The Black Torment (1964)

That was an excellent one.

A Masterpiece!

The film never slows down or bores, plunging from one harrowing sequence to the next.

There are moments in this movie where the great movie it could've been peek out... They're fleeting, here, but they're worth savoring, and they happen often enough to make it worth your while.

Though owing a bit to the Gothic tradition of Hammer Horror, this British ghost story is actually more attuned to the cycle made in this vein and running parallel to it emanating from Italy. Apart from the color scheme (courtesy of cinematographer Peter Newbrook, later director of the literate horror film THE ASPHYX {1972}) and languid pace, obvious links include the haunted protagonist (with many a skeleton in his family closet), the innocent heroine, the killing spree, the apparitions (which are usually revealed to be far closer to home and reality than one could have foreseen), etc.Leading lady Heather Sears had just appeared in Hammer's underrated version of THE PHANTOM OF THE OPERA (1962). Her male counterpart, John Turner (and resembling John Payne quite a bit actually), was new to me but he certainly left an impression – making for one of the most irascible heroes in any film, constantly blowing his top at everyone and everything, sometimes without provocation!; indeed, the whole unfolds at a somewhat hysterical pitch which seems to be an idiosyncrasy of the director. As it happens, this is one of a handful of interesting genre efforts from him: the others are CORRUPTION (1968), THE FIEND aka BEWARE, MY BRETHREN (1972) – both of which I am familiar with – and the as-yet-unwatched BLOODSUCKERS aka INCENSE FOR THE DAMNED (1972); for the record, I also own and still need to check out his star-studded comedy THE SANDWICH MAN (1966). Anyway, also on hand here are Peter Arne (seemingly devoted to the estate's invalid master and his son but unsurprisingly proving to be villainous), Patrick Troughton (as Turner's stable-master), Raymond Huntley (as a seasoned Colonel also serving as Magistrate in the community) and Francis de Wolff (as a stout blacksmith who acts gruffly and confrontationally towards Turner upon the latter's return from abroad with a second wife over a series of apparent hauntings/murders).The hero's father is cared for by the sister (Ann Lynn) of Turner's first bride – who, it seems committed suicide by leaping from a window because she could not produce a male heir (again, this alone should immediately alert one to her role in the elaborate revenge scheme!). Another party who comes into play towards the end is a man who is the spitting image of the hero, a twin whom the old man kept institutionalized (he is repeatedly described as an "imbecile") and a secret to everybody, but who was 'reclaimed' for their own devious ends once Arne and Lynn take control of the household following their master's debilitating condition; with this in mind, the family tree (called "Bible"!?) and motto (which pretty much conditioned the extreme actions of Turner's late spouse) have much to do with the proceedings. As I said, we get a number of motiveless murders of wayward wenches, as well as one that is clearly premeditated (the old man is found hanging from a chandelier after his empty wheelchair has come crashing down the stairs!) – not to mention eerie sightings outside the window, with the 'phantom' even giving chase to the cry of "Murderer" and, for the grand finale, a gun-shot wound to the face plus a rather well-choreographed swordfight!

