The Plainsman and the Lady (1946)

Good concept, poorly executed.

It's funny watching the elements come together in this complicated scam. On one hand, the set-up isn't quite as complex as it seems, but there's an easy sense of fun in every exchange.

The best films of this genre always show a path and provide a takeaway for being a better person.

Worth seeing just to witness how winsome it is.

Joseph Kane is generally well regarded as a Western director, but he simply out-did himself with "Plainsman and the Lady."Yes, he had a superlative cast, but he got more than a Western movie: He got superb performances from his actors in the drawing room, in the saloon, in the public square, on the battlefield."Plainsman and the Lady" -- and Republic's Herbert Yates seemed to love titles of "The Something and the Something Else" -- is, of course, fiction, based loosely on the creation of the Pony Express, although the names Russell, Majors, and Waddell were from history.William Elliott's character, Sam Cotton -- which is, for some reason, mis-called in IMDb's listing as "Sam Colton," although I have tried to correct it on 19 April 2017 -- is pure invention, as are the Arnesens and Marquette. (In fact, I have now tried FOUR TIMES to make the corrections, and FOUR TIMES have been ignored!)But story writers Michael Uris and Ralph Spence have tied together their real and fictive elements into an exciting story with many characters and vivid settings.There is a huge cast, with some Western movie stalwarts such as Donald Barry, in an unfortunate role, Hal Taliaferro, veteran Paul Hurst, Jack Lambert, Noble Johnson, and someone I had never before seen in a movie, a man much more famous as a song-writer, Stuart ("Don't call me 'Stu'") Hamblen.Such a strong cast can make a Western movie lover miss or ignore any flaws. Frankly, I doubt there were any. This is a great movie.You can catch it where I did, at YouTube. And you should. It is, as I said, and as I will say again, a great movie.

Plainsman And The Lady is a fanciful telling of the founding of the Pony Express hardly anything close to the truth, but a nice tale nonetheless. Wild Bill Elliott stars as a saloonkeeper who throws in with Russell, Majors, and Waddell the western freighting outfit who organized it. The real life characters of Charles Russell and Senator William B. Gwin of California are played by William Davidson and Russell Hicks respectively.The banker footing a large part of the bill for the Pony Express is Charles Judels who is from Germany written that way to accommodate screen daughter Vera Hruba Ralston's accent. Judels has a second wife in Gail Patrick a real schemer who married Judels for a life of comfort. She's two timing the sick Judels with chief villain Joseph Schildkraut. Two of the best movie bad people around Schildkraut as always when he does villains is a slick piece of work. He owns a stagecoach line and he stands to lose mail contracts to the faster moving Pony Express so he employs a variety of maneuvers, some involving the unhappily married Patrick to stop the line. As for Patrick she's working her own agenda and determined to be the top dog however things come out.The first 3/4 of the film is set in St. Joseph, Missouri, but the last quarter is on the frontier itself with enough action and gunplay to satisfy any western fan. This Republic western with its adult themes was definitely not marketed for the Saturday matinée kids.Also in the cast are Raymond Walburn as his usual garrulous character, a judge this time, Don Barry as a murderous punk in Schildkraut's employ and Andy Clyde as Elliott's sidekick. All players that I enjoy seeing in any film.Bill Elliott was given some good westerns to do by Republic's Herbert J. Yates with larger budgets than his normal Saturday matinée cowboys got. I got the feeling that Elliott liked these films better than the Red Ryder stuff he was doing before and was hoping to make the same quantum leap in career that John Wayne did. Sad to say for him that never came. But Plainsman And The Lady is still a fine western if not exactly truthful about the founding of the Pony Express.

Another typical Republic western of this era: late 40's and early 50's. A sort of mix up between western in outdoors - sometimes locations and sometimes not - and lots of indoors sequences, with costumes, waltz, classic music scores that make you believe you're watching a film which story takes place in Vienna and not in the old West !!! You could find this kind of productions in the early 40's Universal Studios westerns. Starring Marlele Dietrich and John Wayne, for instance, and directed by George Marschall, Lewis Seiler or Ray Enright. Westerns-romances films. Not one hundred percent westerns anyway. Nor hard boiled westerns as Budd Boetticher made several years later, or even Universal westerns shot during the 50's.About this very one, nothing special. Wild Bill Eliott is the good guy, Vera Ralston the unavoidable gal of this picture - Republic, of course - who falls for him and Don Barry the villain, all dressed in black, as you can guess.The story is the one thousand and tenth adaptation of the Pony Express odyssey. It's quite entertaining and that's all. But what else could we expect?