No Escape (1953)

Don't listen to the Hype. It's awful

Did you people see the same film I saw?

It's fun, it's light, [but] it has a hard time when its tries to get heavy.

The acting in this movie is really good.

Back in the 1930sl, Lew Ayres was on top of the world in Hollywood. After starring in "All Quiet on the Western Front", he had a steady career in Hollywood. And, when he got the lead in MGM's Dr. Kildare series, Ayres continued on his winning ways. However, WWII arrived and Ayres was an avowed pacifist. While he bravely volunteered to be an orderly in the military, his refusal to fight soured him with the public and the studios. As a result, his career, with a few exceptions (such as "Johnny Belinda" in 1948), was mostly flat in the post-war years. He worked but the quality of the films declined. This is why he starred in a low-budget film like "No Escape"...a film that paired him with mostly no-name actors and Sonny Tufts...who, himself, had fallen even further in his career thanks to his off-screen habits (as well as his rather wooden acting). So, it seemed obvious that this film was most likely a second or third-rate affair. But is it worth seeing despite this? Read on....The story finds John Tracy (Ayres) a down and out lounge singer. This part is pretty funny, as it's clearly NOT Ayres singing and the voice isn't even close to his. Soon, he's accused of a vicious murder and the San Francisco police force is looking for him. Oddly, however, Detective Shayne (Tufts) is mostly interested in getting John to disappear instead of catching him. Could this all have something to do with the lady who BOTH men are interested in...Pat (Marjorie Steele)?This film has some shortcomings. Not only is the singing bad but a few scenes looked pretty cheap (such as the view from Pat's apartment which was at a VERY strange angle). Despite this, however, the film is still entertaining and worth seeing. A great mystery/suspense movie? Nah...but interesting and better than I had first hoped!

Look... what did you expect? It's a "B" movie, even if Lou Ayers is in it. As a Native San Franciscan, this movie warmed the cockles of my heart. There is no feeling that can match the scenery of San Francisco back in the day! It is absolutely magical to see the Golden Gate Bridge with NO CARS ON IT, and the City looking so pristine! This is a MUST SEE for any person with an interest in what the " good old days" looked like in San Francisco. The plot was decent, acting wasn't bad.....very few movies are close to documentaries of what San Francisco looked like back in the day. This is worth a look for the nostalgic value and scenery alone. For that I give it a 7...

Lew Ayres, drinking? An out-of-work drunk? Well, here he is. And he's good. The whole cast is excellent. I have heard of Sonny Tufts but this is the first time I can think of that I've ever seen him. I think this is not his native terrain. But he's just right as a tanned, slightly disreputable police officer.Gertrude Michael plays the girl Ayres has been seeing, though she is not the female lead. I don't recognize that woman at all, though she looks like Lizbeth Scott. Michael was a bit of a scandal in "Murder at the Vanities." That movie was released almost 20 years before this one but she looks great here. She has the right feel for a noir actress, too. She's a bit under-the-weather, pretty but a little tarnished, and goodhearted.The San Francisco locations are good. The music isn't my cup of tea. But it in no way sinks the movie. It's a real find. Watch for it.

What a tepid little thriller this is, with LEW AYRES as a lounge lizard who sings for his supper, finds romance with a girl (MARJORIE STEELE) when both of them have to go on the lam for a crime they didn't commit. SONNY TUFTS is the detective on the case in what can only be described as a sketchily written role with almost no real substance. Miss Steele remains a nonentity throughout.As a result, this is a poorly motivated crime tale using authentic San Francisco backgrounds for some local color but the B&W photography is notably ineffective in bringing the film to life.Ayres seems to know he's coasting along in inferior material and only occasionally shows a flash of his talent that gives the tale a momentary lift from the ordinary. Tufts is solemn and humorless in a poorly written role as the detective who seems obsessed with keeping his girlfriend out of the case when it's discovered that she paid a visit to a murdered man.The revelation of the murderer comes as no big surprise.Summing up: Strictly a low-budget affair that never becomes the taut tale it strives to be, judging from the opening credits and music.