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Bunco Squad

Bunco Squad (1950)

September. 01,1950
|
6.1
| Crime

Police sergeants Johnson and McManus take on Los Angeles confidence tricksters. Con man Tony Wells, lining up rich widow Jessica Royce as his latest mark, sets up a false paranormal society with other charlatans to convince the credulous Jessica that her late son is speaking to her through their sham seances. When the plan leads to murder, Johnson and McManus must bring the group down before they kill again.

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Reviews

Evengyny
1950/09/01

Thanks for the memories!

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TrueHello
1950/09/02

Fun premise, good actors, bad writing. This film seemed to have potential at the beginning but it quickly devolves into a trite action film. Ultimately it's very boring.

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Erica Derrick
1950/09/03

By the time the dramatic fireworks start popping off, each one feels earned.

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Allison Davies
1950/09/04

The film never slows down or bores, plunging from one harrowing sequence to the next.

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ksf-2
1950/09/05

This one plays like a (boring) chapter from Dragnet; local vice squad, led by Detective Johnson (Robert Sterling) tries to round up the local occult film-flammers who have moved into town. Unfortunately, there is already a group trying to take a rich old dame's dough. Ricardo Cortez, Bernadene Hayes, and Robert Bice team up to pretend to be able to speak with the old lady's deceased son. Elisabeth Risdon plays Jessica Royce, and totally buys into it. Dick Elliot is the gabby real estate guy who gives them some of the info on her son.... of course, he was the mayor in "Andy Griffith". Things get pretty rough, when the gang tries to knock off everyone trying to get in their way... which seems like a lot of trouble. Probably would have been easier to just pack up and find a new town rather than get involved in murder. Directed by Herb Leeds; didn't end well for him.. .he offed himself at age 54, just a couple years after making "Bunco". Anyway... this one is OK. Some great scenes of old Los Angeles. Going to give this one a "6" for being just OK.

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Robert J. Maxwell
1950/09/06

To the extent that this movie is apt at all, it fits Los Angeles better than any other American city of the period. There was a certain craziness about the place. There still is. It has hot dog stands in the shape of hot dogs. It has motels with names like The Taj Mahal in the shape of the Taj Mahal only painted day-glo purple. And I don't want to think too hard about the Madonna Inn, which seems to be made entirely of plastic spaghetti, lest my synapses fuse.In the 1930s and 40s it was a land of spiritualism and cults, of which Amy Semple McPherson's Four Square Gospel was perhaps the best known. This movie is like a stretched-out episode of "Dragnet," with all-good police officers in pursuit of all-bad phony spiritualists who rig séances in order to bilk a rich, gullible old lady out of her fortune. Sadly it lacks the reassuring ritual quality of Dragnet's style of dialog and movement.In this Zoroastrian world of black and white, Packards and Nashes career around curves in accelerated motion, the phones ring every ten minutes with important news, actresses are dragooned into plots to undo the evil-doers, and people speak in stereotypical lines that sound like they came directly from a screenplay.Nobody is a good actor. You know what would have pepped this up? Just ONE performer with a modicum of talent -- say, Marie Windsor, as the fake medium. And -- oh, hell -- throw in Mantan Moreland for laughs.

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gnrz
1950/09/07

I almost always enjoy "B" movies of the crime genre. They rarely run more than 65 minutes and don't waste time trying to develop detailed and boring character development. This fast paced film had everything from fast car crashes to gunplay. And, BTW, in all of his films, did Ricardo Cortez ever play any type of role other than a criminal? Gunner

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estott
1950/09/08

BUNCO SQUAD concerns the efforts of a young policeman to protect a rich widow from a gang of fake spiritualists. This well made B programmer boasts good production values and a brisk pace. Chief among the competent cast is Ricardo Cortez doing his usual best as slick villain, and a small supporting role by Dante the Magician. Attractive locations and such details as 1940's streamlined cars make this film a nice small surprise.

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