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Todos los días son tuyos

Todos los días son tuyos (2007)

October. 08,2007
|
6.4
| Thriller

While investigating the terrorist activities of a Basque nationalist group, Mexico City photographer Eliseo (Mario Oliver) becomes obsessed with his neighbor, a gorgeous young separatist named Maria (Bárbara Lennie). But when Maria is murdered, Eliseo is the prime suspect. Pursued by both the police and Maria's killer -- who has slain other Basque separatists -- Eliseo fights to stay alive and clear his name in this fast-paced thriller.

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Reviews

InformationRap
2007/10/08

This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.

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Invaderbank
2007/10/09

The film creates a perfect balance between action and depth of basic needs, in the midst of an infertile atmosphere.

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Portia Hilton
2007/10/10

Blistering performances.

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Fleur
2007/10/11

Actress is magnificent and exudes a hypnotic screen presence in this affecting drama.

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carlos-linares
2007/10/12

I had the opportunity to watch a pre-release screening of this movie during a film festival in Guanajuato and I'm pleased to say this was the most impressing movie I saw there.This is definitely one of the best contemporary Mexican films... if we consider that this is the director's first long feature, it becomes a masterpiece.With a budget of only 1 million dollars, the movie still delivers great film-making, an excellent, suspenseful plot and awesome characters.Unlike most Mexican films these days, this movie isn't about social criticism, uncalled-for violence or tortuous, fairy tale-ish love affairs... this is a thriller, and a good one at that. The purpose of the movie is keep you in suspense for 2 hours and it delivers what's promised.It'll still take you trough the corruption in the justice system, the obsession of a photographer and the political consequences of the ETA organization's activities... this movie is shades of gray all the way trough: think of the classic film-noir atmosphere from the 40s, adapted to a modern-day metropolis like Mexico City.Jose Luis Gutierrez is definitely a director worth keeping an eye on, and with this first attempt so well done and original, I can see him becoming an icon of Mexican film-making.

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