Strange Bargain (1949)

Fantastic!

When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.

At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.

The story-telling is good with flashbacks.The film is both funny and heartbreaking. You smile in a scene and get a soulcrushing revelation in the next.

RKO,1949, a peak year for noir, at least that's what I was expecting. But that turns out not to be the case. Instead, the production's more like TV's Father Knows Best, except this suburban dad (Lynn) has one foot in deep trouble. It's a clever, non-clichéd plot device. Dad's pulled into a suicide-to-look-like-murder insurance scheme because he needs money. In short, his job's not paying enough, plus he may be looking at unemployment. At his nice post-war home, there're two cute kids plus a loving Jane Wyatt type wife. In brief, he's living the life GI's fought for a few years earlier. And though he wavers, he can't let the American Dream slip away, even if it does involve a crime.At first, I missed what I thought was needed noirish atmospherics. But now I figure that would have been all wrong. Noir would have pulled in the metaphysics of fate, doom, et al. And that would have detracted from the middle-class morality tale that the film is really about. It's not fate that moves Sam; it's ordinary desires for a happy home, circa 1950. In short, it's the financial underside of 50's sit-coms, where family problems go beyond a late trash pick-up or a cranky neighbor. Plus, it's filmed in that same straightforward manner. Lynn's perfect as the low-key Dad; he's got "solid citizen" written all over him. Ditto Scott as wife and mom. And what a marvelously versatile actor Henry Morgan was. Here his limping detective commands respect despite the disability. Actually, I should have known something was up when Katherine Emery was cast as schemer Jarvis's (Gaines) wife. A favorite of horror-meister Val Lewton's, she was adept at the sinister.I could have done with a less pat ending, but them's the hazards of the Code enforced period. All in all, it's a smoothly done 70-minutes, perhaps too low-key for its own good. Still, the crime drama shrewdly humanizes a familiar 50's stereotype, and in an appealing way.

Richard Gaines (Jarvis) really sucks at running a company. Not only that but he has also blown his inheritance. Now he's feeling guilty and is prepared to kill himself in order to provide for his wife Katherine Emery (Mrs Jarvis) and his son. He hatches a plan to kill himself but it must look like murder if his family is to benefit from his life insurance, so he asks employee Jeffrey Lynn (Sam Wilson) to help him with his pre-planned actions. Lynn gets reluctantly caught up in the plan but is all as it seems? Harry Morgan (Lt Webb) arrives on the scene with his cane to sort things out.The best part of the film comes near the beginning as Jeffrey Lynn politely asks his boss Gaines for a pay rise and is promptly told that he is sacked. Wow. That was pretty harsh. But pretty funny. The story moves along at a good pace but it does, unfortunately, involve an annoying child in the form of Michael Chapin (Roddy), who demonstrates everything that is annoying about children - his language "Gee this" and "Gee that" and "Dad, you're a card" - aaaargh, shut up you brat. Martha Scott (Mrs Wilson) also has a peculiar character. She starts off as a homely mother who suddenly undergoes a character change to become a busy-body who wants to poke her nose and interfere in the lives of others that she doesn't know. It doesn't ring true and she definitely does not merit top billing in the film.Overall, there is enough of a story to keep you watching and it's quite enjoyable trying to work out who-dunnit.

For any Murder She Wrote fans, this movie may be familiar. It was the main feature for an episode entitled 'The Days Dwindle Down', aired in April of 1987. Jeffrey Lynn, Harry Morgan and Martha Scott resurrected their roles for the episode. I have yet to see the movie, however after seeing this episode, I am now intrigued to see what the movie was actually like.

An interesting note about this movie: The TV Series "Murder, She Wrote" produced a "sequel" to it in a 1987 episode, "The Days Dwindle Down," (episode # 3.21). Several actors, including Harry Morgan, reprise their roles. Jessica Fletcher re-solves the original crime by interviewing several of the original characters some 30 years after the fact (actually closer to 40 years!). The episode makes nice use of scenes from the original movie as flashbacks to explain the plot. Imagine the surprise of watching a typical MSW episode about an old murder, and then a 34-year-old Harry Morgan suddenly pops up in B&W interviewing the same (though younger) witnesses about the same murder!