Forever Amber (1947)

Powerful

Blistering performances.

The acting in this movie is really good.

The film never slows down or bores, plunging from one harrowing sequence to the next.

A lengthy(138 min.) costume drama, based upon the popular very lengthy novel of the same name. Most of the story is set during the early reign of Charles II of England. However, the very brief beginning is set in 1644, during the English Civil War between the Royalists and Parliamentarians. During this earlier time, a coach containing Loyalists is being chased by Parliamentarians. The coach stops long enough to deposit an infant girl on a cottage step. A little later, the horsemen catch the coach and kill all those inside.Abruptly, the screenplay moves forward to when this girl is 16 years old, and itching to escape the confines of her life as a farmer's daughter. Perhaps it's that royal blood that she presumably was born with. In any case, she thinks she's pretty enough to turn the heads of many a young, as well as old, gentleman. Against everyone's advice, she sets off by herself for London, where she meets two gentlemen she got acquainted with in the village tavern. She decides she very much likes one of them: Bruce Carlton. The two are home from a voyage, looking for a charter to serve as privateers. Clearly, Bruce is not yet ready to tie himself down with a wife and children. He prefers an adventurous life to that of court intrigue. Nonetheless, Amber persists at trying to throw herself at him. Bruce gets his permission from the King and goes off on another voyage, leaving Amber with some money for living expenses. But she loses most of it from a pair of swindlers. She's thrown into prison as a debtor , and escapes, thanks to the influence of a highwayman: Black Jack, who uses her to lure fops into an alley, where they are robbed. Eventually, Black Jack is killed in one of these heists. Amber has a child fathered by Bruce, and then proceeds to form romantic relationships with several men. She nurses Bruce back to health when he comes down with plague and defends him against a thieving woman, while sick. He then has to fight a rapier duel over her. Given Bruce's indifference, she marries an elderly earl, as a kept woman, becoming a countess. He dies by fowl play in the great London fire, which consumes his mansion. Amber next attracts the attention of King Charles, becoming his mistress. Unfortunately, Bruce again arrives, this time from a plantation in Virginia. He has a wife this time, and Amber tries to tarnish her reputation. But it backfires, and the King dismisses her as his mistress, concluding that she cared more for Bruce than for him. She is opposed to Bruce's pleading that he take Bruce Jr. back with him to Virginia. However, Bruce Jr. says he wants to experience the adventure of the New World, so she gives him up. She has lost those she loves most, as well as her position with Charles. She's still a countess, but has no clue what to do with the rest of her life.Linda Darnell is OK in the title role. The various featured men are good in their roles, except that Cornel Wilde, as Bruce, should have been more animated and likable. Too bad Errol Flynn couldn't have his part. Vincent Price had played Charles II in "Hudson's Bay", and was the original choice for this role here. But, George Sanders did a good job.Although Amber was infatuated with Bruce, the opposite didn't seem to be true. Unfortunately, their preferred lifestyles weren't very compatible. Bruce wanted an adventurous life, and Amber wanted a courtly life. In his new life as a Virginia planter, he definitely needed a wife, and preferably, a growing boy such as Bruce Jr, Amber had already shown she wasn't interested in a rural life, especially in farming. Much of the film appears to have been shot in semi-darkness, or occasionally, fog. At this time, shooting in color required strong lights for indoor shots. Or, perhaps they wanted a more realistic lighting. Also, the copy I saw wasn't a vibrant Technicolor.

Somewhat saucy romp has a ravishingly beautiful and amber haired Linda Darnell in the lead full of piquant carnality, lavish costumes and settings and a scene stealing George Sanders as Charles II. What it doesn't have is a lively pace and that to some extent is its undoing. Preminger was the wrong director for a piece of entertainment like this that required a florid touch, Michael Curtiz would have been much more at home at the helm.The novel this is based on was a notorious but tremendously successful sensation of its day. That book while certainly not "A Great American Novel" is a highly enjoyable piece of pulp fiction full of sex, murder and double crosses in fancy clothes with a complex, very entertaining heroine at its center who has a good heart but is not overly burdened with morals. Unfortunately since they tried to film it in the forties when the Production Code was in full force the more salacious plot points had to be excised. What made it to the screen has its moments but shows the heavy hand of censors most evident in the abrupt ending but scattered throughout the movie. Still a fun romp with Linda giving a spirited performance and for those who haven't read the book a somewhat racy tone.A troubled production from the beginning what with censorship problems, a recast leading lady, Linda Darnell stepped in after production had started when Peggy Cummings didn't work out and Lana Turner couldn't be borrowed from MGM and a martinet in the director's chair. There are still a few amusing stories connected to the backstage upheaval that went on. Linda Darnell had worked with Preminger before on Fallen Angel and it had been rough going but she truly came to loathe him during production of Amber. Later while filming A Letter to Three Wives Joseph Mankiewicz needed her to throw a look of disgust at a picture unseen by the audience, to achieve that look he slipped a picture of Preminger into the frame without her knowledge, he got his look. A small sampling of Preminger's directorial style: after acting out a scene for Linda and Cornel Wilde he screamed at them as they tried to do as he had instructed "Don't do it like I did it! Do it like I meant it!"One peripheral story: when Ava Gardner was briefly married to Artie Shaw he flew into a rage and berated her when he caught her reading Forever Amber saying it was trash and she should be focusing her attention on things that would enrich her mind, he was that kind of husband. They divorced shortly after and within the year he had married Kathleen Winsor...the author of Forever Amber!

