Violent Shit: The Movie (2015)

Touches You

Boring

I wanted to like it more than I actually did... But much of the humor totally escaped me and I walked out only mildly impressed.

This movie feels like it was made purely to piss off people who want good shows

Violent Shit: The Movie (2015) * 1/2 (out of 4)Rome is under attack as a series of brutal murders are leaving body parts everywhere. A couple detectives are investigating and before long they are wondering if Karl the Butcher is behind the attacks.The original VIOLENT SH*T series from Andreas Schnaas was certainly an aquired taste. While I wouldn't call the movies good they were at least from an era of German shot-on-video films that became quite popular around the globe thanks to their gore level. VIOLENT SH*T: THE MOVIE comes from Italy and it really does seem as if they were wanting to bring the country back into the mix of horror films. After all, it has been quite a while since the likes of Argento and Fulci were top dogs.Sadly, this film has some really major flaws that keep it from being more entertaining and that's really too bad because the final twenty-minutes of this movie are great. The final has a sex orgy, cannibals and of course Karl the Butcher doing his thing. The finale is when the film really takes off and it also delivers what fans were wanting. That was a bunch of gory violence with over-the-top blood. I must say that it's really too bad that the first hour was so deadly dull because had the entire film been like the final twenty-minutes then we'd have a cult classic on our hands.Sadly the first hour is full of boring dilaogue and scenes that just drag out to the point where you'll be wanting to scream cut at your television set. These scenes really drag down the movie and the pacing is all over the place. Several Italian heavyweights appear throughout the film with Giovanni Lombardo Radice doing good work as a Professor. You've also got the likes of Enzo G. Castellari and Luigi Cozzi in small roles. Seeing these three was fun and the final twenty-minutes are great. Can I give a mild recommendation for a bad film?

I mostly agree with other reviewers. It is not that great. Well, yeah, its pretty bad. I disagree that the directing is horrible, but I do think it has one fatal flaw: The frame is always too close. The acting is sub par. Some actors are OK, but it is hard to see past the extreme close-up on everyone. Not sure if we are trying to show the audience how good the format is showing every pore and stubble, but it is not working for me.You really have to dig deep to see that there is actually a decent horror concept and screenplay here. I even think the script might be OK. It is hard to tell. Between acting and directing I kept getting so distracted that I just could not suspend disbelief.To the main detective guy actor and the nerdy German guy with the glasses, I kept thinking... these guys are almost there, but the camera is just too close.I don't know how to fix this. Its a mess, but is not completely devoid of redeeming qualities. To you actors(resses) in this... don't give up!... well, at least some of you. Others, yes, please give up, and go back to school! In my earlier years I would have tacked another star on for the gratuitous nudity, but as I am not tacking, I do want to give a thumbs up to the short-haired brunette. Super body, and I thought the close-ups on the face when she was clothed and had lines just didn't capture her whole essence. Girl, you need to get with a better agent. Now that we know you have the naughty bits, hold out for a better speaking role with a better organization. You can do it! I am writing this while I watch. I am ending this at 1:11 out of 1:21. I have no idea what is going on any more. I don't care either.

Why anyone would make a sequel or remake of one of the worst movies ever made (Violent S**t), done by probably the most untalented director EVER (Andreas Schnaas makes Ed Wood look like an Oskar winner...) is beyond my understanding.Acting, dialogs, sound, editing, synchro, even the special effects, it is all so bad the 1:20 hours feel like an eternity. The two famous Italian directors must have been forced at gunpoint to do a cameo in this steaming pile of s**t. The only thing noticeable it the music, done by Goblin.This sorry excuse for a movie is bad, really bad, and I do not mean bad in a funny or entertaining way.There are so many little movies worth of a remake, so many film gems that would deserve a sequel. Why this one????

*note: since IMDb marks the word in the title as prohibited, this particular word is replaced with "beep" in the review...In case you've never heard of Andreas Schnaas, you're most likely a smart person and probably also have very good taste in cinema! Schnaas is an extremely untalented and lousy German trash-director who made a dozen of low-budget horror movies in a span of more than twenty years, and yet newest movies are still just as worthless as the oldest ones. By all written and unwritten rules of cinema, that pretty much means that Mr. Schnaas doesn't develop. His most (undeservedly) infamous work is an unendurably amateurish gore trilogy with the 200% accurate titles "Violent Beep" parts I, II and III. These poor excuses for motion pictures basically just feature a lot of sickening gore that is poorly accomplished, overlong and incredibly stupid dialogs, miserable acting performances from people that are probably just Schnaas' friends and painfully uninspired camera-work + editing. I struggled myself through part II, couldn't bring myself to finish parts I and III, and I promised myself I would never even attempt to watch another sequel if there ever came one. Yet here I am reviewing a sequel (or remake or whatever they want to call it), but – in my own defense – I had a handful of good reasons to check it out. "Violent Beep: the Movie" is primarily an Italian production and, being a big fan of the Italian horror industry, I was triggered by all the legendary (by cult standards, at least) names that are linked to this production! For instance, the actor receiving top billing is none other than Giovanni Lombardo Radice, and everybody who has seen the titles "Cannibal Ferox", "City of the Living Dead" or "Cannibal Apocalypse" knows that his presence pretty much guarantees gory death sequences! Furthermore there are guest appearances of the awesome horror directors Enzo G. Castellari ("The Last Jaws", "Inglorious Bastards") and Luigi Cozzi ("Contamination", "The Killer Must Kill Again") and the soundtrack is delivered by the almighty Claudio Simonetti from Goblin! Genuine horror/euro-exploitation fanatics don't need any more arguments to see a film, agreed? And yet, this sadly remains a completely nonsensical piece of pure rubbish that is almost impossible to sit through… Director/co-writer Luigi Pastore comes up with a series of repulsive images, like close up amputations and disembowelment, but there isn't the slightest bit of structure, logic or continuity in the script. What the heck am I writing; there probably wasn't even a script! A maniacal killer, known as Karl the Butcher, roams the streets of Rome 15 years after he was last active in Berlin. German investigator Hans Ebert teams up with his Italian colleague Aristide D'Amato and via a lot of insufferably dumb and tedious conversations, they somehow establish there's a link between Karl the Butcher and the mysteriously eccentric Professor Vassago. Indeed, the latter enjoys resurrecting Karl the Butcher and controlling him like a sock-puppet, but I absolutely don't have a clue how or for what purpose he does so. Just like his "big example" Andreas Schnaas, Luigi Pastore doesn't have any knowledge about how to narrate a story, build up tension or insert character development. The film is a spitfire of badly angled camera viewpoints, horrendous dialogs and pointless padding footage. I probably don't have to add that the players are miserable amateurs and their English language skills are simultaneously laughable and pitiable. Even experienced actors, like Giovanni Lombardo Radice, adapt themselves to the bottom-of-the-barrel standards of this production. He looks somewhat like a retarded version of Max Shreck in "Nosferatu" and shouts a whole lot of things that don't make any sense. Quite a few scenes balance on the edge of being pornographic and the blood & splatter – although plentiful – couldn't upset a small child. Simonetti's music is great, but I refuse to give an extra point for this, as this film deserves a rating 1/10 more than any movie I've ever seen.