He Was Her Man (1934)

To me, this movie is perfection.

I wanted to but couldn't!

It's hard to see any effort in the film. There's no comedy to speak of, no real drama and, worst of all.

It's funny, it's tense, it features two great performances from two actors and the director expertly creates a web of odd tension where you actually don't know what is happening for the majority of the run time.

HE WAS HER MAN (Warner Brothers, 1934), directed by Lloyd Bacon, in spite of its torch song sounding title for a musical film, is actually an offbeat melodrama starring James Cagney (with mustache) and Joan Blondell for the seventh and final time on screen. With Cagney naturally playing a vengeful tough guy with good qualities, it's Blondell, usually bright eyed and sassy, going against type as one of the most saddest characters ever portrayed. Often classified as their weakest collaboration, the Cagney and Blondell pairing still contains their usual star chemistry mainly because they're two of a kind.The plot gets underway at a Manhattan Turkish Bath where "Flicker" Hayes (James Cagney), a professional safe-cracker just released from prison, makes negotiations with crooks, Dan Curly (Bradley Page) and Frank "Red" Derring (Ralf Harolde) for their latest job. Because they're the ones responsible for sending him up, Flicker pulls a double-cross by notifying the chief of police (Willard Robertson) about the upcoming robbery that's to take place at the warehouse of the Empire Wholesale Drug Company. Caught in the act, Hayes makes his escape out the window as Curly is killed in a shoot-out with the law and Derring arrested for the killing of Patrolman Arthur Murphy. Because Derring was sentenced and executed for the crime, Curly hires fellow mobsters Ward (Harold Huber) and Monk (Russell Hopton) to get Flicker. In San Francisco, "Pop" Sims (Frank Craven), an informer for the mob, spots Flicker, now going under an assumed name of Jerry Allen, registered at the hotel, and notifies Curly of his whereabouts and instructions. Seeking refuge in Room 419, "Jerry" comes across a woman named Rose Lawrence (Joan Blondell) entering his room with the hotel key to retrieve a wedding dress she had hidden under the mattress before her eviction for lack of money to pay her bill. Because Rose is desperately broke and hungry, Jerry supplies her with food and assistance. Told of her upcoming wedding to Nick Gardella (Victor Jory), a man she met through a bellboy while boarding at the hotel, Jerry accompanies her by bus to an obscure fishing village in Santa Avila, unaware that he's being followed by Sims. Once there, Rose finds her love towards Jerry getting stronger and decides on going away with him after telling Nick that she can't go through with the wedding. Realizing both his gun and Pop, going under the assumed name of Jim Parker, have both disappeared, Jerry decides to leave town without telling Rose. He heads on over to the bus station the very same moment Ward and Monk arrive at Rose's bunk house asking about Jerry's whereabouts, with intentions on doing her harm if they don't get the information they want.Taken from a story by Robert Lord, HE WAS HER MAN lacks the general humor and excitement commonly found in many Cagney films thus far. No doubt this was an attempt in trying something more dramatic and entirely different for its leading stars, even to a point of lifting that memorable love theme from the 1932 success of ONE WAY PASSAGE (Warners) starring William Powell and Kay Francis. For being a Cagney film, Blondell is the one who gets full attention this time around. Although not clearly indicated, her character is that of a former prostitute who's fallen to hard times, using a kind-hearted fisherman for financial support. Her performance might have lead to stronger parts in latter films, but really didn't, for now anyway. She then returned to her usual sassy comedies the public loved so well. Co-star Victor Jory, best known for his villainous types, is unusually cast or miscast as an understanding Italian accented fisherman, a role that might have best suited that of a J. Carroll Naish whose Italian dialect would appear more natural than Jory's. Also in support are Sarah Padden as Jory's mother; George Chandler and James Eagles. John Qualen, who specializes in playing Swedish characters, is laughable here with buck teeth that appears to have been borrowed or stolen from a rabbit.Being the least known and overlooked of the Cagney and Blondell collaborations shouldn't be the reason to avoid viewing HE WAS HER MAN whenever it turns up on Turner Classic Movies. Often classified as one that was never be sold to commercial television might be true to some degree. Not counting other states that televised classic movies on the late show, HE WAS HER MAN did get a rare television broadcast in 1974 as part of the afternoon movie on Philadelphia's own WPHL, Channel 17, a home of obscure and famous Warner Brother films prior to 1975. Over a decade later, HE WAS HER MAN turned up on a public television's WNJM, Channel 50, in Montclair, New Jersey, around 1989-90, before becoming one of several Ted Turner cable channels in later years. Regardless of slow pacing and certain scenes to leave viewers wondering than satisfied, it's the agreeable combination of Cagney and Blondell that makes this 70 minute production worth while. (**1/2)

He Was Her Man (1934) ** (out of 4) James Cagney plays a safecracker who goes on the run after his latest job goes bad. While hiding out he meets a woman (Joan Blondell) who's running away from her life to marry a man she hasn't met. I'm really not sure what the history of this film is but it was either rushed into production or the screenplay wasn't done when filming started. There are about three or four genres going on here and none of them mix well together and in the end the film comes off as a rather big mess. The most shocking thing is how bland and boring Cagney is. I'm not sure if he was trying a new acting style or what but his laid back and calm approach comes off pretty bad. Blondell is somewhat better in her role but she isn't given too much to do except sit around and feel sorry for herself. Victor Jory plays her soon to be husband and comes off the best in the film. This isn't the worst Cagney/Warner picture I've seen as that honor would go to Boy Meets Girl but this is perhaps the worst performance I've seen from the legend.

Warner Brothers Pictures were very prolific and they kept James Cagney busy in the early 30s. Pictures usually had snappy dialogue and swift pacing in his early career, but not this time! Very preachy and sentimental story with little for Cagney to do. I guess I can't get used to him in mustache. Backgrounds and locales interesting, especially early gas station/cafe with slot machine. Look for John Qualen(trying to sell ring in Casablanca) as Dutch, the local yokel.

With James Cagney and Joan Blondell headlining the cast, what more can you want? A good screenplay, that's what! The disappointing ending had me shaking my head, especially after I finally got used to Cagney in a mustache. And I never figured out who the "he" in the title was. Either Cagney, with whom Blondell falls in love after he seduces her in San francisco and in Victor Jory's house, or Jory himself, who was going to marry Blondell knowing she used to be a prostitute. Jory plays a Portuguese fisherman, but his accent is very phony, and none of the supporting cast was exceptional. There's some good suspense at the end but the film let me down. Still, I did like watching the two stars.The film was released a few weeks before the production code was more rigorously enforced. Blondell's character caused the Catholic Church to place the film on its "condemned" list.