King of the Roaring 20's – The Story of Arnold Rothstein (1961)

I don't have all the words right now but this film is a work of art.

It's entirely possible that sending the audience out feeling lousy was intentional

It really made me laugh, but for some moments I was tearing up because I could relate so much.

The storyline feels a little thin and moth-eaten in parts but this sequel is plenty of fun.

****SPOILERS*** A robotic looking as well as acting David Janssen plays big time gangster Arnold Rothstein the man with the "Big Bankroll" who broke his father Abraham's, Jeseph Schildkraut,-An observant and synagogue going man of the Jewish faith-heart by not studying to become a rabbi or cantor and even worse later marrying a "Shiksa"-A woman not of the Jewish religion-Carolyn Green, Dianne Forster, who to add insult to injury refused to convert to Judaism. But the biggest and baddest thing that Arnold did was getting involved with the mob in becoming its major bag-man and financier that had him end up losing every thing he had, including his life, by the time the movie ended.We get to see Arnold work himself up the ladder of organized crime since he was a teenager with his good friend "Irish" Johnny Burke, Mickey Rooney, whom he later set up to get rubbed out by the mob. That by Arnold tricking him to testify against corrupt cop Let. Phil Butler, Dan O'Herlihy, who's been a pain in Arnold and Johnny's butts since they were teenagers running numbers for the local mobsters. It's later that he had Butler who was behind Burke being rubbed out get arrested indited convicted as well as executed, all within a 24 hour period, by getting those he hired to knock Burke off to testify against him. With his wife Carolyn having nothing at all to do with him Arnold soon found out that all the palaces of interest his was involved in, gambling dens speakeasies and whore houses, were closed to him leaving him out in the cold.****SPOILERS**** Finally finding a crap game that he was invited into Arnold was set up to be knocked off by his fellow card players who plugged him under the table as he finally got the hand of a lifetime-A Royal Flush-that eluded him all his life. Still even when shot Arnold was impeccably dressed and groomed-without even as much as a strand of his hair out of place-without his clothes mussed up or stained by his blood as he staggered out of the room and was hospitalized where he died, still in perfect and pristine condition,the next day.The movie concentrated so much on Arnold's love life as well as double-crossing his friends and associates that it completely overlooked his biggest crime that almost destroyed organized Baseball the infamous 1919 "Black Sox" scandal. You never really get to see and appreciate just what a big man in the world of crime that Arnold Rothstein really was. He comes across as a petty crook who never gets beyond running a second rate gambling den which is always getting raided instead of him being the big time operator that he really was.P.S The movie "King of the Roaring Twenties" turned out to be actor Jack Carson's-As "Big Jim" O'Brian-last movie appearance.

By 1961, splatter guns, bouncing flappers, and real gangsters of the 1920's were a hit on TV, especially with The Untouchables (1959-1963). So it's not surprising the formula would find its way into the movies. Real life gangster Arnold Rothstein (Janssen) gets the treatment here, except there're no splatter guns or much action, but there is lots and lots of talk. Spread out over nearly 2-hour time frame, that's a tough challenge for any 20's crime film. Then add Janssen's turn that's notably low-key and generally emotionless, and the upshot is a disappointingly listless crime film.I guess the film is best taken as a character study built around a favorite Hollywood theme of one man's rise and fall on the ladder of success. The narrative's mainly about how slickly Rothstein maneuvers through the echelons of urban crime. There's some interest in his conniving, but the account gets draggy with too much slow pacing and mechanical editing. Then too, Dianne Foster's role as AR's ladylove further stretches out the narrative. It's like the producers are also using the movie to promote her career.Anyway, Janssen was soon to star in that classic chase series The Fugitive (1963-67), where his thespic skills could really shine. On the other hand, I'm not sure what the producers were reaching for here, perhaps an abrupt departure from the Cagneys and Robinsons of old. But what they got instead was a sluggish result that now dwells in well-deserved obscurity.

Two points out of respect to David Janssen and his good track record.This movie is so boring I had to fast forward a lot.It's boring because of a lack of action and to much time is spent on the uninteresting subject of a mobster's love life.Not sure but someone wanted to dwell on Rothstein's gambling problem.Hello..a mob boss makes money because other persons have a gambling problem.As in other gangster movies it makes more sense that a mob boss is having a good time spending the losers money not gambling.Don't know if Janssen is part of the problem or not.Has anyone ever witnessed the private life of a mob boss to judge that Janssen didn't do a good job portraying Rothstein.More than likely Janssen is just a victim of this misguided script.This movie looks like a stinker that couldn't sell so someone named it the Arnold Rothstein story to take advantage of the interest in gangster movies at the time.One of the worst parts was having Mickey Rooney begging,horrible treatment to an outstanding actor.Someone compared this movie to The Untouchables..PUHLEEZE,in no way shape or form did I find this movie resembling one of my all time favorite shows except for both of them being filmed in black and white.For the person that wants to test their capacity for boredom this is the movie for them.

Although Arnold Rothstein was a great deal older than David Janssen when he portrayed Rothstein in King Of The Roaring Twenties, he does deliver a good performance as the rather bloodless Rothstein who had the heart of a calculating machine. He came by that personality by being a mathematical genius as a child and deciding to apply his talents in the best way calculated to make money. Rothstein in real life and Janssen on the screen spent their lives calculating. In fact the title is something of a misnomer because Rothstein being born in 1882 to a respectable middle class Jewish family with father played in the film by Joseph Schildkraut, started his career way before the Roaring Twenties set in. His most famous exploit, the fixing of the 1919 World Series is certainly before the Twenties, but when Prohibition came in, Rothstein saw the possibilities.The characters in the film are mostly fictional and in some cases pseudonyms are used. Jack Carson's farewell big screen role as Tammany politician Tim O'Brien is more than likely based on Jimmy Hines, later convicted by Thomas E. Dewey. Carson is always good in any film he's in.The two supporting players who stand out are Dan O'Herlihy as a fictional rogue cop who was taking payoffs back when Janssen was a kid and Mickey Rooney who was the best in the film as Rothstein's boyhood pal who meets a tragic end. The women in Rothstein's life are Dianne Foster and British bombshell Diana Dors who do well as typical Roaring Twenties flappers.The film has the look and feel of The Untouchables TV series which spawned a revival of the gangster films, this time using the real names of the public enemies. The smartest one of them all Arnold Rothstein might well have been called, King Of The Roaring Twenties.