Tom Petty and the Heartbreakers: Runnin' Down a Dream (2007)

A different way of telling a story

Yo, there's no way for me to review this film without saying, take your *insert ethnicity + "ass" here* to see this film,like now. You have to see it in order to know what you're really messing with.

It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,

A clunky actioner with a handful of cool moments.

If you were a teenager during the turbulent 60s and have even a passing interest in Petty's music, you should thoroughly enjoy this film. I'm about the same age as Petty and can totally relate to the influences that drove him to rock stardom. This movie was a real trip down memory lane and a huge eye opener in terms of the talents of Petty and his amazing band. Its a remarkable story really given Petty's very modest background and growing up in the somewhat rural Gainesville Florida. Fortunately, the University of Florida is there, which provided Petty's early band with an eager audience during the formative years. Even more amazing is how at one point, they simply decided to drive to California with some audition tapes and get a contract. And they did! Who knew it was so easy, although there were plenty of bumps along the way. The movie also provides pretty good insight into the ugly underbelly of the music industry and how they manipulate new artists to their own ends. If you are not a huge Petty fan, you will probably be surprised by how many hits this band had. It's pretty remarkable. All the more so that they can still play them all to perfection, despite their advancing age. Few groups of this age can make that claim. I wasn't a huge Petty fan until I saw this documentary. I was so impressed by Petty the person, and a realization that a lot of their songs were pretty easy to play (just from watching them play, I recognized the basic chords), that I took up guitar again after a 40 year hiatus. And I have actually become a much better guitar player than when I quit in frustration as a teenager. Its a fun ride with some intriguing personalities. Petty comes off as a pretty down to earth person, as does most of his band. A refreshing difference from the huge egos that dominate the rock world. Also be prepared to be surprised at how many huge artists Petty collaborated with, from George Harrison, Bob Dylan, Roy Orbison, Johnny Cash. He is a pretty remarkable fellow.

It isn't enough to say this documentary charts the ups and down, the triumphs and tragedies, the hits and unintentional misses of a great American rock and roll band. This very special (and entertaining) document is a definitive statement, not just of Tom Petty and the Heartbreakers but of the music business of the 1970s through the 1990s. Peter Bogdanovich (a very interesting source as director) has compiled fabulous footage and minutiae together with recently-filmed interviews with band members, producers, celebrity friends, and musical cohorts to form a testament to a sensational music act. Bogdanovich doesn't even have to try hard to keep this lengthy (238 minutes) movie from lagging; it never does. Lead singer/guitarist/songwriter Tom Petty says at one point, "Nobody cares how a record is made. They only care if they like it." He is, in fact, incorrect here. Well-done documentaries such as this MAKE people care how a record is made, regardless if it hits the charts or not. The running commentary on album gestation, touring, behind-the-scenes turmoil, musical differences, and personality clashes is the stuff of legend. All of it combines to make one hell of a journey, the cinematic equivalent of a CD box-set. ***1/2 from ****

I bought this on both the name of Petty and Bogdanovich. Alas I didn't think Bogdanovich did as best as he could. Why for example include extracts from the "Gainesville Concert" in the two narrative DVD's when they are already on the Gainesville concert DVD? Padding out or what? I struggle to believe that he and his team went through thousands or hundreds of hours of clips. As I write this I am beginning to wonder if they only used Bogdanovich as a 'selling name'. In reality no director was needed. Rather it would have been better with a ruthless editor.It was an interesting bio-rock venture that could have been done much better by the BBC's "Arena" team. I feel Scorcese's "The Band's Last Waltz" set the high bar in rock music bio-pics. Sadly Petty and Bogdanovich didn't reach the bar.

...but a late innings entry to the film made it impossible. I realize Jim Ladd was the inspiration behind the title of Petty's pretty decent but still flawed The Last DJ concept album, but Ladd's hippie-drippy whining about Ronald Reagan's deregulation of the airwaves in the 80s not only offered erroneous information (gee, want the (un-)Fairness Doctrine reinstated Jimmy-boy?), but took up film-time that would have been better served discussing Petty's power-to-the-people embracing of the internet for music distribution and yet another battle with his record label over it. Allowing this victim-minded commentary into the movie totally plays opposite to the outstanding portrayal of Petty as a fighter, rebel and survivor throughout the rest of Running..., definitely not to any benefit, either.Otherwise, pheeee-flippin'-nomenal portrait of one of America's greatest rock bands. Extra props for including so much about Damn the Torpedoes and all the hell Petty went through in order to get it released. Second only to Hail! Hail! Rock and Roll for rock documentaries.