Mask of Death (1996)

It's fun, it's light, [but] it has a hard time when its tries to get heavy.

Yo, there's no way for me to review this film without saying, take your *insert ethnicity + "ass" here* to see this film,like now. You have to see it in order to know what you're really messing with.

It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

Although I seem to have had higher expectations than I thought, the movie is super entertaining.

MASK OF DEATH is a well-made thriller from Lorenzo Lamas' career as a staple player of the golden days of direct-to-video action fare. It's basically a remake of Chuck Norris' THE Hit-man, and I'm surprised to say that the Lamas flick is the superior effort of this sort of storyline. With that said, it's not a fantastic action film, and that's what brings down my rating: if I could value low-budget storytelling over fistfights, this one would have a four-star rating, but as it stands, MASK OF DEATH is missing the one crucial element to my idea of a good mid-90s action flick.The story: After his wife is killed in a criminal deal gone wrong, Officer McKenna (Lamas) is declared dead but instead undergoes plastic surgery to disguise himself as a hit-man killed in action. Going undercover, McKenna infiltrates the dangerous underworld to bring a cruel mobster (Conrad Dunn) to justice.The script is penned by a writer with little apparent experience (R.C. Rossenfier) and by high standards probably isn't all that special, but I like how it goes more into the mindset of Lamas and the ethical problems he faces in this situation than the aforementioned Norris picture. Lorenzo Lamas isn't a fantastic actor but he makes the most of this role while staying within the macho archetype. There are some surprisingly well-staged parts here, like the interrogation scene in the middle of the film. Additionally, I appreciate the casting of part-time action lady Rae Dawn Chong as McKenna's ex-partner: it's not a fantastic role, but it allows her to play a tougher character than she usually gets to, one who gets into fistfights and car chases and crashes.As that last line indicates, the film is far from action-free but, it's too little and too impersonal for my tastes. There's a speedboat chase, two car chases, one shootout that Lamas is barely a part of, one bad hand-to-hand fight, and an instance wherein Rae Chong fends off an assassin with a towel, a jar of paint, and a wrench. Most of this passes as fairly big-budget stuff and would be at home in many a Hollywood feature, but it's just not what I'm after. There is plenty of opportunity for more karate and stylish gunfighting, but apparently the film was geared towards generic action to tide over the ultimately good story. It's disappointing and keeps the film from attain a four-star rating, but I don't think everyone will be bothered by it as much as me.Basically, Lamas fans - especially those of his TV show - can feel free to check this one out, and potential fans who want to acquaint themselves with Lorenzo via a slightly sophisticated vehicle might as well seek it out too, but everyone else ought to settle for happening upon it on TV someday.

Lorenzo Lamas plays dual roles, one as a cop and the other as a crook. When the cop is severely wounded trying to apprehend the look-a-like crook, the cop is asked to be facially altered to stop set up the mobsters in question for Billy Dee Williams to take to justice in this surprisingly decent Canadian actioner. This would be a great B.movie if it didn't have Lorenzo Lamas. Lamas is merely competent, when someone like Van Damme or Lundgren could've made the role much more complex and likable. That said Lamas is okay, but the Deep Cover-inspired plot, and the Face-Off like subplot fails to live up to the potential that has been set up by the premise. That said the action sequences are well conducted, the story moves at a fast clip and the acting by Billy Dee Williams, Rae Dawn Chong and Conrad Dunn (great as the baddie) elevate this above sheer mediocrity. Also the beginning which showcases Lamas, in which he looks like Jeff Foxworthy is unintentionally hilarious and it ruins what suspense might've been had, as the wig and beard basically make one crack up more than anything else. Mask Of Death is a slightly better than average actioner, in-spite of Lamas and genuine suspense in the finale makes this a far better movie than one would expect. A B.movie but a pretty good one, all the same.* *1/2 Out Of 4-(Pretty Good)

Predictable, generic cop fare notable only for the many direct similarities to John Woo's Face/Off, which debuted subsequently. The initial sequences, from the speedboat chases to the plastic surgery sessions, are beat for beat the same. Lamas is adequate as the police infiltrator with revenge on his mind. A lot of violence and little plot. Two stars.

With the luxury of writing this review in real-time while watching this film on television I should have the luxury of remembering any good parts. Unfortunately, there are none to be found here. The only remarkable thing about this film is that it uncategorizable -- it can't be considered a drama as everything is too predictable to be dramatic, it can't be called an action pic as the "action sequences" are hokey and unbelievable. It could be considered a crime picture as it's a crime that anyone wasted the resources to produce, market and broadcast this turkey. Lamas and Williams come off more smarmy than urbane, Rae Dawn Chong is not the hottie she used to be, the cop dialog is stilted and awkward and the production values are unremarkable and veritably scream Direct-To-Video. This film's only value is as a "How-To" guide for prospective B-movie directors. Run, Don't Walk to Avoid This Movie.