This Is the Army (1943)

Excellent but underrated film

Absolutely brilliant

Great movie. Not sure what people expected but I found it highly entertaining.

It is a whirlwind of delight --- attractive actors, stunning couture, spectacular sets and outrageous parties. It's a feast for the eyes. But what really makes this dramedy work is the acting.

It must have gone over well with wartime audiences, those on the home front waiting and worrying about loved ones abroad. "This Is The Army" is a big, splashy musical with lots of familiar Hollywood stars and with almost constant music by Irving Berlin. Just the thing to boost the morale - uplifting, upbeat and very patriotic. However. You might be tempted to say that the story gets in the way of the songs, but the story is not all that interesting to start with, and with some contrivance to boot. And the songs are loud but forgettable, the only one worth noting is "Oh, How I Hate To Get Up In The Morning", sung by Irving Berlin himself. But that's the last scene in a movie which seems interminable at times. The best one can say is that it made the folks on the home front feel much better. My star rating is in the heading as the website no longer prints mine.

This WWII Technicolor Warner Brothers flag waving extravaganza, directed by talented Michael Curtiz, essentially stitches together two classic war-themed Irving Berlin musical stage productions: "Yip,Yip, Yaptank", which he composed while a WWI soldier at the army base near Yaptank, Long Island, and "This is the Army", a very recent theater show, dealing with WWII, and featuring its title song, among many others.It is perhaps overly long at 2 hrs. The overture is certainly too long, and there are perhaps too many stage numbers featuring large numbers of soldiers or sailors. There are times when the background drama or stage productions sag. But, on the whole, I found this film rather entertaining and inspiring, even 70 years later. It was well attended by contemporary audiences.George Murphy was a great choice as the lead show business-soldier combo star: sort of a stand in for Berlin.He had been and would be a star in a number of musicals during the late '30s and early '40s, having vaudevillian talents plus a fair dose of charisma, certainly more than Reagan's at this time. Often, as in this film, he served as the show director/producer, as well as a sometimes performer.Both he and Reagan would serve a term as president of the Screen Actor's Guild, and he would serve a term as a US senator, with Reagan eventually eclipsing him as a political executive.Many people want to know why Reagan's character was included in the film, as he seems to do little except reject his long term girlfriend's periodic pleas to marry her before he goes overseas. At this time, even variety shows, such as this, were thought to require some minimal element of romance and romantic drama. He also serves to add more continuity to the story, taking the place of his father, George Murphy's character, as a soldier in WWII vs. WWI, even if he doesn't take his place as a vaudevillian performer. His conflict whether to marry his sweetheart then or after his tour of duty must of been a very common concern among the audience. Unlike Murphy's character, who married his sweetheart just before sailing, Reagan's character seemed insensitive to the desire of his girlfriend. She(Joan Leslie) finally has to basically rope and tie him to make him say yes.Although hardly given the build up accorded Kate Smith in her stirring "God Bless America" number, gorgeous Frances Langford, in a striking blue evening dress, sings about a soldier getting a letter from his wife, saying he has a baby boy. While this wasn't hit parade material, no doubt it was a fairly common topic of conversation among soldiers.For a sampling of what she could do with more memorable songs, check out "Broadway Melody of 1936" or "Yankee Doodle Dandy". Robert Shanley also does a great job as the lead singer in the "With My Head in the Clouds", "American Eagles" and finale "This Time" productions. James Burrell lends his fine Irish tenor voice to the lullaby-like "I'm Getting Tired so I Can Sleep" The "We're on Our Way to France" mass army performance in a theater was spectacularly staged, as was the Navy's mass performance, much later in the show. To me, the dancing highlights were the two 'blacks only' numbers. The first was a minstrel show with many in blackface, about half of whom were also in drag, as 'mammies', singing and dancing to "Mandy", which I rank as among the best songs in the film. Although this was staged as part of the WWII portion of the film,Berlin actually composed it for his 1919 Yip,Yip, Yaptank show..It soon became hit at the Ziegfeld follies,starring Eddie Cantor, who later included it in one of his talkie films.It was a soothing soft shoe-type song, with many dancing couples, including Fred Kelly, brother of Gene Kelly: presumably the one in purple trousers. I have never understood why many people in recent times consider moderate blackface performances racist. As a WASP, to me, such a minstrel show is just another form of clowning around.Should I get offended by traditional circus clowns, often in 'white face', acting foolishly? To me, it's the same. The dance performance following this, done by real African Americans, was another highlight, especially the one dressed outrageously in drag, who did a wild dance and got another going with an equally wild dance.Dancers or singers dressed in drag are featured in several productions. Unfortunately, this caused great problems in trying to distribute the film to Latin American countries, where this rather common format in shows put on by servicemen is not considered humorous. Why didn't they use service women? I suspect they thought it would add to the humor. In addition to singing "How I Hate to Get Up in the Morning" near the end of the film, Berlin sings "My British Buddy" in an outtake on my DVD. This was included in the film version for the UK. Again, his weak singing voice wasn't the greatest, but he got the message across that he hoped the UK and USA would remain close allies for many decades after this war was won. He got his wish on that one, but the spectacular finale stage production :'This time we will make certain that this time is the last time', expressing the determination that America would not again have to send soldiers to far off lands, proved far too optimistic. The US had become too important, internationally, to again retreat into isolationism. You may find the long documentary "Warner at War" included on my DVD to be of equal interest to this film. This DVD is currently included in a package with the other Warner war-related revues of this era : "Thank Your Lucky Stars" and "Hollywood Canteen"