If Forever Amber were being made today the results would have been quite different. Without The Code and the Catholic Legion of Decency inspecting all the product that came from Hollywood, Amber St. Clair's sexual escapades during Restoration Great Britain would have been a far better film. Still it's not bad as it is.Another reviewer compared it to Gone With the Wind. You can look at that in two ways, the interaction between Linda Darnell and Cornel Wilde and compare it to Vivien Leigh and Clark Gable. Lots of similarities there. But also the book itself was a blockbuster best seller in the Forties as Gone With the Wind was in the previous decade and brought in a built-in audience.Kathleen Winsor when she wrote the novel was married to her first husband a football player who was a history student. For his honor's thesis he was writing about the Stuart Restoration. From his research material, Winsor became fascinated with the period and created her novel.20th Century Fox and Otto Preminger got the rights and did a fine job in recreating the United Kingdom of the 1660s. Linda Darnell got one of her best roles in her career as Amber, a high spirited and vivacious girl like Scarlett O'Hara, who finds true love, but sacrifices it for ambition.In class conscious times as those were there were few venues for people to rise, even less if you were a woman. Darnell rises from Newgate Prison to the court of Charles II where she becomes one of Charles's numerous mistresses. Along the way she uses many men, like highwayman John Russell, army captain Glenn Langan, nobleman Richard Haydn and even her own true love nobleman Cornel Wilde with whom she has a son out of wedlock.Presiding over it all is a world weary and cynical George Sanders who plays Charles II. Sanders would play The Merry Monarch in another and vastly inferior film called The King's Thief. He does capture the jaded cynicism of Charles II so very well, it's one of his top five career parts. If the title role in the film were about the male lead Bruce Carlton, I'm sure Darryl Zanuck would have cast Tyrone Power in the part as he appeared in several films opposite Linda Darnell. Instead Cornel Wilde steps in and he's a most dashing Restoration nobleman and seeker of fortune in the New World.The most spellbinding performance and so against type is that of Richard Haydn as the elderly rake, Lord Radcliff. He's a widower who's looking for a 17th century trophy wife and finds one in Linda who at the point in time he first meets her is an actress. He's a coldblooded person of mystery and menace and really registers it well on the screen. He marries Linda and she inherits his title when he dies.Haydn is killed in a thrilling scene involving the great fire of London which occurred in 1666. It's the highlight of the film and I can't say any more about how and why he's killed, but trust me it was one deserved end.Though Forever Amber is a good film, it could have been far better, but for censorship problems. Still it provides Darnell, Sanders, and Haydn with some of their best career parts and is worth seeing.

Overlong, overwrought romantic epic that lacks chemistry between the leads. Linda Darnell is passable as Amber -- if not stunningly talented, then at least gifted with screen presence. But Cornell Wilde is as flat as a wet blanket, dousing the fire out of every scene where it might possibly have ignited. Most errors in movies of this type can be overlooked if the attraction between the two lovers is palpable. Sadly, there is no indication that Wilde's Carlton even likes Amber, let alone finds her alluring. Production code aside, there were plenty of movies of this period that portrayed believable epic love, and this isn't one of them.The real highlight here is George Sanders as the licentious Charles II, a part he was born to play. I have no doubt that Vincent Price, considered for the role, could have done well (he gave the best performance of his career in another Preminger movie, "Laura"), but Sanders brings so much dripping wit and irony to everything he does that he makes every scene he's in come alive. He's not in it much, however.The production itself is pretty good, some great costumes and sets. The swordfighting scene (with thankfully little dialogue) was excellent and far too short. The story itself is a little choppy. The first scene was a non-sequitur, promising a potentially interesting plot device that never came. And the ending was a complete disaster - abrupt, unresolved, unbalanced, and worst of all, unsatisfying. Overall, the movie leaves a sour taste in the mouth, as if the decadence that was portrayed somehow got hold of the people making it and caused them to focus more on the image than on the story.