Mary and Rhoda (2000)

Nice effects though.

Good movie but grossly overrated

If the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.

Funny, strange, confrontational and subversive, this is one of the most interesting experiences you'll have at the cinema this year.

On the back burner for years (so it was reported) this television reunion of two of the most beloved characters in sitcom history started off badly - and went straight downhill from there. TV movies which re-visit once-popular shows just can't seem to recapture the magic which made the original so popular. And,yet, they keep on trying. Mary Richards (Mary Tyler Moore) and her best friend Rhoda Morganstern (Valerie Harper) meet in New York after a long estrangement and catch up on each other's lives. But, sad to relate, nothing worth talking about (let alone making a movie about) has happened to either of them in the intervening years. Instead,the script contents itself with throwing out one hoary old plot device after another (most having to do with older women in the workplace), while completely missing the quirky charm and sophistication that produced a comedy classic. The supporting cast is instantly forgettable, the humor is nonexistent, and the chemistry which Moore and Harper once had together is gone. Moore allegedly stalled this project for years, waiting for "just the right script" before committing herself. (If this was the one she considered "right", what on earth were the ones she turned down like?) It's not the age of the characters that does this in (for time inevitably marches on), but the almost complete lack of imagination coupled with a blatant disregard for the elements that made the series work. At one time this was intended as a pilot but, all to obviously, it failed to generate any interest among potential sponsors. Or for that matter, among potential audiences. And since it wasn't much as a movie, it was even less as a pilot. Quickly and mercifully forgotten, the film is a travesty and an insult to a classic.

Why MTM felt the need to create a pseudo-Lifetime movie, I do not know.As a fan of the original series, I did not hold much hope upon hearing the concept for this reunion. Unfortunately, I found my worst fears were realized.The way to go with this reunion, would have been to create a simple 30-minute episode, acting as if the series had never ended, with ALL of the surviving cast. The plot is obvious - have the gang gather for Ted's funeral. Not that we'd want another "Chuckles Bites the Dust," but a chance for the characters to interact in the manner that always seemed to work so well.My only compliment for this "reunion" is to the costume designer, who seems to perfectly channel the 70s styles that Mary originally showcased, but with a contemporary flair.In one of the FEW references to the original series, Rhoda humorously comments on Mary's lousy parties.The whole daughter concept is a bust. LAME.Granted, we were able to see the infamous "M" on Mary's wall, but what about the pumpkin cookie jar that also only appeared in every season of the original? (Anyone else notice that? Wonder what the significance was?) Anyway, I'm sorry this movie was even produced. The "histories" of Mary and Rhoda are disappointing. The supporting characters are caricatures. The location filming in New York is distracting.I love both actresses.......they deserve better than this. (Of course, it was all MTM's idea, sad to say.)

This film is not devoid of charm and also shows a bit of warmth, but ultimately this effort is too vain and too strongly focussed on the leads. There is no doubt that Mary Tyler Moore knows what to do with all her screen time but she takes too much of the limelight away from the rest of the cast.Another problem is the overburdening of the script with cliches. The daughter who secretly drops out of college, an older woman finding it difficult to get a good job (and first ends up with fairly demeaning work), the sleazy network executive with his executive toys who goes for glitz over substance, the journalist who sticks up for her beliefs, etc. There is nothing really wrong with any of these, i.e. they are all firmly rooted in reality, but in combination they are just too much and leave us with too much deja-vu and too few surprises.

So Mary and Rhoda have aged--who hasn't? I was a teen when Mary premiered, and a "young adult" when it left the air. Yes, it was great to see Mary and Rho together, and yes, maybe the film didn't sustain the comedy of the original series, but there were enough moments that recalled the spirit of the series to make this a fitting tribute. Example: the producer who hires Mary and then dictates the idea for a new series about "old people." Isn't this typical of the mentality of present-day Hollywood TV and film "bean counters?" This may not be THE MARY TYLER MOORE SHOW at its best--but it's a pretty damned good look back at one of the best shows we grew up with in the 70s.