Serrat & Sabina: Two for the Road (2013)
Joan Manuel Serrat fled to Mexico when Franco ordered his persecution. In Argentina and Chile, his commitment against military regimes is still remembered. Joaquín Sabina arrived later. His poetry bewitched the audience. In Argentina, he is a tango singer as much as a rocker; in Mexico, the mariachis sing their songs. The former is a symbol, a venerated figure; the latter is a “cuate,” as they say in Mexico, a buddy with whom you can always count.
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If the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.
All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.
By the time the dramatic fireworks start popping off, each one feels earned.
Through painfully honest and emotional moments, the movie becomes irresistibly relatable