The Big Shot (1942)

Wonderful Movie

Sorry, this movie sucks

A lot of perfectly good film show their cards early, establish a unique premise and let the audience explore a topic at a leisurely pace, without much in terms of surprise. this film is not one of those films.

Great story, amazing characters, superb action, enthralling cinematography. Yes, this is something I am glad I spent money on.

"The Big Shot" is a 1942 film starring Humphrey Bogart and Irene Manning. Bogie is a career criminal, Joseph Berne, who is sent to prison for life for something he didn't do - set up by his own attorney (Stanley Ridges), who finds out that Joe is involved with his wife (Manning). Berne's fake alibi is provided by a young salesman, George Anderson, who needed money and instead gets a year for perjury. It's George's predicament later on that gives Joe a crisis of conscience.After years of toil at Warner Brothers, Bogart is now a star, and his image as a gangster is softening and would morph with Casablanca into an anti-hero. He does a good job in this film - his story is told in flashback from the prison hospital. The script is problematic. One glaring offense is that the police locate a criminal in a cabin. When they get there, they don't surround it, and their prey, not even aware the police are there, go out the back and drive away. Most viewers are aware that the cops surround an edifice. Not here. The movie is not particularly well directed by Lewis Seiler. There is, however, an exciting car chase.Of interest here is George's girlfriend, the beautiful and doomed Susan Peters, who less than three years later would be paralyzed in a hunting accident. She was signed by MGM after this film. 1942 was a banner year for her, as she was nominated for a supporting Best Actress Oscar for "Random Harvest." She died in 1952. One of Hollywood's saddest stories.

This movie is very similar to Bogie's first movie "Up the River." Having seen all but three of his movies I was not expecting very much and chose to watch it only because it was one I had never seen before. I was pleasantly surprised by the acting. But, the location shoots and especially the stunt work was extremely well done for the time. The first car crash was very different than those of most movies that are over 65 years old, showing a car crashing through other cars and then flying off of a ramp and rotating through the air before it exploded into flames. The location shots taken in the snow covered high mountain country provide glimpses of vintage life in rural America of 1940. And the ending car chase and motorcycle stunts were very impressive for stunt men without the safety equipment that is now used. Even the dance scenes that "Dancer" was in were also enjoyable and revealed some of the dancing style of vaudeville. All in all the movie was entertaining and worth seeing, especially if you are a fan of Bogart and early stunt work.

Not even Bogart can save this film. Bogart's fame had caught up with his talent by the time this film was made. Its surprising that Warner would make such a bad film that could have wrecked the career of its star. If anyone thinks this film is great, just ask somebody who is film buff, which means a Bogart fan who played in "Big Shot", chances are the question will go unanswered. This film is hardly ever played, and its no wonder. For those commentators who liked the chase scene in the snow, they must have never ridden a motorcycle, let alone in the snow on mountain roads. The cops do eventually crash, but not before firing about twenty shots,which means they would have had to reload at least twice, while driving one handed. For those not familiar with revolvers, and apparently the writer's were not, loading a revolver is basically a two handed operation. So that means the cops would have been driving in the snow with no hands on the bars.Unrealistic court rooms are not unusual for most movies, but this one is really bad. Surprise witnesses may be dramatic, but they are hardly an accurate portrait of the court system.Unlike most Bogart gangster movies, you can never figure out whether he's a robin hood bad guy, or just a bad guy. In this film, the writer's created someone who comes across as a little sappy. Wasn't it quite unlike other Bogart characters to be stopped from pulling an armored car robbery by his former girl friend now married to the crooked attorney who for some never quite explained reason will get most of the loot.The only good line in this film is during the prison break scene where the former girl friend is trying to fool around, and Bogart retorts, "I can only do one thing at a time." Not only was it a funny line, but one of the most believable.I am still trying to figure out how Bogart and girlfriend got out of the house into their car. The prison seemed more like a refuge for bad actors, rather than bad characters. If a guy acted like "Dancer Smith" in prison, he would probably been raped so often, he would never been able to dance. This also was the first prison break that used a spot light to put out the lights. A novel but highly unlikely way of to start a break.Its hard to believe that Warner Brothers put this film out at the same time it put out the Maltese Falcon, Casablanca, High Sierra. Some of Best films ever made which makes this film a real stinker.

A very exciting fast paced gangster saga, It's interesting seeing Bogart reverting back to his 30's style tough guy persona one more time immediately after his acclaim as Sam Spade in "The Maltese Falcon" & just before his next triumph as Rick Blaine in "Casablanca". This was a transitional period in his career when his image was being redefined from gangster to anti hero. This movie was released at the wrong time, it was seen either too late or too early. Had it been made & seen in the 1930's or had it been withheld & shown in the postwar years along side of "White Heat" it might've went over like gangbusters. But not in 1942 during World War II? We had much more pressing concerns & worries with the Japanese & the Germans. This movie is every bit as good as "High Sierra" if not better, the car chase scene down the slippery slope is exciting & well done. This film literally puts the pedal to the metal & never let's up once. The story moves at lightening speed & will blast you right out of your seat. The Big Shot marked the last time Humphrey Bogart would appear as a gangster, he would not play a gangster for another 13 years until he appeared in a television production revival of "The Petrified Forest" recreating his famous Duke Mantee character. Bogart returned to the movies bringing Duke Mantee with him as escaped convict Glenn Griffin in the William Wyler directed suspense thriller The Desperate Hours in 1955. The Big Shot is essential viewing for fans of old gangster movies & for Bogart fans as well, I like both. So get your tommy guns & tear gas out & enjoy this shoot em up farewell send off to an exciting genre!