Jimmy the Gent (1934)

Best movie of this year hands down!

When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.

Let me be very fair here, this is not the best movie in my opinion. But, this movie is fun, it has purpose and is very enjoyable to watch.

There are moments in this movie where the great movie it could've been peek out... They're fleeting, here, but they're worth savoring, and they happen often enough to make it worth your while.

"Jimmy the Gent" was the first teaming of James Cagney and Bette Davis. The film is what is known as a "screwball comedy" but the plot is a bit contrived and weak. The running time is only 67 minutes bit it felt longer somehow. Michael Curtiz made far better films than "Jimmy the Gent" but still he does a good job of the direction. The leads are absolute dynamite though. You get two actors who are both strong, both as performers and in their screen presence. They light up the screen as you can feel the tension as neither character will back down from the other, in Cagney's attempts to win back Davis after she has ditched him.

Jimmy the Gent (1934)As an old-film lover, I'm going to have to disagree with the majority of reviewers here and say this film is too flawed and formulaic to rise above its peers. Even its star, James Cagney, is a bit rote and predictable, taking on a harsh edge that prevents any depth to his supposedly complicated character. The other star is in retrospect—this is an early Bette Davis appearance, and she's wonderful to see so unformed, but she, too, is playing a common role.All is not disaster here, for sure. The pace is terrific, and turns of plot, which are a problem overall in their quick succession, keep you on your toes. There are stock characters in secondary roles who will be familiar to early Warner Bros. fans, and the filming is generally solid, if bright and a bit dull, too.Yes, there are hesitations at every turn. Director Michael Curtiz has been cranking out films by the dozen for Hollywood by now, after emigrating from Europe, and many of those are frankly better and worth seeking out. But he's a long way from the mastery of "Casablanca" or "Mildred Pierce," as a director above all. The story here seems workable—Cagney and Davis play characters who scheme a complicated scam involving a huge inheritance. The twists are basically a farce because there are so many and they happen without warning. In fact, I think the style of the film is to have everything just "happen" in a madcap way, and the audience is to be dazzled and impressed by the audacity of the writers. But there is a little sense of involvement that would help very much, a wanting the characters to win or lose at their efforts. One example is how two court cases are reduced to a single sentence each: the judges reading their conclusion.That seems dandy in a way, a hugely streamlined plot. But it defines superficial, too. In these two cases, there is time spent watching the courtroom crowd reacting to the news, but we don't really care about that. We aren't made to care.Not that this should be a drama, of course. It's a comedy plain and simple. And a slip of romance sneaks in as our two leads brush past each other now and then. All of it is interesting, and it's never quite boring. But for a fast pre-Code or early Code era movie, there are many examples that are fast, funny, and engrossing and inventive, too. Expect only the effects here.

This 67 minute film, now out on DVD, is well worth your time and money. Just don't ask Jimmy to help you to collect your estate -- or to arrange your marriage. 'Jimmy the Gent' includes just about everyone in the Warner Bros. stock company, and you can guess that it's a pre-Code film near the beginning. After Allen Jenkins walks in, receptionist Renee Whitney curtly asks him, "Where ya been?" He replies, enthusiastically, "I've been out, lookin' up an heiress."Bette Davis, still a starlet, shows up at about 9:50, with the 1/2-inch long false eyelashes that she sports in the film. She and Cagney spar(k) well together, and Alan Dinehart is the appropriate third side of the triangle. Besides the 47 actors listed in the cast, that looks and sounds like Leonard Mudie (or his identical twin brother) as the steamship line's ticket agent near the end. And check out the newspapers at the beginning. Evidently the first sportsman died within a day or so of the Copper King, because the same soon-to-be-famous track star is mentioned in the same article on the first page.

This is slightly superior to Blonde Crazy in that the stars have been given slightly livelier dialogue and that Bette Davis glows as a wise-ass blonde rather than Joan Blondell's put-upon blonde. Both are great, but some of the rip offs in this film are truly great and Allen Jenkins adds ten points to any film he's in. These golden age films have the writers that current day movies lack. No one steams anymore unfortunately. Cagney is a cock rooster and the world's a better place for seeing him go through his paces. I hope dvd brings all these movies back.