Shanghaied (1915)

Touches You

Bad Acting and worse Bad Screenplay

By the time the dramatic fireworks start popping off, each one feels earned.

A clunky actioner with a handful of cool moments.

Am a big fan of Charlie Chaplin, have been for over a decade now. Many films and shorts of his are very good to masterpiece, and like many others consider him a comedy genius and one of film's most important and influential directors. From his Essanay period after leaving Keystone, 'Shanghaied' is not one of his very best or even among the best of this particular period. It shows a noticeable step up in quality though from his Keystone period, where he was still evolving and in the infancy of his long career, from 1914, The Essanay period is something of Chaplin's adolescence period where his style had been found and starting to settle. Something that can be seen in the more than worthwhile 'Shanghaied'. 'Shanghaied' is not one of his all-time funniest or most memorable, other efforts also have more pathos and a balance of that and the comedy. The story is still a little flimsy, there are times where it struggles to sustain the short length, and could have had more variety and less more of the same repetition.On the other hand, 'Shanghaied' looks pretty good, not incredible but it was obvious that Chaplin was taking more time with his work (even when deadlines were still tight) and not churning out as many countless shorts in the same year of very variable success like he did with Keystone. Appreciate the importance of his Keystone period and there is some good stuff he did there, but the more mature and careful quality seen here and later on is obvious.While not one of his funniest or original, 'Shanghaied' is still very entertaining with some clever, entertaining and well-timed slapstick. It moves quickly and there is no dullness in sight, it's also very charming and sweet without being cloying.Chaplin directs more than competently, if not quite cinematic genius standard yet. He also, as usual, gives an amusing and expressive performance and at clear ease with the physicality of the role. The supporting cast acquit themselves well, notably Billy Armstrong.In conclusion, pretty good. 7/10 Bethany Cox

This is another early Chaplin film made for the Essanay Studio, and while it has its moments it certainly isn't one of Chaplin's best. It's difficult to sympathise with his plight when he finds himself shanghaied into service on a boat because he was responsible for most of his equally reluctant shipmates being there as well. More important than this though, is the fact that it just isn't that funny, with too many gags running for far too long and therefore outliving the laughs they originally generate. There's also a curious lapse in spatial awareness when Chaplin is seen to exit left from one room then enter left into the next room. Given Chaplin's reputation for perfection, this might be down to the print I saw being made up of two prints spliced together with one unintentionally reversed. Or maybe I just imagined the whole thing – it was a couple of weeks ago

This is a pretty enjoyable Chaplin short from 1915. While certainly not among his best, it is worth seeing and is far from a bad film. In fact, up until the rocking ship segment of the film, it was probably a good bit better than average. Charlie was offered a job helping some sleazy ship's captain from kidnapping a crew for his boat--which the owner already intended to blow up for the insurance money (this is DEFINITELY not a ship you'd want to work). In the end, he, too, is conked on the head and becomes an unwilling crewman.However, despite a good beginning, soon Chaplin chooses to incorporate a rocking boat sequence into the film while he worked as a dishwasher. I've seen rocking boat scenes in two other Chaplin films already before this (including A PERFECT DAY and one other that doesn't immediately come to mind). I really hated this because although Chaplin was known for his attention to detail, these scenes by him were always handled very sloppily. Once again, the boat rocked way too fast and way too quickly--while the ocean appeared very calm. It just looked stupid and didn't make me laugh. A rolling boat COULD have been very funny--but not one that looks like that! Well, after this lousy part of the film, the short got better and involved Charlie saving the boat and the lives of everyone. At least it ended well.

"Shanghaied" has a plot that is rather complicated for such a short film, but as in most of Charlie Chaplin's earlier films, the emphasis is really on slapstick comedy.The story involves a scheming ship owner and his roughneck captain, who tricks and "shanghais" a group of sailors, including Charlie, to form his crew. The ship owner's daughter is in love with Charlie, and comes along for the ride. It's a bit hard to catch everything in the plot, but the slapstick at sea is easy to follow. Chaplin gets decent mileage out of a few ideas using the shipboard setting, as he and the crew try to handle the cargo and work in the kitchen as the ship rocks back and forth.While not one of Chaplin's best, there are still a few good laughs to be had in "Shanghaied".