The Venetian Affair (1967)

Overrated

This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

It is a whirlwind of delight --- attractive actors, stunning couture, spectacular sets and outrageous parties.

Dr. Robert Vaughn (Ph.D Communications), one of the Hardest Working Television and Screen Actors, Stars in this Low-Key Spy Thriller that Manages some Intrigue, a Beautiful Landscape, and a Decent Score from Lalo Schifrin, a few Good Supporting Actors like Ed Asner, Boris Karloff, and Karl Boehm do Good Work, and Elke Sommers Doesn't Do Much.The most Interesting Part is Not well Integrated, the Secret Psychotronic Weapon. The Third Act Picks Up the Pace that Lingered and Stalled previously. It's a Slow Burner for sure. The Plot can be Hard to Follow for a While, but there is just Enough Professionalism on hand to make this Worth a Watch.Don't Expect James Bond's High Tectonics and a Silky Smooth Platte and You Might Like this, another Sixties Spy Thriller, one of the Super Serious Ones. Karl Boehm Almost Steals the Show in a Small Part.

And a big yawn goes to "The Venetian Affair" from 1966.Based on a Helen McInnes novel, none of which made successful films, it sports an interesting, if not great cast: Robert Vaughn, Ed Asner, Boris Karloff, Elke Sommer, and Karl Boehm. The most interesting things about it are Karloff and the shots of Venice, my favorite city. I wish it had been in color.The beginning makes one think you're really going to see something. An American diplomat detonates a bomb during a conference on disarmament in Vienna. There doesn't seem to be any reason for him doing so, and the USA doesn't want to be blamed. They start looking for reasons.Vaughn, playing a drunk named Bill Fenner, who is ex-CIA, is sent back into action by the CIA. He has an ex-wife who is a turncoat, and the CIA is sure he can locate her. They think she might have been involved or at least know something. Fenner never got over her, though you wouldn't know it since he propositions every woman he meets.It becomes confusing from there -- and boring. Slow pace, and Vaughn was not the stuff movie stars are made of. It's normal when you have a big success like Man from U.N.C.L.E. to try your luck at films, but not everyone succeeds. Despite what some people state on this board, that people who don't like this movie were expecting explosions and all sorts of car chases and CGI, etc, I didn't care about any of that and never have. It's just not a very intriguing film. All I ask from a spy film is some suspense and a really good story, along with the acting.During this time, we had the James Bond films with all their gadgets, and U.N.C.L.E., and the producers tried to attract both audiences. A very routine film.

"The Venetian affair",in spite of the suicide bombing , starts very slowly and it's a muddled affair,in which Robert Vaugn seems lost and not that much interested .The female star,Elke Sommer,makes herself wait ,and it's finally a disappointing part.Ditto for Luciana Paluzzi,one of the best villain James Bond girls .The movie becomes more interesting in its third part ,partially thanks to Karl Boehm who succeeds in being disturbing:the scene of the cat and the mouse is certainly the best in the whole flick;incidentally the final segment of the last "Sissi" in which Boehm was the nice emperor was also filmed in Venice.But he was also "peeping tom" and it shows in this poor spy thriller,probably made to capitalize on the success of Bond.

NOT a compilation of MAN FROM U.N.C.L.E. episodes, THE VENETIAN AFFAIR is an exciting spy film starring Robert Vaughn and Karl Böhm. Vaughn is an ex-CIA agent lured back into work by cranky former superior Ed Asner. Trying to figure out why a US diplomat set off a bomb, blowing himself up along with 13 others, Vaughn runs into the likes of Elke Sommmer (as a shifty triple agent), Boris Karloff and Böhm, who plays a certifiable madman. The plot involves cold war espionage and mind-control and it's handled well by Jerry Thorpe, an episodic television director making a rare foray into features. The location work in Venice helps a lot. Vaughn is very Napoleon Solo-like (minus even a hint of humor) and he's well teamed with Roger C. Carmel as a paranoid co-worker. Lalo Schifrin provided the fun music score.