The Rape of Richard Beck (1985)

Good movie, but best of all time? Hardly . . .

Admirable film.

I really wanted to like this movie. I feel terribly cynical trashing it, and that's why I'm giving it a middling 5. Actually, I'm giving it a 5 because there were some superb performances.

Strong acting helps the film overcome an uncertain premise and create characters that hold our attention absolutely.

Richard Beck is a NYPD cop with some old school views regarding women, especially concerning sexual assault. Victims sometimes bring things on themselves, a lack of understanding as to why victims often have trouble identifying & prosecuting attackers (as compared to victims of other crimes), and of course a categorization of assaults as more or less important dependent on the circumstances (a date rape maybe more a misunderstanding in Beck's view, not the same as the serial attacker who grabs you off the street or invades your home). Those attitudes, however are put to the test when he himself is assaulted.Richard Crenna won an Emmy for his outstanding performance as the chauvinist cop turned victim in this film. We see Beck early on as more of a low rent Dirty Harry type, a good guy who isn't always bound by conventional rules, such as when he's about to go off duty but stops three street thugs from hassling a homeless man (and decides to teach one of them a lesson about being bullied). We also see him risk his life to save a hostage in pursuit of murder suspect, then take the armed killer down and into custody. We see Beck off duty, clearly in love with his ex wife, unhappy they aren't together but reluctantly letting her life on her own (and date someone new who seems to be spending significant time with his two kids). Becks as a father seems interested in his daughter's musical pursuits and enjoys taking his son fishing on weekends, often with his dad, a retired cop in his own right. It's all designed to show Richard Beck as a decent human being at heart, not a one dimensional male chauvinist jerk with no compassion or concern for others. Crenna does a marvelous job straddling the line between the outdated and misunderstood misogynist and the more normal cop and dad, a drama movie version of Archie Bunker, who's attitudes on race left a lot to be desired but at heart wasn't an uncaring or unsympathetic man who deeply loved his wife and daughter.All of this makes Beck's transformation to a more enlightened man believable after he is assaulted while pursuing (foolishly without back up) two felons. We see Beck faced with same life or death situation many female rape victims face, the shock and disbelief following the attack, as well as the invasive and almost dehumanizing post assault investigation conducted by medical personnel, none of which is like anything victims of other types of crimes endure, a fact that until now has eluded Beck's conscious. Of course, it would be silly if Beck "saw the light" right away, and he doesn't, as we watch him withdraw from work and family unable to process what has happened, which isn't uncommon in sex assault victims regardless of gender or any pre conceived stereotypical attitudes. Beck also deals with the questions surrounding many victims related to whether or not their behavior caused the assault, made worse here for dramatic effect because of Beck's reputation as a rogue in the field and the way he has rubbed some higher ups in the Department and DA's office the wrong way through the years, a classic case of "prosecuting the victim".The supporting cast is strong, particularly Francis Lee McCain as Beck's ex wife, who plays a key role in helping him regain his dignity and re connect with his kids after his self imposed post assault exile. Meredith Baxter plays a rape counselor who in the past who crossed paths with Beck, but despite their differences she offers him support in the end, as well as a lead in possible serial rape case that Beck agrees to follow up on which involves a suspect he let walk on a bench warrant when trading information on another case (maybe not the best choice he could have made). Some of the individual scenes are gut wrenching, including the actual assault, Beck's initial rape exam in the hospital, his being brought to tears as the DA questions whether he was at fault for the assault, and great scene where Beck, trying to get his life back to normal, resumes his weekend fishing trips with his son and father, only to have his dad turn on him, humiliating him in front of his child, furious his son the cop would even engage such criminals without back up and unable to understand how his son could "let" an assault like this happen (you start to see where some of Beck's preconceived opinions have come from). Crenna is outstanding start to finish, despite some very challenging material, and deservedly won an Emmy Award For Best Leading Actor for this film (this was a busy time for him as he also received two Golden Globe nominations, one for this film and one for his role in the Matt Dillon film "Flamingo Kid"). This is one TV movie that stands the test of time and remains compelling no matter when it's viewed.

The Rape Of Richard Beck should never have been a made for TV film, it was truly worthy of theatrical release. Had it been on the big screen there might have been an Oscar instead of an Emmy that sat on Richard Crenna's fireplace mantel. The big screen's loss was the small screen's gain. Richard Crenna in the title role is a hard-nosed cop who has little patience for the victims of sex crimes, especially after he was reassigned to sex crimes after pulling a real cowboy performance in apprehending a suspect. Maybe he's seen too many Clint Eastwood films and emulates his style, but there's nothing wrong calling for backup.Afterward he's still looking to score big and follows two really suspicious characters into Seattle's underground where they get the drop on him. The two are a really vicious pair of inbreds and male rape is probably an ordinary thing in their family. They both assault and rape him and make the mistake of leaving him alive. Probably they don't want a cop killing on the resume, at least they're bright enough to appreciate those consequences.The story centers around Crenna who has to readjust his thinking and come to grips with the fact that cops can be victims too. Crenna is now going through victim trauma, rape trauma something he'd been dismissive of with women before.Other roles to note are George Dzundza as his partner, Pat Hingle as his father and a former cop as well, Meredith Baxter as the rape counselor who previously had not been getting along with Crenna. Most of all the role to note besides Crenna's is that of Frances McCain as Crenna's ex-wife who has an interesting relationship with her former husband.This one is highly recommended, especially for those considering a career in law enforcement.

This bold and thought-provoking TV movie centers on a bigoted and sexist police officer (the late Richard Crenna) who has always believed that rape victims "ask for it", but finds himself re-thinking his belief after he is sexually assaulted himself. This was definitely new territory where TV movies were concerned but it was done with care and taste. Crenna's gutsy performance won him an Emmy Award in a disturbing film that raised quite a few eyebrows. I was impressed with the filming of the actual assault scene. A scene that could have been cheap and exploitative was done with style without compromising the integrity of what was going on in the scene. A serious adult movie experience for those who like a component of challenge in their entertainment.

This TVM features rape as the dramatic centre point but there`s a difference in that the victim is a middle aged streetwise cop who is MALE . The crime itself is thankfully understated ( This is a TVM after all ) and the teleplay revolves around the victim Richard Beck struggling to come to terms with his rape as he finds sympathy in short supply Casting Richard Crenna as Beck is a double edged sword . Crenna is best known as playing supporting roles usually as good guys and he gives a very good performance here . Unfortunately he does come over as being far too nice to be entirely convincing as a tough streetwise cop . I couldn`t help notice that the script also seems to play up to the nice guy character of Beck . We the audience are supposed to empathise with the victim but if they`d made Beck a rather more hard edged or just plain nasty and cynical character we`d have still felt sorry for him . Considering the theme is one of rape I can`t feeling the producers have made a mistake in making Beck too likable . Were they frightened that if we saw Beck give someone a few slaps now and again we would have thought he deserved to be raped in some way ? I can`t help thinking everything would have worked a bit better if there had been more in the way of " Rape victims deserved it " from a sneering cynical arrogant pre rape Richard Beck which would have made a few scenes work even better , scenes like where his police chief says " Get out of here punk " when Beck goes to pieces at the ID parade or when Beck desparately explains to his unsympathetic relative that " There was nothing I could do , they had a gun to my head " As it is THE RAPE OF RICHARD BECK is a very good TVM but probably tries a little too hard to make us empathise with the rape victim which isn`t necessary because no one deserves to be raped