Streets of Ghost Town (1950)

Very best movie i ever watch

best movie i've ever seen.

It's funny, it's tense, it features two great performances from two actors and the director expertly creates a web of odd tension where you actually don't know what is happening for the majority of the run time.

The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

"Streets of Ghost Town" is another in the Durango Kid series starring Charles Starrett and Smiley Burnette. If you haven't seen earlier entries in the series, you might enjoy this one. It's told mostly in flashbacks and uses generous amounts of stock footage in the telling. Much of the back story including a land rush, cattle stampede and horse stampede come from earlier films.Steve Woods (Starrett), Smiley and the Sheriff of Dusty Creek (Stanley Andrews) arrive in the ghost town of Shadeville in search of a lost treasure hidden by outlaw Bill Donner (George Chesebro) years before. Outlaw Bart Selby (Frank Fenton) whom Donner and his partner Wicks (John Cason) had doubled crossed also seeks the loot. Donner after years running with a gang which included Bob Kortman , is arrested and sent to prison.Donner escapes prison but is captured by Selby's gang and is blinded. He then goes into hiding in the ghost town with only his young grandson Tommy (Don Reynolds) to help him. Grand Daughter Doris (Mary Ellen Kay) also has an interest. Tommy makes an important discovery. Selby arrives on the scene as does Durango and.......................................................................It was nice to see grizzled old veteran George Chesebro given a major role for a change even though most of his part was in the stock footage. Fenton didn't make a very convincing gang leader. Mary Ellen Kay was totally wasted in her brief role. Starrett has little to do except story tell and show up as Durango at the end to round up the bad guys. The Colorado Rangers singing group provide the entertainment along with Smiley.Did you ever wonder how Smiley never knew Durango's identity even though he was always close pal with the Steve character?

I would like to comment on the previous blogs about the re-use of old footage. Yes, there was a lot of stock footage used in the Durango Kid films, just as there had been in the Lash Larue series. This had nothing to do with television, since TV's influence didn't make an impression until the early Fifties. Post-war production costs and the tight budgets which governed these films were to blame. Actually, it made sense. Why would you shoot new footage of a masked rider on a white horse again and again when you already had footage on this? My friend Barry Shipman, who wrote the Durangos, told me that at the end of the series in 1952, he was simply writing continuity so that the old footage and the new footage could be matched up. What the hey? The kids didn't care about story lines. Just keep the Durango Kid riding and shooting. The comment about the hokey comedy of 1950 amused me. Burnette was doing the same comedy on Petticoat Junction, but there was a laugh track added to tell the audience when to laugh. We didn't have the laugh track at the movies so we had to decide for ourselves what was funny and what wasn't. Also, note the printed narratives at the beginning of every Durango with no off screen narrator reading. Judging from those words, the scriptwriters must have thought we were pretty intelligent. Could the kids today read that without help?

By the time "Streets of Ghost Town" came out, Columbia was using more and more stock footage to keep expenses down, and it's quite evident here, particularly in those scenes with the voice over narration by Charles Starrett. The film also chews up a lot of time with endless back and forth riders on horseback and it's share of stampeding cattle. But for young matinée movie fans of the 1940's and '50's, this was the kind of action that kept all the young fans happy, both boys AND girls.I was intrigued by the location of the story, near Border Plain and the wild country of The Spur. That sounds really cool, but I wonder if there really is such a place; Google gives you over a million hits, and I don't have that much time. With the ghost town theme, I thought the picture would get a little more mileage out of Smiley Burnette reacting to ghostly phenomena, but there was only that single Donner appearance in the window, and not too scary at that.As for Smiley, he only gets to do one musical number in the picture instead of his usual three or four, in fact the first is done by Ozie Waters and his Colorado Rangers. Then there's that curiously named boy actor, Little Brown Jug as Tommy Donner; I really need to get to the bottom of that nickname. His real name, Don Reynolds is credited here, but I've seen pictures that list him only as Little Brown Jug.If you're a big time Durango Kid fan, you might think you've seen this picture before, there was a 1946 Durango film titled "Landrush", also taking place in 'The Spur', and having similar elements, right down to digging trenches to fight the fires set by the villains. My guess is that if you watched them back to back, the land rush scenes from the earlier film are recycled here. As far as other 'B' Westerns offering a 'ghostly' theme, I would recommend Lash Larue's "Ghost Town Renegades" from 1947, where the comedy antics are handled by Fuzzy St. John.

This is a classic western comedy. It was my first time seeing Smiley Burnettin an old western movie. He does such a great job acting and singing that I laughed many times throughout the movie. Yes, the same Smiley that was in Petticoat Junction and Green Acres. A must see for Western fans! The narration sounds a little hokey sometimes, but considering its 1950 I can understand that. The plot is great for the genre by using a Ghost town. Charles Starrett is the Durango Kid and always gives hero's a good name. I saw this in 2007 and it was just as fresh as when it was made. I highly recommend this film if you enjoy good fun, clean dialog and traditional morals.