American Buffalo (1996)

Fantastic!

Disappointment for a huge fan!

It's funny watching the elements come together in this complicated scam. On one hand, the set-up isn't quite as complex as it seems, but there's an easy sense of fun in every exchange.

It's a good bad... and worth a popcorn matinée. While it's easy to lament what could have been...

They play two complete dirt bag scummy guys… who truly believe themselves to be criminal masterminds. Dustin Hoffman is totally convincing as a greasy know it all 'brains' of the operation as they plan to steal back a valuable Buffalo Nickel that was snagged by a customer at Denise Franz's hole in the wall second hand junk store. Most of the film is the interaction between the two main characters debating philosophy, ideology, while tripping over their own lack of intelligence and trying to hide the simple fact that… they are both totally incompetent idiots. Their arguments are thoroughly entertaining as they plan the big heist… will they, can they pull it off… just watch.

American Buffalo is an example of David Mamet's ear for dialogue and his way with the gritty underbelly of society. Perhaps no other movie has so deftly demonstrated Mamet's unique sense of rhythm in spoken language. The movie is engrossing and entertaining, all the while using only one location and three characters. Dustin Hoffman is revoltingly slimy as Teach, and Dennis Franz perfects the conflicted role of Don that he originated on stage many years ago. A must see for any fan of Mamet or student of the human condition.

Watching this film on screen and on stage (I imagine) wouldn't be a hell of a lot different. It's still a 3-character film that revolves around the same setting--most of the time. But when you see great acting like this, how can you complain?? Dustin Hoffman is great at whatever he does, and he's perfectly believable as the foul-mouthed Teach. He has some of the greatest lines. My favorite is "Guys like that, I'd like to f**k their wives." He is rude and obnoxious with barely a sympathetic quality, but he's the guy you love to hate. I just recently started watching "NYPD Blue" and just from watching a few episodes, I can say that Dennis Franz is one of the best actors I've ever seen. He deserves to be on the big screen a lot more, because he has abilities as an actor that only few TV actors also possess. He delivers every line and every emotion with such power that your eyes are wide open with amazement every minute he's on screen. Even young actor (I assume he's now in his late teens) Sean Nelson is perfectly cast, blowing me away with a performance I'm sure very few young actors can pull off just as effectively. He only has about 20 or 30 minutes of screen time, yet he's the character you most feel sorry for at times, despite the fact that he lives an unclean life, dealing with thugs and earning his money via dishonest methods. You can just sense that he didn't have any parental leadership, and he wasn't sure what path in life to take, so he took the most easy one--and also the most dangerous one. In a way, the two guys are like his surrogate parents. I've never seen the play, but when I see the name "David Mamet" under the writing credits, I immediately know that I'm gonna hear some priceless dialogue. I don't know how he does it, but he just has a relentlessly quick wit when it comes to creating dialogue. Like a play, this movie is composed of 80 % dialogue, but the dialogue is so great that I don't really care if there's no exciting visuals. And last but no least, I loved the opening and closing theme song. It just has that grungy quality that perfectly fits the tone of "American Buffalo." If you're a fan of superb acting, this will be a real treat! A real treat! My score: 8 (out of 10)

Your average movie goer will not enjoy this film. With a small cast of three main characters, the majority of the film takes place in a single room. This alone may explain why the film never took off as the blockbuster it should have been with actors such as Dennis Franz and Dustin Hoffman. The direction of the film could have been much better that it turned out to be. Like other critics have said, the film was shot like it was being acted on stage. This is very true. The film has no unique directing style nor does it have any strong motif to add to the films creative look and style. The acting in the film, on the other hand, is wonderful. Franz and Hoffman are excellent together. With a stronger movie maker in the director's chair, the movie could have been much much better.