Andy Hardy Meets Debutante (1940)

The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

It's hard to see any effort in the film. There's no comedy to speak of, no real drama and, worst of all.

Wow! What a bizarre film! Unfortunately the few funny moments there were were quite overshadowed by it's completely weird and random vibe throughout.

The film never slows down or bores, plunging from one harrowing sequence to the next.

Producer: George B. Seitz. An MGM Picture, copyright 1 July 1940 by Loew's Inc. New York opening at the Capitol: 1 August 1940. U.S. release: 5 July 1940. 9 reels. 89 minutes.SYNOPSIS: The deb in question is not Judy Garland but Diana Lewis. Needless to say, the gormless Andy pursues this attractive young lady with his customary vigor, so that by film's end he can confide to his pal, Betsy Booth, that Deb Daphne was "just another milestone in my career."NOTES: In 1942, the Academy of Motion Picture Arts and Sciences presented a Special Award to MGM "for its achievement in representing the American Way of Life in the production of the Andy Hardy series of films".COMMENT: Produced and directed by George B. Seitz is definitely not information that will thrill many movie buffs. Worst still, we are all forced to wait 20 minutes for Judy Garland to come on and an equal length of time for her to sing "Alone". As might be expected, this and Miss Garland's other number are at least two points of interest in this tedious, sententious, and embarrassingly gauche piece of boredom. The direction is as dull as usual and the acting as hammy.Admittedly, Diana Lewis is also winning lass, but she loses out in all her efforts to offset the camera-hogging of her team-mate, Mickey Rooney. And to say the least, I would definitely label this one as a definitely very lesser endeavor of the aforesaid Mick, also known as Joseph Yule, Jr.

A lot had happened between Judy Garland's first appearance in the Judge Hardy's Family series-in 1938's Love Finds Andy Hardy-and her second appearance in this one that I'm now reviewing. The year before this one, she played Dorothy in The Wizard of Oz which, while not a blockbuster on the Gone with the Wind scale, would eventually become a classic perhaps due to CBS's annual showings from the '50s to the late '90s. She had also teamed equally with Mickey Rooney in the first of their "let's-put-on-a-show" musicals called Babes in Arms. So when she appeared as Betsy Booth again here, she seemed more poised and naturally sophisticated. And her scenes with Rooney were among the best in the movie culminating in a possible romance between them near the end. In fact, unlike previous entries, this one doesn't start with Judge Hardy in court session nor end with Andy reuniting with Polly by kissing her (though, of course, they do get back together). While Andy does seem to fall for Betsy though, most of the plot concerns his getting in trouble by lying about knowing New York socialite Daphne Fowler (Diana Lewis) and trying to get to her. The humor is more subdued here but it's still there like when Andy goes to a fancy restaurant and just orders the specials without considering the prices! It's especially noticeable when Andy and Marion don't argue like they usually do! Anyway, largely because of the special bond between Judy and Mickey and of hearing Judy's wonderful singing voice on two songs here, I highly recommend Andy Hardy Meets Debutante.

Andy Hardy may have been the shining member of his class in Carvel, but when his family goes to New York with the Judge on business, he finds he can't take it on as he did the less sophisticated people in his home town. He has lied to his girlfriend Polly that he has made friends with a rising young New York débutante named Daphne Fowler (Diana Lewis). She expects evidence or will put a doctored picture of Daphne and Andy on the school's newspaper. I guess Polly had access to some pre-historic version of photo shop because she sends him a copy of the cover she intends to use unless he comes back with proof. In New York, Andy runs into old pal Betsy Booth (Judy Garland) whom he still considers a little girl. But two years have turned Betsy into a lovely teenaged girl and she has moved gracefully out of adolescence into being rather sophisticated herself. She looks like Jane Wyman in the later "Lost Weekend" in her leopard coat and hat. Of course, she still gets two songs belittling her attempts to find romance-"Alone" and "I'm Nobody's Baby". She adds some comic twists to the first song in order to get Andy's attention, and finally does when she starts swingin' to the latter. Andy finally opens his eyes to what he has been missing and sees his feelings for the débutante for the infatuation it was.As far as the other Hardy's, Andy and Marian don't argue all that much in this one which is a nice omission from the previous films, and Fay Holden's ma finally is the more gentle "would you care for more pie?" type mom rather than the lightly nagging wife she was in the beginning of the series. Sara Haden is back as Aunt Millie although she doesn't appear in the opening credits. She is actually more sympathetic to Andy than his parents are, while some of Lewis Stone's fatherly advice is laughably preachy. French born George P. Breakston is the little boy (whom Andy first assumes is a little girl) who is used in a silly plot twist involving Judge Hardy's attempts to keep funding for the Carvel orphanage from being stopped.I can't highly recommend this film other than for die-hard Judy fans. It's another MGM moral lesson from Louis B. Mayer's one-sided mind of what the American family should be, never has been, and never could be. The saving grace in this aspect of the film is that Andy does get himself into a shopping cart load of trouble and is less than the peppy All-American teenager Andy was in his home town. Look for references and a photo of Lana Turner's character Cynthia, who is mentioned several times, and referenced to no longer living in town.

Andy Hardy Meets Debutante (1940) ** 1/2 (out of 4) The ninth film in the series (if you don't count the two shorts) has the Hardy family going to New York so that the Judge (Lewis Stone) can help keep an orphanage open. Andy (Mickey Rooney) has gotten into some trouble because he told people back home that he knows a famous model (Diana Lewis) and that she has the hots for him. While he tries to track her down he's too stupid to realize that there's one young woman (Judy Garland) who really does care for him. Outside the two shorts, this here was my first film from the series and it was pretty much what I expected even though I've read this wasn't nearly one of the best of the series. There's enough charm and good will for two movies so it's hard to imagine someone not getting some entertainment out of the film. I think it goes without saying that this film, and the series for that matter, was built around moral lessons for young people as Andy has a problem and then Judge is there to help him. The problem here is Andy being poor and from a small town feeling as if he isn't good enough to be around those who might look down on him. The importance of social standing and money is something Judge has to explain and this scene, while over-dramatic, does deliver a nice message. Rooney is in top form and delivers another winning performance. His comic timing is just right and his attitude perfectly mixes in with the stern Stone. The two of them work well together but that's to be expected considering how long this series ran. Garland is also pretty good here and manages to get off two songs. Rutherford, Fay Holden and Cecilia Parker are also winning in their roles. The scene stealer is the young Clyde Willson who plays one of the orphans and gets a big laugh each time he says a line given to him by Andy.