Counter-Espionage (1942)

To me, this movie is perfection.

Although I seem to have had higher expectations than I thought, the movie is super entertaining.

There's no way I can possibly love it entirely but I just think its ridiculously bad, but enjoyable at the same time.

All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

In 1942's "All Through the Night", Nazi Conrad Veidt tried to get American sportsman Humphrey Bogart on his side by pointing out his non- conformity as patriot. It didn't work for Bogart, and it doesn't work for Warren William, here equally on the outside, yet still patriotic as he goes out of his way to expose Nazi spies in London while being accused of being a traitor. With Scotland Yard searching for them (not to mention New York detectives Thurston Hall and Fred Kelsey, ironically in London on other business), William and valet Eric Blore have their share of hiding to do, although with Kelsey on the trail, it'll be fairly easy to outwit them and trap the villains.Clever plot line has innocent William being guided by blindfold with the help of Blore through London to disguise himself and pick up clues simply by sound and not with sight. Hilary Brooke is the pretty Scotland Yard worker who suspects him of the worst and finds out the hard way of the truth. Lloyd Bridges has a small part as a waiter with Nazi leanings, and Forrest Tucker is also one of the bad guys. B features made on cheap budgets often looked as good as the A's and were often better. This is a perfect example of why they are used as research by film students.

And the day I watched it, it was raining. It's a good programmer which killed some time until dinner and, besides, I couldn't mow the lawn anyway. "Counter Espionage" has a recognizable cast who move the story along in an entertaining fashion, along the way striving to overcome a mundane plot which tries the audience's patience with plot contrivance after contrivance, but I just went with it with it since it was raining out.I Always enjoy the dulcet tones of Warren William as The Lone Wolf and he's aided and abetted here by Eric Blore, his simpering man Friday, and Hillary Brooke as a heroine for a change. Lloyd Bridges has an unbilled role as a henchman. I suppose it could have been better but at 75 minutes it doesn't wear out its welcome, and it's odd not even Edward Dmytryk could punch it up for a higher rating.

Wartime restrictions being what they were if Great Britain had some kind of secret weapon called a beam detector, we couldn't get too specific about it. Suffice it to say the Nazis want the plans for it real bad and it's in the safe of British spy-master Stanley Logan who gets himself killed. For some plot reason I can't quite fathom Logan's aide Leslie Denison is kidnapped by the Nazi spies and its the other aide Morton Lowry who actually is betraying his country. Or is it his country, spy ring head Kurt Katch uses a German name to refer to him, I suspect he was one of those British citizens with German ancestry pressed into service for the fatherland like Peter Graves was in Stalag 17.But these Nazis haven't reckoned with the fact that Logan hired the Lone Wolf to ferret out that spy ring. With the beam detector plans as bait, Warren William goes on his mission and while it doesn't go as smoothly as a Mission Impossible mission the job gets done.Whenever these pulp or even classical heroes like Sherlock Holmes got shoehorned into a World War II flag-waver the results didn't really make for lasting cinema. The same can be said for Counter-Espionage. Two future players of note, Forrest Tucker and Lloyd Bridges are a pair of Katch's associates. The film is noteworthy for early appearances by Bridges and Tucker and little else.

I really enjoy watching B-detective films, such as Charlie Chan, the Saint or the Lone Wolf. However, although these breezy little pictures are a lot of fun, they do sometimes suffer from plots that are just too formulaic. In particular, Columbia Pictures' Boston Blackie and Lone Wolf films are too often so similar that it's easy to not be able to remember which you have seen and which you haven't. Both films feature a reformed master thief who is now working for good and stupid cops who again and again and again accuse them of whatever crimes occur on their beat. And all too often their plots are nearly identical.It is in light of this that I really enjoyed COUNTER-ESPIONAGE since it offers a new and very unusual locale and a change in the usual plot. Instead of the likable Michael Lanyard being in the States, here he is in London and is mixed up in a spy ring. About the only negative about this is that the same old inspector and his idiotic sidekick are somehow ALSO here--talk about a contrived plot! The film begins with a kidnapping as well as Lanyard stealing some top-secret defense plans all from the same home. The viewer no doubt will think that in spite of it all, Lanyard is STILL on the side of good--and of course this is the case. After all, who would cast the hero as a Nazi?! But despite this being a bit predictable, the film is a nice little diversion--one that will not bore or blend in with all the other many B-detective films out there.