Twists of Terror (1997)

Excellent adaptation.

A Masterpiece!

It's entirely possible that sending the audience out feeling lousy was intentional

It's a good bad... and worth a popcorn matinée. While it's easy to lament what could have been...

Three part "horror" film with some guy in a boarded up house imploring the viewer not to go "out there" and (unfortunately) gives us three tales to prove why.The first story involves a young couple in a car accident who meet up with two psychos. It leads up to two totally predictable twists. Still, it's quick (about 15 minutes), violent, well-acted and well-done. Predictable but enjoyable.The second involves a man on the run after stealing a large amount of money. His car breaks down, he's attacked by a dog and stumbles into a nearby clinic. VERY obvious, badly done and extremely slow. Even at 30 minutes this is too long. Good acting though.The third is just barely a horror story. It involves a beautiful, lonely woman looking for Mr. Right. It has beautiful set designs, a nice erotic feel and a nice sex scene. But (again) predictable and not even remotely scary.It ends very stupidly.All in all, the first one is worth watching, but that's it. Tune in for that one then turn it off.

An anthology of three different horror stories, this movie is basically a poor man's version (or just plain poor version) of the Creepshow, or Tales from the Crypt, or Twilight Zone. The only "twist" that made this worth watching was an erotic sex scene with Francoise Robertson in the third story.

This is probably one of the stupidest films I've ever seen. The stories were predictable and unscary, and the acting was atrocious. That last story, which featured the nude scenes and the deranged female killer, was particularly stupid in spite of its attempts to be erotic. You'd be better off watching an hour's worth of McDonald's commercials than this piece of drivel.

More like 2 and a half stars. I am a sucker for anthology horror movies. There are three stories to this one. The theme of the whole thing is that each of the stories are supposed to have an unexpected twist partway through (or at the end). The first story is about a man and his wife who are celebrating their second honeymoon, and are on a fairly deserted road after a fancy dinner when a car runs them off the road. They finally manage to flag down a van that stops for them to take them to a phone (I guess neither of these yuppies carry a cell?) The driver, who sounds like Woody Harrelson did in Kingpin, and kind of looks like him too, only with more hair, gets more and more creepy, and they get more and more nervous...I didn't see the first twist coming, but I saw the second twist, which I could tell was supposed to be more shocking, a mile away. The second story is about a travelling salesman who has to catch a plane. They leave it vague but he seems to have ripped off someone and is trying to leave the country. He runs out of gas and gets attacked by a dog, then to escape, runs to a hospital-like building (again, out in the middle of nowhere) and pounds on the door till a nurse and an orderly let him in. But are the hospital staff really what they seem? I figured out how this one would end about 10 seconds after he enters the hospital, having seen this plot before on Tales From The Crypt among others. The third story is about a pretty but lonely single woman looking for romance in bars and through dating services. She meets a good-looking, smooth character in a bar who seduces her. I saw the ending twist to this one coming about 5 minutes into it as well. I do have to say, in all fairness, that I've seen almost every horror movie ever made and every Tales From the Crypt episode, so I am pretty good at figuring out how these things are gonna go. And there were some original things done, and they did trick me one or two times. Better than all that teen crap coming out these days, that's for sure. Worth renting--and good if you have a short attention span. Try not to be distracted by how the female lead in the last story is a dead ringer for Julia Louise Dreyfuss.