The Corsican Brothers (1941)

The Age of Commercialism

Overrated and overhyped

A Major Disappointment

The movie really just wants to entertain people.

Another rousing swashbuckling adventure from the pen of Alexandre Dumas. Douglas Fairbanks Jr. stars as the storied Corsican Brothers.The story opens with Count Franchi (Henry Wilcoxen) awaiting the imminent birth of his first born and heir. Twin boys are delivered to Countess Franchi (Gloria Holden). Dr. Paoli (H.B. Warner) delivers the news that the twins are in fact Siamese twins joined at the hip. The Count has prepared a celebration nonetheless, however the evil Baron Colonna (Akim Tamiroff) and his men have infiltrated the gathering and attack the Franchi household burning the estate to the ground killing all inside.Dr. Paoli and dedicated servant Lorenzo (J. Carroll Naish) manage to escape through a secret passage with the twins. The doctor manages to separate the babies in an operation. They are named Lucien and Mario respectively. They then decide that to protect the twins, they should be raised separately. Trusted Franchi friends, the Dupres (Walter Kingsford, Nana Bryant) agree to raise Mario in Paris while Lorenzo takes Lucien to be raised deep within the Corsican forest.Twenty years later, the boys have grown. Lucien has become a bandit praying upon Colonna's men. Mario meanwhile, has been living the good life in Paris. When they turn twenty-one they are re-united in the forest camp of Lucien and Lorenzo. The two lead separate raids on Colonna and his men, popping up in two separate places to confuse Colonna and his cousin Tomasso (John Emery) in the process.Countess Isabelle Gravini (Ruth Warrick) whom Mario had met in Paris arrives on the scene having been forced to listen to Colonna's proposal of marriage following the latter's murder of her father. Isabelle is abducted and taken to the Corsican Brothers camp. Since each twin experiences the feelings and pain of the other, they of course both fall in love with her.Isabelle prefers Mario which causes feelings of jealousy and vengeance within Lucien. Fearing that she has come between the two, she returns to Colonna's house. Mario impersonating a jewel salesman attempts to rescue her. His ruse is discovered and he is arrested by Colonna. As Mario is being tortured, Lucien feels his pain. Will he ride to save his brother? Will the evil Baron be defeated? Who will win the hand of the lovely Isabelle? And, there's a great sword fight at the story's climax, not to be missed.Douglas Fairbanks Jr. had been in films since his childhood. Although he tried not to emulate his famous father, he was always at his best in adventure films. This was his final film before entering WWII after which (six years later) his career never regained its momentum. Akim Tamiroff makes a suitably distasteful and slimy villain. J. Carroll Naish turns in another of his solid supporting roles. Henry Wilcoxen's role is all but too brief, but he does get in a little sword play before his exit. Ruth Warwick makes a fetching Countess worthy of the brothers competition.Other recognizable faces in the cast include William Farnum (who had worked with Doug Sr.), Henry Brandon. Ric Vallin, Anthony Carouso and Charlie Stevens.An exciting adventure in the tradition of The Three Musketeers.

I'm glad I had a chance to see "The Corsican Brothers" on TCM. It was exciting, exotic, romantic, and, best of all, from my point of view, based on a classic.In the opening credits, it's stated that the film has been "freely adapted," or, in other words, loosely adapted, from the original Dumas novella. Here's what is similar and different between the two versions. Both film and novella feature Siamese twins, surgically separated, with one living in Paris, the other in the Corsican hills, and thereafter able to sense each other's feelings with a kind of ESP. In both, the Parisian twin learns of a bet between two gentlemen to connive (or force, in the original) a date with a beautiful lady, and the Parisian gallantly intervenes only to be injured. Of course, his twin living back in Corsica in both cases is able to sense the injury. This is the center of the original Dumas story, and all of this is in the movie as well.The film, though, in order to fill out a full-length feature, adds a great deal to this original plot. In the film, it is imagined that the reason for the original separation of the twins is related to a massacre of the twins' parents and family which is part of a larger family feud (this is Corsica, after all). When the twins become of age, they take up this feud as personal vendetta and begin killing the members of the other family, using their identical appearance as a method of trickery. The romance between Louis and the beautiful lady (here a countess) is also elaborated, and, to complicate matters, both twins both fall in love with her and wind up quarreling. All of this additional material I found diverting and, actually, probably necessary, since the original source was thin.Although there is much to praise about the movie, I'll mention one aspect I didn't personally like. In order to create two entirely different personalities who look identical but are of separate character types, Fairbanks makes Lucien, who lives in the Corsican hills, surly and sullen—not very likable. As for the Parisian Louis, Fairbanks makes him foppishly verbose—also not very likable. This wasn't part of the original story, where both brothers were appealing, intelligent, and well bred even while being different.I agree with the other commenter, by the way, that "Start the Revolution Without Me" based on the same conceit and probably the same source, where Donald Sutherland's foppishness is magnified to extreme lengths, is hilariously entertaining.