Just watched again this, the third of the "war musicals" I'm reviewing for these next few days of which Something for the Boys and Thank Your Lucky Stars were the first two, having seen This is the Army previously during the summer of 1987 on USA Network and again several years later on a Diamond Home Video VHS tape. With the Warner Bros. DVD providing a much better print than the last couple times I've seen this, I managed to have a much better time watching it. In fact, the only times I've cringed were during the blackface "Mandy" number (though the dances-led by Gene Kelly's brother Fred-were enjoyable) and during the "Stage Door Canteen" sketch where we get lame banter of one man dressed as Lynn Fontaine and another as her husband Alfred Lunt, not to mention having another man impersonating European thespians praising the hamburger. Otherwise, this movie had mostly enjoyable comedy especially whenever Alan Hale, Sr.-who is very much like his "Skipper" son in lovable blustery-is on screen, drama with Lt. Ronald Reagan and Joan Leslie debating the merits of marrying before leaving for battle, and musical highlights-like when Kate Smith sings her stirring and iconic rendition of "God Bless America" or even when composer Irving Berlin makes his entrance in his old uniform singing "Oh, How I Hate to Get Up in the Morning" (not to mention an additional song filmed exclusively for English audiences called "My British Buddy" which is an extra on the disc). And the number "That's What the Well-Dressed Man in Harlem Will Wear" isn't all that offensive concerning the African-American performers though I don't think it really was necessary to have boxer Sgt. Joe Louis in this as he just punches a bag during it. All in all, this was a rousingly patriotic show that really delivered. P.S. I have to note that co-screenwriter Capt. Claude Binyon came from my birthtown of Chicago, Ill. And when I first watched this, during the commercials, I switched to other channels and saw live coverage of President Reagan and his wife Nancy consoling various people on the death of loved ones. I'm guessing this was related to the event of May 17 of that year (two days before I graduated from Belaire High School) when 37 American sailors were killed on the U.S.S. Stark after it was set afire by two missiles from an Iraqi airplane. Talk about coincidence...

While combining through my local big retail store, I found in the dollar bin an old movie made in 1943. What intrigued me about this film was that it had one of our country's greatest political figures in it. I have always been a fan of Ronald Reagan even though I fancy myself a Democrat. I had always wished to gaze upon him in his prime as an actor, and never been granted the means to do so until this point. Imagine my dismay when returned home to find that my favorite political figure does Black Face in this film, which in my opinion is one of the most insensitive things anyone could do. I know and understand the film was made at a time when this was allowed and respectable commonplace. I also know that things like this should be watched so we can better understand where our nation came from, and that it has not been all that long since the world mistreated blacks. I just don't know how this film was overlooked when Reagan ran for the presidency or even for Governor of California. I believe everyone should watch this and learn that even though this man lead us through the greatest decade of all time, in the past he was a bigot, and that his legacy still continues today with the son of Reagan's vice president now our president. It makes you wonder what false race lies were shoved down Mister Bush Jr. throat before he made to being our national leader. Watch this film to see our past.