The only film I'd seen from director Robert Hartford-Davis prior to seeing this sixties flick was the lamentable 'Incense for the Damned', so as you can imagine; I didn't go into The Black Torment with the highest of hopes. While this film is hardly a great horror masterpiece, or even one of the best British horrors of the sixties; it's certainly a good film, and a million times better than Incense for the Damned. The film focuses more on its atmosphere, and Hartford-Davis ensures that the themes of murder and insanity are always bubbling on the surface of the movie. The film gets off to a very slow start, and I wasn't too impressed with it once the first half hour had elapsed. Luckily, things improve later on, and the first half of the movie merely sets up the basics of the story. We follow Sir Richard Fordyce upon his return home to his eerie mansion along with his new wife, Lady Elizabeth. His first wife killed herself at her home, and the memory still haunts the lord of the manor. Furthermore, his servants believe that he has been present at the mansion prior to his return...Huge mansion houses are a tried and tested location for horror, and the one in this film works well considering the story. The film is all about atmosphere, and the director does a good job of racking up the tension in an effort to ensure that the endings works as it should. The characters are nothing to write home about, and the script doesn't do a very good job of balancing them with the plot. The mystery comes about through several small threads, and although the climax is easy to guess; it's fun getting there. The film benefits from several well worked set pieces, many of which involve the ghost of Sir Richard's first wife. The Gothic themes provide the film with a dark horror atmosphere and are sure to appeal to fans of gloomy horror. The acting is, like the characters, rather drab; and the unknown British cast don't do much to grab your attention. It's clear that Hartford-Davis wanted the film to be more like Roger Corman's The Fall of the House of Usher, as it features ideas such as a long line of family members, and also sees a scene set in a portrait gallery, much like the Vincent Price classic. Overall, it has to be said that The Black Torment is slightly disappointing; but fans of sixties Gothic are likely to find something to like here.

After a three-month absence, Sir Richard Fordyce and his new bride return to his estate under a black cloud. A young woman who lived on his lands was brutally raped and murdered just two days prior to his return. Her last words seemed to accuse Sir Richard of being the culprit. In addition, several of the locals report seeing Sir Richard's dead first wife chasing him through the village on horseback yelling "Murderer!" Sir Richard is at a loss to explain these strange events. He has been more than 100 miles away for months. Is it witchcraft or something equally sinister? As the dead bodies begin to pile-up, Sir Richard must discover the truth to keep his tenants from revolting and losing his new wife.What Works: The Opening. The movie begins with a woman we know nothing about running through the forest frantically trying to escape an unseen assailant. Unfortunately, she doesn't make it. This scene provides a wonderful opening and a lot of promise for The Black Torment. There is some real tension and atmosphere in this scene. It's a shame the rest of the movie couldn't be as good as the first five minutes..Other Set-Pieces. Other than the opening, there are a couple of other set-pieces that work reasonably well. The ending features a twist and a showdown that are nice. Nothing spectacular, just nice. But the best set-pieces are the ones featuring the dead first wife. The sight of the shrouded woman either lurking through the garden or riding a horse through the forest was a treat to a fan of Gothic horror like me.What Doesn't Work: The Cast. I can't think of one member of the cast that I enjoyed watching. The actors are unappealing and the characters they play are unlikable. The worst are the two leads - Heather Sears as the new wife and John Turner as Sir Richard. I didn't think it was possible for two people to annoy me as much as these two do. Every time either opened their mouth it was like fingernails on a chalkboard. I really wish the killer could have gotten hold of their necks.Talk, Talk, Talk. In between the bits of horror, The Black Torment turns into an incredibly inane melodrama. Now it's not that I mind melodrama as long as it's done well, but much of this is painful to watch.The Stupidity of Sir Richard. The character of Sir Richard has to be one of the dumber characters put on film. Had he stopped yelling at everyone long enough, solving the mystery would have been easy. Instead, every little thing seems to unrealistically upset him and send him off half-cocked. A little rational thinking on the part of Sir Richard could have cut the runtime of The Black Torment in half.To say that I was disappointed in The Black Torment would be an understatement. The plot description I had read across the internet made the movie sound like an undiscovered Gothic gem. And while a few bits of the horror were fun to watch watch, these moments seem to be enjoyable almost by accident when compared with the bulk of the movie. The ideas for a good movie are here, but, unfortunately, neither the script nor the actors were able to turn The Black Torment into one.

Robert Hartford-Davis("Corruption","The Fiend")directed this little gem of horror in 1964.Admittedly the action is pretty slow,but still the film has some eerie moments-especially the beginning is very creepy.The ghostly bits are well-done and the ending is a bit confusing.The acting is acceptable and the film has one or two unsettling moments.So if you like British horror movies "The Black Torment" is worth checking out! Recommended!