Douglas Fairbanks, Jr. and Douglas Fairbanks, Jr. are "The Corsican Brothers" in this 1941 film also starring Ruth Warrick, H.B. Warner, Akim Tamiroff, Henry Wilcoxin and Gloria Holden. Based on the Dumas novel, it's the story of Siamese twins born to the Franchi family (incorrectly pronounced frahnchee instead of frahnkey throughout the movie) just as the Baron Colonna arrives to wipe out the family and take over Corsica. He believes the twins perished in the fire that destroyed their home and the rest of their family; however, the doctor who delivered them (Warner) escapes with them. He is able to separate them, and it is decided that for their own safety, he will raise one, Lucien, and the other boy, Mario, will be raised in Paris. Lucien, however, is the empathic twin, experiencing all of his brother's emotions before he even learns he has one. They meet when they are 21 and vow to get revenge on Baron Colonna (Tamiroff).This is a very good movie, but the beginning scenes at Colonna's house contain some of the worst acting ever put on film. Apparently the guests at Colonna's house were extras found wandering the set that day and were given lines. Pretty appalling.Fortunately, the rest of the film isn't like that. It's fast-moving, exciting, and brilliantly acted by Douglas Fairbanks, Jr. who should today be regarded as a much bigger star. Unfortunately, unlike his father, he was working at a time when there was just too much competition, and, like Brian Aherne, he just didn't get to appear in enough of the films remembered today. Handsome, athletic, with magnificent acting technique, Fairbanks creates two completely different characters in Mario and Lucien and has, of course, genetic ability with a sword. Whenever one reads about swordfights, the Tyrone Power-Basil Rathbone swordfight at the end of "The Mark of Zorro" is said to be the best. It's dear to my heart also, but Fairbanks and Tamiroff do a bang-up swordfight in this film. Tamiroff is a real buffoon as the villain - it's a great characterization - he doesn't seem to know he's an idiot. Ruth Warrick, Phoebe Tyler of "All My Children" is lovely as Isabelle, the object of Mario, Lucien and the Baron's affections.Very enjoyable, if a little awkwardly filmed with dated effects.

Based on the famous Alexander Dumas novel of the same name, Siamese twins, Mario and Lucian Franzi are separated at birth by surgery and adopted by different parents. Lucian is raised in Corsica as a bandit, while Mario grows up in Paris as a suave gallant, but Lucian has a special psychic ability to feel his brother's feelings, though he is not even aware of his existence. At age 21, they are reunited in Corsica by their foster-parents and are informed that their parents were murdered by Count Colorra who has become the ruler of Corsica by killing off all his enemies through vendettas. In typical Sicilian fashion, the bandit brothers swear vengeance and start their campaign by attacking Colorra's interests. Mario becomes romantically involved with Countess Isabelle Gravini who is under pressure from Colorra to marry him and saves her from Colorra's clutches. Lucian who also falls in love with Isabelle,becomes jealous of his brother and abandons him when Colorra captures Mario. How Lucian escapes and gets his girl constitutes the final part of the movie.The highlight of this movie is Douglas Fairbanks, Jr, who stars in the title roles with great gusto and suavity. He is great in roles in like this, much better than his father was. However, to swashbuckling buffs, the swordfights in this film are, perhaps, only of middling quality. While Fairbanks carries the film on his broad shoulders, his co-star Ruth Warrick is not impressive. And Basil Rathbone would have been a great choice to play the villain Colorra rather than Akim Tamiroff who comes across more as a buffoon than as a sinister Sicilian cutthroat.In summary, "The Corsican Brothers" is a pleasant, highly watchable movie, with just the right amount of violence to make it exciting. However, the director Gregory Ratoff should have portrayed the unsavory institution of vendetta which blighted so many families in the isle of Sicily, in a less approving light.Reviewed by Sundar Narayan