Man at Large (1941)
FBI agent Bob Grayson works in collaboration with Max, a British agent posing as a fugitive German aviator. Meanwhile, fearless girl reporter Dallas Dayle is assigned by her editor to track down the enemy aviator and get an exclusive story. When she catches up with Grayson and Max, Dallas is under the impression that Grayson is a rival reporter and Max is the genuine fugitive.
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People are voting emotionally.
The film never slows down or bores, plunging from one harrowing sequence to the next.
This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.
Exactly the movie you think it is, but not the movie you want it to be.
This innocuous B comedy was out before the American involvement in World War II and takes an unrelenting look at what was happening right under our notices even without war declared. Marjorie Weaver is a jumpy as a cat journalistic photographer, trying to scoop reporter rival George Reeves, who is actually a government Superman. Interfering in each other's work from the beginning they meet, it isn't long before the sparks fly in spite of the fact that Weaver is an annoying buttinsky, careless and silly. The attempts to unmask the spying ring involve a piece of music (obviously ripped off from "The Lady Vanishes") and character performers like Steven Geray, Elisha Cook Jr., Minerva Urecal and Ethel Griffies. I've seen a dozen similarly themed war films, and they've ranked from great to reek, and this up there with the weakest, even stealing from Hitchcock again with the mind reading act from "The 39 Steps" ripped off. This doesn't hold a candle to the Bogart spy comedy "All through the Night", the very first one I've seen and watched a dozen times over since first seeing it. "Man at Large" may just indeed remain a one shot deal.