Out of Singapore (1932)

To me, this movie is perfection.

I cannot think of one single thing that I would change about this film. The acting is incomparable, the directing deft, and the writing poignantly brilliant.

A movie that not only functions as a solid scarefest but a razor-sharp satire.

The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

For Dorothy Burgess fans (hopefully, I'm first in line here), Out of Singapore (1932) (available on a very good Alpha DVD) is an absolute must-see. Although she makes a late entrance, Dorothy does a dance number that will knock your socks off. And Miriam Seegar is no slouch in the beauty department either. Alas, Wallace Beery plays the villain with such patent wickedness, we wonder how the "good" boys, and most particularly Miss Seegar, could possibly be taken in by him. I also thought that Jimmy Aubrey way overdid the "comic" relief, even though his actions do enable Fred "Snowflake" Toones to get his teeth into a first-class dramatic role as a particularly vicious cook. Indeed the movie is overloaded with evil characters. We haven't even mentioned Montagu Love and Leon Wong (who escapes retribution, would you believe?), but the film is directed with such a sure hand by 1920's serial king, Charles Hutchison, that these quibbles only surface after "The End" is flashed on the screen

The film begins with a ship's captain agreeing to take on Woolf Barstow as his first mate. This is unusual because Barstow has a horrible reputation as ship after ship on which he served sank! However, the captain seems to think that perhaps it's all just due to bad luck. However, through the course of the film you see that Barstow is indeed an evil man--a guy who isn't above murdering his crew in order to commit insurance fraud! Nice guy, huh? However, his lady friend (Dorothy Burgess) is intent on stopping him one way or another--and WOW does she pick an unusual way to do this!! In many ways, watching Noah Beery (brother of Wallace Beery, by the way) is a lot like watching a live action version of Bluto from the Popeye cartoons. His voice is nearly the same and he behaves much like Bluto would--with the over-active libido, streak of violence and the like! Because of this, it's really hard to take the film very seriously. The same could also be said for the ending--though it's very, very exciting to watch. Additionally, viewers might be surprised and enjoy watching the Pre-Code aspects of the film--such as the very seductive dancing of Burgess (such dancing would have probably not been allowed post-1934 when the new Production Code was enacted).

The captain of a ship takes ill not long after hiring Noah Beery Sr, a man with a bad reputation- every ship he's been on for the last three years has sunk burned or disappeared. Of course Beery is behind the illness, which puts the pretty captain's daughter in peril. Another pre-code melodrama with a great deal of exposed female flesh and suggestions of things that nice people didn't do. This is just an okay film. The problem is that Beery is so clearly the bad guy you can't believe that anyone would be so stupid as to hire him. I mean Long John Silver was a bad guy but at least he could hide it, Beery can't and it sinks the movie. It also doesn't help that the film's plot ultimately makes no sense, there are just too many twists and turns that none of it comes off as anything other than contrived. Not really bad, but not really worth your time and effort.

Noah Beery once again plays the heavy, this time a sailing officer who is also a ship wrecker. And he has his eye on the captain's pretty daughter Mary played by blonde Miriam Seegar. His course is complicated by his former girlfriend, the half-caste Concha, played to the hilt by Dorothy Burgess in what may be her ripping-est role ever. The darkly beautiful Miss Burgess is mesmerizing as she determines to hold on to her man or make him pay. George Walsh is rather wooden as the hero. Jimmy Aubrey gives a great impression as the lovable drunk. The characters reflect many degrees of morality. For some, it will be fatal. The great thing about these old films is that they sometimes give us a look at things as they once were. This story rings true enough and much of what you see in characters and scenery is probably much like it was.