Lillian Russell (1940)

Overrated and overhyped

Lack of good storyline.

All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

The movie's not perfect, but it sticks the landing of its message. It was engaging - thrilling at times - and I personally thought it was a great time.

Outstanding musical biography, with absolutely stunning costumes (Travis Banton), fabulous music and all the joy of old vaudeville. The cast is great. Alice Faye is terrific and she gets solid support.The screenplay by William Anthony McGuire — he of The Kid from Spain, The Great Ziegfeld, Rosalie, etc — has been unjustly criticized in many quarters as being too long and not fulfilling its initial promise. I reject these accusations. I thought McGuire's script not only recreated some of the great personalities of the Russell era, but gave all the star and featured players excellent opportunities to shine. Another of the film's great assets is Leon Shamroy's lustrous black-and-white photography. The fabulous art direction must also be wholeheartedly commended.Irving Cummings (formerly an actor in Lillian Russell's company) has directed with grace, style and affection, ably assisted by the marvelously vigorous dance direction of Seymour Felix. The outstanding music score was directed by Emil Newman. One of the most effective numbers is a song, "Blue Lovebird", especially composed for the film by Gus Kahn (lyrics) and Bronislau Kaper (music). Notice the splendid use Newman makes of this by underscoring the scene prior to Solomon's death with it and hitting the actual death- scene with a discord, which is repeated in a reprise skilfully arranged by director Cummings and film editor Todd. And a following scene, breathtakingly photographed by Leon Shamroy, also represents yet another outstanding example of creative and masterly film editing. Here, Alice Faye, dressed in a fabulous black gown, appears against a solid black backdrop, first in long shot, then medium, then in close-up, and finally back to long shot for a glorious finale.

In the 1930s and 40s, Hollywood made a ton of bio-pics. In most cases, the actual peoples' lives were only the barest of outlines for the films--with SIGNIFICANT padding (in other words, outright lying) to make the films more marketable. While the films were generally pretty enjoyable, they also were pure bunk--so when watching any biography from this period, take what you see and hear with a grain of salt. I say all this here because "Lillian Russell" is just one of those films--filled with fiction and is only a biography in name only.While in some ways this film is accurate about the great stage actress Lillian Russell, here are a few ways where the film is total bull: The film shows Lillian's parents as a loving couple. They actually separated when Lillian was 18 and she and her mother moved across country--leaving dad behind.Lillian's first marriage in the film is the biggest problem in the film. Her creepy husband (Don Ameche) dies--leaving her a sad, sad widow who then sings HIS song as a tribute to him. In reality, it turned out this total louse was ALREADY MARRIED!!!! When Lillian discovered he was a bigamist, she divorced him! Some love story!!! He also was her second husband--and she'd been cheating on her poor old first husband! Lillian was married four times...but not in this movie! She only married once and there is an implied marriage at the end. Her beautiful baby is important in the film. The fact that it died as an infant was never mentioned!Lillian herself was a feminist and suffragette--writing articles and speaking out for the cause. None of this is in the film and only her mother's political aspirations are discussed--odd considering the film is supposed to be about Lillian.The film, despite having a completely dull and inaccurate plot, was a big-budget film--with AMAZING sets and lots of stars. It was odd, however, that despite having many big-name actors in the film that they were often used very poorly. Don Ameche, probably Fox's #1 male star at the time, plays a simpering loser--who also behaves VERY creepy 80 minutes into the film (where he basically says she can NEVER, NEVER leave him--even if she wants to!). Clearly it was NOT a role suited to such an illustrious star and might have been better for Boris Karloff! Henry Fonda basically plays a love-sick loser....and a creepy one who has stalked her from afar. Warren William is in the film...and that's all that can be said about his part. Pretty much the same can be said for Leo Carillo. Edward Arnold isn't bad as Diamond Jim Brady, however, and Helen Westley is GREAT as grandma. And as for the star, Alice Faye, this is one of her best films and the makeup and costuming folks have made her radiant. Clearly the women in this film outshine the men--as if the men, for a change, are more window dressing than people.The overall verdict is that although the film looks great and has some decent moments, it's a dull, bloated and incredibly inaccurate film. By the way, there is a VERY funny glitch at the 89 minute mark. Lillian picks up her crying baby. The closeup of the kid is of a completely different kid--with the hair changing from brown to blond before your very eyes--and with a completely different face!! Didn't they think anyone would notice.FYI--This film was wildly inaccurate that there is a special feature on the DVD entitled "A Woman Like No Other: The Real Lillian Russell"! It is worth seeing. It also shows that Lillian's life was FAR more interesting than the 20th Century-Fox film!

The costumes and some musical numbers keep this movie from being a total flop, but you have to give the makers a hand, they really tried for awful and only missed by a little bit. Alice Faye is at her bland worst. The songs are well sung with all the life of overdone spaghetti.Lillian Russell was a fascinating woman with an incredible life. Her fame within her lifetime was enormous. She had an early childhood that gave her independence and made her an early suffragette. Her four husbands, the long time affair with Diamond Jim Brady, her later career when her voice failed, her activities during WWI all add up to a movie that should be made in the future. Maybe someday a movie will do her justice. This one isn't it.

--sings some of the old songs, has beautiful costumes and hair styles(wigs?), and Don Ameche, Henry Fonda, Edward Arnold and Lynn Bari as co-stars. The facts of the story may be wrong, but who cares? What biographical movie is about facts? On a cold day in a warm house(or vice versa), just sit down and listen to Alice sing and enjoy an old-fashioned film. 7/10