Pirates of Tortuga (1961)

Waste of time

That was an excellent one.

A lot of perfectly good film show their cards early, establish a unique premise and let the audience explore a topic at a leisurely pace, without much in terms of surprise. this film is not one of those films.

This is a must-see and one of the best documentaries - and films - of this year.

Tortuga is a small , mostly rocky, island, off the north coast of Haiti. During the 'Golden age of piracy', it was a notorious hangout for pirates, continuously fought over by the Spanish, French and British. In this tale, there are basically two questions that constitute the plot 1) Is Captain Paxton(Ken Scott) going to be successful in his mission to destroy Captain Morgan's recent pirate empire, centered on Tortuga, that has brought the British colony of Jamaica to its knees? 2)What will be the ultimate fate of the accidental stowaway barefoot wildcat Meg(Leticia Roman). Dealing with her antics is the centerpiece of the first half of the film, during the transatlantic crossing to Jamaica. It's clear this flirtaceous street urchin lacks the graces of a traditional lady. Various of the crew try to instruct her on some of the graces of a lady, with mixed success. Fortunately, Paxton has a stock of lady's garments in a chest in his cabin, which keeps Meg, as well as the crew, entertained, seeing how she looks as a lady. The captain even gives her an heirloom necklace, having belonged to his mother. When the ship arrives at Jamaica, it's reluctantly agreed that she will disembark to find her fortune there, or somewhere else. However, fate soon brings her to the attention of the governor, who believes she is a lady, by her dress, and becomes accustomed to her as she recuperates in his mansion. He even proposes marriage to this young thing, and she accepts initially. But, eventually, it comes out that she was not raised as a lady, and in fact is enamored with Paxton, who seemingly hasn't yet made up his mind about her.....After overtaking the crew of one of Morgan's pirate ships, by trickery, Paxton pretends to make a partnership with Morgan, in which he will sell Morgan's large stash of booty in Jamaica and give half the profit to Morgan. However, Paxton then makes a deal with the governor, in which the governor will supply a number of warships and men for an invasion of Morgan's compound. This is immediately put into action. A complex plan of attack is organized, with Paxton going alone to infiltrate to the munitions room. He finds the barrels of gunpowder and lights a fuse to one. But before he can escape, Morgan, himself, enters and they have a sword fight, while the fuse is burning. Unfortunately, the powder explodes before they are finished, and essentially destroys the fort. Strangely, at the same time, the cannons on the wall explode! Seethe film(available at YouTube) to learn the unlikely and incomplete finale......The production values are good, if some of the events are unlikely. The inclusion of Leticia, as a frequently present character, is a definite plus, spicing up an otherwise humdrum story.

I saw this film quite a few times growing up on independent TV stations. I didn't think it was anything too spectacular then, but hey, it was a pirate flick, and you can't go too wrong... right? Well, before the days of corporate run focus groups and test market screenings for films, the studio moguls, banking on what they believed would sell, would ride movie trends like the corporates do today. Back then Westerns and Pirate flicks were all the rage, and in 1961, hoping to revitalize a waning market, 20th Century Fox invested in this thing.They must've done it on the cheap. Recycleing old studio props and sets, it looks like they cast bit part players in supporting roles. That and the cinematography is pretty bland, though not too far from b-movie standards at the time.It's a market driven film. No standards or rules are being bent or pushed. There's a few social messages snuck in here and there, but nothing too shocking by contemporary American social standards.There's nothing really innovative or impressive about this film, but it does offer two hours of pirate escapism. Take it for what it is.

This is a fairly ordinary boys' pirate adventure memorable only for the over the top performance from Leticia Roman as the reluctant stowaway aboard Ken Scott's galleon embarked for the Caribbean and a battle of wits with Captain Henry Morgan (Robert Stephens) who has returned to his buccaneering ways after briefly working for the King of England.Roman acts as if she's just downed a pint of strong black coffee, and no doubt most self-respecting sailors would have thrown her overboard after having had their way with her. Somehow, though, not only does she make it intact all the way to Jamaica but she also manages to get Scott's insipid Captain Bart to fall in love with her.Robert Stephens as a slightly unhinged Morgan given to smacking the rump of his ever so slightly raddled lady companion is the highlight of the film, although he doesn't receive the amount of screen time he deserves. Curious to see British comedian Dave King appearing as one of Scott's swashbuckling sidekicks too. Other than that there really isn't a lot to say about this flick.

One of the myriad cheapies churned out by independent film producers (here Sam Katzman) under the aegis of a major Hollywood studio (20th Century Fox) and which revolves around the exploits of a notorious pirate figure (Sir Henry Morgan). Despite being fully aware of the film’s non-reputation even among others of its type, I was still taken in by the relatively decent cast (Robert Stephens, Leticia Roman and John Richardson) and the promise of colorful entertainment (brought on by my recent spate of similar superior outings).Unfortunately, PIRATES OF TORTUGA falls far short of earlier movies about Morgan – THE BLACK SWAN (1942) or even the contemporaneous MORGAN, THE PIRATE (1961) – and proves to be a lackluster affair with a poverty of imagination on display that is quite dispiriting. To start with, Morgan (an over-the-top Stephens) himself only appears half-way through with the result that we are left largely in the company of a truly overbearing gypsy of a leading lady (Roman), a listless hero (Ken Jones) and his puerile cronies (Richardson and Dave King). Add to that the intermittent usage of action stock footage lifted from earlier Fox seafaring productions, the uncharacteristic popping up of modern slang in the dialogue and the sheer predictability of the whole venture and it’s small wonder that very little time has elapsed before the film starts to sink…right out of one’s memory! For the record, director Robert D. Webb had much earlier won an Oscar as an assistant director (in one of the few times these awards where handed out) on IN OLD CHICAGO (1937) and had also guided Elvis Presley through his first film LOVE ME TENDER (1956); incidentally, I might get to check out six(!) of his other directorial chores in the future: not just two notable Westerns WHITE FEATHER (1955; with Jeffrey Hunter and Robert Wagner, which I have in my DVD collection) and THE PROUD ONES (1956; with Robert Ryan and Jeffrey Hunter again, which I intend to acquire) but also a few more available at local DVD rental outlets: BENEATH THE 12-MILE REEF (1953; which I haven’t watched in ages), the aforementioned LOVE ME TENDER, THE CAPE TOWN AFFAIR (1967; a remake of Samuel Fuller’s PICKUP ON SOUTH STREET [1953]) and THE JACKALS (1967; featuring Vincent Price and a remake of William A. Wellman’s YELLOW SKY [1948], which I own and intend to watch presently as part of my ongoing Richard Widmark tribute).