The Secret of Crickley Hall (2012)

Good concept, poorly executed.

If the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.

Great movie. Not sure what people expected but I found it highly entertaining.

The acting is good, and the firecracker script has some excellent ideas.

This is a BBC made for TV mini series. It is a heart felt ghost story. Cam (Elliot Kerley) and his mom Eve (Suranne Jones) have a special relationship in that they share dreams and sometimes thoughts. Eleven months after Cam goes missing the family goes on a retreat to remote Crickley Hall, an old large home that was used as an orphanage for London orphans during WWII.The house if filled with the ghosts of children and the graveyard shows us many died in 1943. The film smartly moves between a plot and subplot that takes place in 1943. It is a slow burner, but keeps you engaged. It is not a scary ghost story. No real horror

I was enticed from the moment I saw the eerie opening credits. I can't fault this series, every minute I was gripped with a new twist, amazing performances and a remarkable story line. Although some twists were cliché; you can easily forgive and forget, thanks to something new and exciting happening within the next minute. I read in a bio that the series was classed as a "drama", and a drama indeed it was. If you were expecting a gory horror I'd turn away now. As this series should be engaged with the expectations of a great story line drama... Even if the series still managed to spook me in parts and have me on the edge of my seat nearly all the way through.The story line was truly captivating. The juxtaposition was easy to follow and fun to see a new time period. The only reason for me not rating the series a '10' is simply because I wanted to know a little more about the boy, for which the bio of the series stated was one of the main focus points.A must watch for everyone!

Now the series made many changes to the original book including minor ones such as the family dog was called Chester and not Clyde, but why change the ending so that Nancy fancies Augustus? She detests him and that never happened in the book. Also, Stefan was supposed to have been killed by Augustus, the BBC instead decided he should go on until October 2009. Now i know that in the book Augustus was supposed to have chopped of Stefan's private parts and caused him to bleed to death but the BBC could have just depicted Stefan being hit to death. Why change such a big detail? It made the story worse! The series was fantastic but I must say that the ending just made it undignified. Such a shame as I thoroughly enjoyed the story until then.

I like a good ghost story and this BBC dramatisation of a James Herbert novel (which I've not read) made for entertaining if far-fetched viewing. Spread over three hour-long episodes, I imagine gave the serial time to stay closer to the novel and to be fair I didn't notice a lot of unnecessary padding.Set in two different time-frames, one set in the present day with a young family trying to get over the apparent loss of their beloved young son, the other telling the more interesting story of a sadistic brother and child-abusing sister who run an oxymoronic "safe home" for young evacuee children during the Second World War, whose methods are challenged by a game young teacher who comes into their employ. The two stories converge when the modern family unaccountably pick the spookiest house in the country to recuperate from their loss, with the mother and her two other young children apparently seeing and hearing the presence of the young children murdered 70 years ago and the former believing that the ghosts might be able to contact her missing son.As I've indicated, it's probably best to pop a few massive coincidence pills in before watching and while some confusion inevitably enters the narrative, it coheres well enough to engage me through three Sundays in a row. The actors put the hokum across pretty well as a group with special mention going to Olivia Cooke as Nancy Linnet, the defiant young teacher who braves the dastardly brother and sister at risk of her own career and indeed life. Douglas Henshall also makes for a creepy "Whacko" villain, who fetishistically notes down every beating he gives out and demands one more victim in return for the one that got away.The special effects were okay, more about suggestion which is usually the best way in programmes like this with no cliché unturned (subjective camera shots, pouring rain, dark sets, voluminous background music at key moments) and of course there's an impossible rescue of the daughter by her father, but if you're watching this as a study in realism then think again.I've watched more realistic and scarier ghost stories than this but this twin-spook story engaged me reasonably even if at no stage was I tempted to hide behind my sofa or even peek through my fingers at any point during it.