Billy Wilder Speaks (2006)

Admirable film.

A brilliant film that helped define a genre

The film creates a perfect balance between action and depth of basic needs, in the midst of an infertile atmosphere.

All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

Maybe I'm crazy -- entirely possible -- but this seems to me to be identical to "Billy Wilder, wie haben Sie's gemacht?" which is another documentary containing the same interview. I'm not saying it's not edited differently or whatever - I don't know the material that well - but the interview with Wilder seemed the same. He speaks a great deal in German and tells some wonderful stories about Marilyn Monroe, Marlene Dietrich, Audrey Hepburn, the making of Sunset Boulevard and Sabrina, and the films he made about the concentration camps after the war that were shown in Germany.Wilder was a marvelous raconteur speaking in English or German, and his explanation of why he used "Isn't it Romantic" in so many Paramount films is hilarious, as are his stories of the first showing of Sunset Boulevard and trying to get Monroe to say It's me, Sugar," instead of "Sugar, it's me" in "Some Like it Hot." The stories are unforgettable, which is why I know I already heard them in "Billy Wilder, wie haben Sie's gemacht?" Well worth seeing if you're a fan of Wilder or just a film buff. He was a true genius and a lively personality.

Oscar-winning filmmaker and screenwriter Billy Wilder is interviewed in 1988, speaking rapidly in both English and German, touching on his perception of life through the camera lens via his childhood in war-torn Europe. Of course no Wilder conversation would be complete without behind-the-scenes stories on his many classic films, and wily Wilder seems happy to oblige our fascination with titles like "The Seven Year Itch", "Some Like It Hot", and "The Apartment". His recollections of working twice with actress Marilyn Monroe are particularly interesting, as are his off-camera skirmishes with Humphrey Bogart ("He did mock my accent..but everybody mocks my accent.") and James Cagney ("We were not of the same political persuasion."). Wilder is modest about his talents, grateful for the triumphs but well aware of the hurdles he had to maneuver to get his best work accomplished. Film historians will find this a wonderful documentation.

The maker of this documentary and director Billy Wilder originally intended what was filmed here to just be a dry run of what would be the later actual interview portion of a documentary on Wilder's career. The two sit down in Wilder's crowded office and Wilder just starts talking about the various aspects of his long career. The one stipulation that Wilder made was that this footage not be released in his lifetime. Wilder and the interviewer go back and forth between German and English - depending upon what language best expresses the points they wish to make - with helpful subtitles for those of us who speak English when either speaks German.Wilder says some things that don't surprise me - for example that Jack Lemmon was the definition of a professional. Wilder would not have used him so much and Lemmon would not have been such a great performer had that not been the case. However, Wilder's insights into Marilyn Monroe were new to me. He said while making "Some Like it Hot" that sometimes they would spend all day trying to get one take in which Marilyn had just one line, to the point where he wanted to pin the line to the wall so she could just read it. Other days she would come in and have pages of dialogue memorized. He also had some interesting things to say about making films on the Holocaust immediately after the war and the impact they had on German audiences at the time.At any rate, this dry run turned out to be so good that it became the actual interview. I highly recommend it to people who are interested in Billy Wilder's career, since it is almost entirely Billy Wilder talking about the projects he worked on, his philosophies of filmmaking, and the people with which he worked. It's a fascinating documentary.

It's tempting to rate this 10 out of 10 just because one of the two people speaking is Billy Wilder but alas, the other one is Volker Schlondorff so I find myself paraphrasing the well-documented definition of golf as a good walk ruined; substitute talk for walk and you'll see where I'm coming from. For reasons best known to himself Schlondorff, who, like Wilder, is fluent in English, conducts about 40 per cent of the interview in German and lacks the courtesy to provide subtitles thus alienating a good proportion of viewers at a stroke. Wilder, of course, is always good value as a raconteur with right-on-the-money views on film-making, Hollywood, 'guys with beards' and so on. Most Wilder buffs have, of course, heard it all before but you can't have too much of a good thing.