for you, but be forewarned that some viewers will find the whole thing uncomfortable.Roddy Doyle, the gifted fictionalist (Paddy Clarke, Ha, Ha, Ha, The Woman Who Walked into Doors, etc) wrote the novel and the screenplay. Stephen Frears (My Beautiful Laundrette 1985, Dangerous Liaisons 1988, etc.) directed. Doyle is a master of dialogue and has a warm sense of people that he imposes on his readers. Known as a realistic writer, he is actually a sentimentalist with a keen feel for the foibles of his characters.There is a kind of TV sit-com feeling to Frears's direction in that nothing really depressing occurs. There's a neighborhood feel to the taunting, some windows are broken, and there's a fistfight, but none of the kids are on heroin or planting bombs. There's little violence and the sex depicted is minimalist. There's a sense that nothing is really wrong in the world, just some slips of behavior and some misunderstandings. You realize, for example, that despite Sharon's continued drinking the baby is not going to be born suffering from any kind of alcoholic syndrome. Furthermore, although Dessie has six kids to support, we never see him working overtime or worrying about money. Doyle is also a political writer and has a message. His message here is that the gift of life is precious over and above how it is conceived and that narrow-minded men (grandfather-to-be Dessie Curley) can, through love, understanding and a little effort, rise above their prejudices and do the right thing and feel the right way. Politically speaking, the film walks softly and carries no banner between the two sides of the abortion question, clearly identifying with the pro-lifers without overtly offending the pro-choice side.Perhaps it is best to leave the politics behind and, like many viewers, simply enjoy the laughs, the realistic dialogue and the warm, chaotic family atmosphere presented and save the moralizing for another day. By the way, you might have to watch this twice to catch some of the humor. Either that or have a good ear for the Irish brogue. For myself, I could have used subtitles.(Note: Over 500 of my movie reviews are now available in my book "Cut to the Chaise Lounge or I Can't Believe I Swallowed the Remote!" Get it at Amazon!)

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teresa-dodd
1993/12/01

I thought this film was one of the best Irish films made, It was the phrases they used, the way they used them and the excellent acting of all the characters.I was laughing all the way through it, actually every time i think about this film it brings a smile to my face. If you have a unique Irish sense of humour, you have got to see it!!!

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