Young Warriors (1983)

Touches You

How sad is this?

if their story seems completely bonkers, almost like a feverish work of fiction, you ain't heard nothing yet.

This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

The film Starts out like Animal House and is quite enjoyable as a messy if not campy 80s college romp. But as the Film progresses we see that it is a study of Power and what it leads to. The journey is far more important than the destination in this one. The film is quite existential and bleak at times, almost a defeatist noir as we see the main character trying to avenge his sister (whom he had last treated poorly), only to cause far more harm in the process. This is all mixed with trademark over the top explosions, convenient crime encounters, a slow sex scene, bad dialogue, a slew of undeveloped characters that die off and some animated sequences. A Cheesy Ride but worth checking out for the novelty alone. A True genre Bender.

Kevin Carrigan (Van Patten) is a recent graduate of Malibu High and now is studying animation at Pacific Coast College. All he really wants to do is party down, drink beer, invite babes over to his Phi Delta Tai frat house, engage in quasi-homosexual frat initiations, and did we mention he also just wants to party down? His buddies Fred (Norris), Scott (Tom Reilly), and Jorge (John Alden) are all in on the carefree fun. But when a mysterious gang of bikers rapes and kills Kevin's sister Tiffany (April Dawn), Kevin changes. He realizes there's more to life than keggers and pranks, and he becomes sullen, distant and just plain weird.Tired of what he sees as too much police incompetence, signified by his own cop father, Lt. Bob Carrigan (Borgnine) and his partner Sgt. John Austin (Roundtree), these former frat-house knuckleheads go out on their own in a jeep with their beloved dog Butch (Casper the Wonder Dog) and try to solve the mystery of his sister's assault. But Kevin and his cronies get deeper and deeper into the seedy underbelly of the city - and its culture of extreme violence - and people like Kevin's mother Beverly (Day George), his girlfriend Lucy (Anne Lockhart) and his professor Hoover (Shawn) - worry Kevin has lost the plot, as well as his mind. Will Kevin's newfound obsession with violence consume him and everything he loves?In this pickup from Cannon, which infamously combines the 80's teen sex romp and violent revenge genres, we see a major flaw: the movie, despite all the action and shooting and such that we see, actually has an unpleasant, anti-revenge motif. Obviously director/co-writer Foldes didn't realize what audience he was making this film for. You can't make a relatively entertaining, if misguided and overlong, exploitation film catering to drive-ins and hounds of that genre, and then turn around and say "violence and revenge is wrong; don't do it". That's really lame and hypocritical. Just blow up the bad guys with a missile launcher and save your whiny treatises for your shrink (i.e., make a different, less confused, movie).Another flaw is that our "heroes" are unlikable and you don't care about their plight. The whole first half of the movie is carefully setting up our protagonists as frat-boy jerks. Would it have been so very hard to NOT have done that? So when Kevin flips out and becomes addicted to going out and "fighting crime", the transition isn't as dramatic as it could have been. You know he's really out of it when he wears his bandanna around in daily life. Also we don't know anything about the bad guys or even who they are. They are not established at all. So we don't really even know who Kevin and his buddies are fighting, which detracts from the conflict.So we have a rockin' title song by Lennie Gale, and the film is dedicated to legendary director King Vidor. I'm sure he's thrilled about that. For some reason, Kevin's father is elderly, and Dick Shawn plays the college professor Kevin talks to, where we get the annoying comment on violence the film puts out there. The theme "violence destroys us all" is just irritating for this type of film. But in the plus column we have Casper the Wonder Dog as Butch. He wears sunglasses and a hat, and, like we've seen so many times before (Killpoint, 1984, and Fist Fighter, 1989) come immediately to mind), he steals the movie. Here's what Young Warriors SHOULD have been: 1. Kevin and his friends are set up as nice, normal kids 2. The bad guys are established 3. They rape/kill Kevin's sister 4. Kevin and his friends become vigilantes 5. The bad guys kill/injure Kevin and his friends 5. Borgnine and Roundtree go rogue and get revenge for the deaths/injuries to their friends and family, and (OPTIONAL) 6. Ernest Borgnine shoots a missile launcher. THAT'S IT! If that was the movie, Young Warriors would be a classic for the ages. As it stands, we have a deeply flawed, but still worthwhile watch.Released in a big-box VHS in the U.S., for all its foibles, there's still some meat on the bone for 80's obsessives to enjoy with Young Warriors.For more insanity, please visit: comeuppancereviews.com.

Where do I begin as I really don't know. I came out of this film as blindly as I went into it. First we have comedy (I think that's what it was meant to be), then we have heinous crimes, then we have love and then vigilanteism. As I haven't a clue as to what genre this is really meant to be I've had to refer to the film page here to tell me. It says it's a crime/action. OK, crime I can go with as it was a crime to release it but where is the action? I've seen more action in a documentary about pot plants!The fact that this sorry tale enlisted the help of Ernest Borgnine and Richard Roundtree made it even more painful to watch and knowing they were in it was the only reason I looked at it to start with. I came out of it almost bereft and spent the whole time looking for some decent acting.Someone ought to tell the scriptwriter that you cannot put horrendous crime, no matter how badly acted, into what can only be classed as a farcical romp into the world of crime-fighting by young guys who fancy themselves as Charles Bronson wannabes.My lasting impression on this will be my own disbelief at how I managed to sit through this. (1/10)

If you`re not old enough to remember Yoram Globus and Menahem Golan here`s the rundown : They`re a couple of film producers and finaciers from Israel who set up the Cannon film company in the early 1980s . The only Israeli to get a worse press than these two was Menachim Begin . Begin probably deserved the bad press but Globus and Golan were a god send to film makers because no matter how bad your script was they`d happily fund your movie and would normally employ directors who couldn`t direct and actors who couldn`t act . In fact you often got the impression that people would just walk up to Yoram and Menahem ask them for some money and they`d oblige without seeing the film maker`s resume . If only producers nowadays were so trusting.THE YOUNG WARRIORS isn`t a Cannon film but Globus and Golan did finance it and it has their signature all over it . It`s badly directed , badly acted , badly edited but it`s the script that jumps out and attacks you with its awfulness . It starts with a bunch of high school jocks getting involved in all sorts of zany pranks , in fact the first 20 minutes of the movie plays out like a sex comedy and it`s something of a shock when THE YOUNG WARRIORS turns into a vigilante movie . But it`s not just any type of vigilante movie like EXTERMINATOR 2 or DEATH WISH 3 ( Notice a connection ? They`re both sequels and they`re both vigilante movies made by Cannon films ) , no siree this is a laughably bad vigilante movie about pretty boy high school jocks and their poodle going on a mission to wipe out scumbags . This film is proof that Globus and Golan were giving money to people regardless of their film making abilities and you have to worry about people who seem to spend their entire reserves on making movies set entirely around vigilantes