Four Nights of a Dreamer (1971)

Powerful

Great movie! If you want to be entertained and have a few good laughs, see this movie. The music is also very good,

Fun premise, good actors, bad writing. This film seemed to have potential at the beginning but it quickly devolves into a trite action film. Ultimately it's very boring.

Like the great film, it's made with a great deal of visible affection both in front of and behind the camera.

Revered for his minimalist approach to cinema, writer-director Robert Bresson shows an unerring artistic eye for his surroundings in "Quatre nuits d'un rêveur", though he stumbles with his vapid script (inspired by Dostoyevsky's short story "White Nights") about two young people in Paris. It's a flashback-heavy non-romance between a starving artist and a suicidal girl. After stopping her from leaping from a bridge, the painter finds himself drawn to the girl during an intimate conversation wherein they reveal to each other their past regrets--but she's still pining for her fickle lover. Bresson and cinematographer Pierre Lhomme capture lyrical, lazy bits of business--and sensual though not erotic female nudes--but the characters never take shape, and the amateur actors (a Bresson specialty) aren't compelling. ** from ****

Though one of Robert Bresson's lesser films, "Four Nights of a Dreamer" is perhaps his most influential.The plot here is simple: an artist wanders about Paris, observing its various female inhabitants. He loves these beautiful strangers, infatuated with the ideal they represent. He eventually meets Marthe, an attractive woman who is gloomy because her lover promised to meet her when he returned to Paris, but never showed up.The artist and the woman then spend four days together, sharing intimate stories and romantic gazes, but their relationship ends abruptly when Marthe's lover suddenly reappears. The artist then becomes disillusioned. The lesson: approach leads to destruction, there is no ideal, desire's can never be fully satiated and fantasies are fragile things. Paradoxically, they are precisely that which spurs man onward.7.9/10 – Though it lacks the polish of Bresson's major works, this little flick nevertheless set the template for later film romances such as "Once", "Before Sunset" and "Before Sunrise". With its long unbroken takes, loving shots of nighttime Paris, river ferries, street performers, musicians and a couple who "promise to meet up again in a year", this film laid the groundwork for a whole new sub-genre of romantic films. See too Minnelli's "The Clock". Worth two viewings.

"Four Nights of a Dreamer" is my first Robert Bresson film, and my first impression of his style and ethos. This film is one of several adaptations of Fyodor Dostoyevsky's "White Nights", but from what I gather from reading about the other adaptations this is the only one worth seeing other than Luchino Visconti's lovely "Le notti bianche". While I enjoyed that film nearly as much as this one, "Four Nights of a Dreamer" is more striking and ambitious, thanks to Bresson's intelligent and thoughtful screenplay and the beauty of the cinematography and simple economy of Bresson's direction.The adaptation is loose, but needs to be. Dostoyevsky's writing is too reliant on the reader's perception and the emotional core of the story to be effective when literally translated to film, but is ripe for interpretation, and Bresson's is particularly interesting as he moves the story to 1970's France, introduces more emotion and passion to the characters, and actually makes the cinematic cliché of the aimless artist interesting and involving.The story is simple, Jacques (the 'dreamer') meets Marthe as she is about to commit suicide because her lover had promised to meet her that night after being away at Yale for a year but hadn't shown up, they become friends, share their stories over four nights until Marthe's lover shows up and they are forced to part. Bresson's script is remarkable, though, in its occasional wit and humor, in the uniqueness of its characters, in its observations on modern life and being in love. Even more impressive than the screenplay is the striking cinematography by Pierre Lhome, particularly during the nighttime scenes in Paris, which is shockingly beautiful at times. My first impression of a legendary director like Bresson could have resulted in disappointment, but I am now interested in exploring his filmography because I found his mute style so appealing. Most interesting was his ability to be very literal and clear through his use of the camera without seeming heavy-handed at any point. This is a wonderful, strikingly beautiful film.9/10

I saw this film twice with Japanese subtitles. Tonight I saw a print (and very different version) with English subtitles. In this film, Bresson makes everyday life beautiful.... the lights on the river, the Brazilian music coming from a beautifully lighted tour boat going under the bridge the lovers are on... The story is small... An aimless artist prevents a woman from suicide and listens to her story and tries to help her reunite with her lover. This story seems to be seen through a dark filter of the beauty of Paris and its people. A scene where the heroine is making love in the next room while her mother is walking back and forth calling her name, not realizing that her daughter is right next door... Her voice gets louder and softer and louder...The scene with the aimless artist following one beautiful woman, only to be distracted by another beautiful woman whom he then follows....There are many small beauties in this film. And my telling you about them will only make you anticipate them with pleasure. Bresson, working with a minor little story has created a film of great beauty. Good luck finding it....I was fortunate enough to see it at a theater twice, where the beauty of the scenery could be appreciated. For some reason, it is not out in video or DVD. The DVD I saw probably had the photographer setting up his camera in the dark theater... and shooting at the screen!