Anna Karenina (1985)

The Worst Film Ever

Blistering performances.

The joyful confection is coated in a sparkly gloss, bright enough to gleam from the darkest, most cynical corners.

I enjoyed watching this film and would recommend other to give it a try , (as I am) but this movie, although enjoyable to watch due to the better than average acting fails to add anything new to its storyline that is all too familiar to these types of movies.

Of the numerous versions of Tolstoy's Anna Karenina, my personal favourite will always be Greta Garbo's (even if it has a couple of shortcomings, namely Fredric March's Vronsky), with Vivien Leigh's also being very good, and the Joe Wright-directed version faring weakest despite the excellent production values and Karenin. This Anna Karenina has a good amount to like, while also falling short, one of the weaker adaptations while hardly disgracing itself.The story is given very lavish treatment here, with very elegant photography for a made for TV film, lavish sets and splendidly colourful costumes. It's nicely directed, the dialogue flows well and is intelligent and poignant and of the key scenes the colourful ballroom scene stands out and while the suicide scene is not as heart-rending as in Garbo's version it still brings a lump to the throat. The cast are impressive, and the performances equally so. Ian Ogilvy, Anna Massey and Joanna David are dependable in roles well-suited to them and their talents, their roles are not huge due to compressions but they are still believably solid. Of the three leads, Paul Scofield is particularly good as a particularly reptilian Karenin (a character played consistently well in all four versions personally seen), while Jacqueline Bisset's interpretation of Anna is very heartfelt and dashing Christopher Reeve gives one of the better performances of Vronsky on film (a character very problematically cast and performed in the other three versions, especially in the Joe Wright film). Reeve and Bisset's chemistry does convince, there is a sense that these two characters would give up everything for one another which makes the events in the latter half even more devastating.However, Anna Karenina (1985) does feel too short, two and a half hours seems a long time but with such a big story and this much abridged it did seem the case here, and also too rushed. The story has many moments where it's passionate and moving, but it would have made more of an impact if the pace had slowed down (personally wanted more time to breathe and take in the atmosphere more) and the length was longer. The omissions (including major characters that are at best mentioned once or twice) and that it's very condensed gives a slightly bland and skimmed over, on-the-surface feel, the most significant details are here, the spirit and the full emotional punch isn't quite so much. Also the music score is rather routine and pedestrian, not necessarily distracting but at the same time there's nothing here that's special or memorable.All in all, a decent adaptation with a lot of good merits but it's not my favourite adaptation of Anna Karenina. 6/10 Bethany Cox

Jacqueline Bisset gives a heartfelt reading of the great Russian heroine and is at perhaps the peak of her beauty having past her girlish prettiness and entered into an exquisite loveliness. The awesome Paul Scofield commands the screen every second he is present and makes the cuckolded husband's anguish and sense of betrayal and the cruelty that is the result understandable. Christopher Reeve cuts a dashing figure and gives it his best shot but his costars simply act rings around him. This was Jackie's TV bow and reminds you of a time when movie stars moving to television were afforded the opportunity to do something special because there were fewer networks and larger audiences willing to give quality work a chance.

As a Christopher Reeve fan and one who is in the middle of reading the Leo Tolstoy novel, I was excited to see this rendition of "Anna". Although it was good to see Chris in his pre-accident years, the movie was fairly weak. The soundtrack doesn't hold up well almost 20 years later, and the writing isn't great. They virtually ignore the storyline involving Levin and Kitty, and I didn't find Bissette's performance to be very riveting. However, Paul Scofield did an excellent job as Karenin-- I actually felt some empathy for him. A better version of this story was done in 1997 with Sophie Marceau ("The World Is Not Enough") and Sean Bean ("Lord of the Rings"). There is far more chemistry between those two actors, and the quality of the movie should hold up better over time.

When Count Vronsky, played by Christopher Reeve, falls off his horse in the race scene I shiver; knowing that is how that fine young man was later incapacitated in real life. It is absolutely chilling!! This is not the greatest adaptation of the novel Anna Karenina but it is certainly the most memorable due to the fate of the actor!!