Submarine Alert (1943)

Perfect cast and a good story

Excellent and certainly provocative... If nothing else, the film is a real conversation starter.

This is a gorgeous movie made by a gorgeous spirit.

Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.

Well made and edited, this is a focused, no nonsense WWII spy movie that has a somewhat interesting technological foundation regarding radio transmission. Richard Arlen always had a wooden acting style but he is a bit less stiff than usual in this one and his capable action-star abilities are well used in the vigorous aspects of his role. Nils Asther, Marc Lawrence, Wendy Barrie and others provide solid performances and do excellent work.If you can ignore the final two minutes that are spliced on for propaganda purposes and concentrate on the film itself, you will be rewarded with a solid, surprisingly well made action/spy flick. Surprising especially since it was only a quickly conceived WWII studio effort that was a product of the Hollywood switch to war themes following the sudden outbreak of the war. While obviously quickly made, "Submarine Alert" lacks any sloppiness, unnecessary padding or other b- quality attributes in its acting or overall results.I consider my rating of "6" as being for the film itself, since it completely ends before the final add-on section.

It's a hurried story of enemy spies sending signals to German U-boats offshore about the sailing of American cargo ships down the coast. Of course it's low budget and rude but I kind of liked it. (The Morse code used is real, not just gibberish. That is, somebody CARED.) It's 1942 and the US is having a tough time with so many freighters and tankers being sunk off the coast. And they were being sunk in numbers, too. The U-boats called it the second "happy time." But it didn't require Nazi spies. The US had just entered the war and unlike Britain had no clear idea of how to proceed with the business of protecting its shipping. The coast was considered safe from submarines because of the submarine's short cruising range. But they were supplied mid way across the Atlantic by Milchkühe, "milk cows." The cities along the coast -- Boston, New York, Charleston, and the rest -- left their lights on at night, so U-boats could silhouette our ships easily. It was so easy for the U-boats that the crews sometimes greeted survivors and distributed food to the lifeboats. "Charge this to Churchill." In this movie, the FBI, realizing that the unnecessary transmitter must be tiny and portable, and must be carefully attended, sees to it that dozens of radio engineers are fired, hoping that one will be approached by the Nazis. Richard Arlen is one of the experts fired and the Nazis offer him a job which, all unwittingly, he accepts.True. It's as improbable as all hell. Furthermore, these white-collar types lead stuffy lives. They all wear suits and ties, their shoes are shined, and their manners unimpeachable. Dwight Frye ("Renfield") is cast as a Nazi agent. The non-diegetic music is out of a Saturday-afternoon serial, popular at the time. But please, let's not get off on a tangent. Let's stick to events, shall we? It's a little puzzling that after the FBI's machinations that result in the firing of all these radio experts, those that are offered jobs are treated as potential traitors. After all, they've done nothing but legally exercised their skills. Frankly, I didn't get the logic. But in any case, the lead character, Richard Alrlen, a dull actor, is followed by an FBI agent, Wendy Barrie. He falls in love with her fifteen minutes after they first meet. The evildoers try to steambath Arlen and Barrie to death. It doesn't work. It's dumb but comforting, like hearing a Kindergarten child recite the ABCs flawlessly and everyone is happy.

Don't be too quick to judge this WWII espionage caper, while it appears to labour early on, it picks up the pace and delivers a coherent, economical jaunt through a Nazi plot to scuttle oil tankers en route to the allies, after acquiring a top secret transmitter that's capable of pinpointing the location of ships using pre-determined supply routes. Arlen is the recently unemployed radio engineer who inadvertently finds himself wanted by the FBI when he's duped into assisting the enemy.Arlen is stoic in his patriotism, even giving a little call to arms rally in the film's post script, while Asther, Biberman and the prolific Marc Lawrence play the principal bad guys within contemporary stereotypes. Wendy Barrie plays an FBI operative whose ends up fighting the good fight alongside our noble hero.It's a shame the film ends the way it does, as there needn't have been the unnecessary jingoism - this is a film after all, not a propaganda reel. Nevertheless, for your 66 minute investment you'll get a reasonably well paced espionage pot-boiler with a hint of intrigue, the usual raft of clichés and for bonus material, there's even a "MacGyver" moment to rally the allies into action. Solid plot and taut execution, just a shame that it morphs into trite propaganda.

Some one is using a new radio system to alert submarines of the course tankers and supply ships will be taking. When the radio signals go silent and a radio expert turns up dead the FBI thinks something has happened to the radio. Taking matters in to their own hands they have several other radio men fired hoping that the saboteurs will contact one of them to repair the radio. One man is contacted and he begins working for the enemy agents unaware what he is working on or that the FBI is keeping an eye on him. Very good war time spy thriller moves along at a good clip. While it doesn't have any big names it does have plenty of atmosphere including a spooky mill that plays a nice role in the closing portion of the film. This is a solid little film that seems to have gotten lost in the shuffle. Worth a look.