Streets (1990)

As somebody who had not heard any of this before, it became a curious phenomenon to sit and watch a film and slowly have the realities begin to click into place.

The acting in this movie is really good.

The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

Finally I saw this movie and it is better than I imagined.Without spoiling anything be prepared for some violence and sad scenes. The cinematography is beautiful and fits the story.Don't miss on this film only because its a bit dated, its an "hidden gem" and could become some kind of early 90s cult classic if only more people would watch it. So if you ever have the opportunity, watch it.And I really hope this will be released sooner or later on DVD or Bluray (somebody make a petition). If you liked the movie please make your own review and rate ;-)

Director Katt Shea deserves a lot of credit for "Streets", a gritty, honest, heartfelt little movie that serves as more than mere exploitation, creating a hard hitting portrayal of runaway youth in Venice, California, personalizing the story by focusing on Dawn, played by TV star Christina Applegate in a wonderful, tour-de-force performance. Dawn is a heroin addicted, teenage prostitute attacked by a john, and who forms a friendship with a kid named Sy (David Mendenhall) who distracted the cop long enough for her to get away. The budding relationship between Dawn and Sy forms a solid basis for the rest of the movie, written by Shea and producer Andy Ruben, which devastatingly illustrates the kind of hard scrabble existence led by people like Dawn. Applegate delivers a performance that is alternately tough, feisty, sympathetic, kind, and vulnerable - but, most of all, it's believable. Mendenhall also does well as the nice guy who is new to the life being lived by Dawn and her contemporaries, who can't really identify with them as he is definitely not of their world. Enjoyable contributions are also made by Patrick Richwood as Bob, Aron Eisenberg as Roach, Mel Castelo as "Elf", and Alan Stock as Allen. This coming from Concorde, it's still exploitative enough for those watching who expect a certain degree of trash. Applegate does bare her breasts for a scene, but this particular scene is played for romance rather than just sex. And the ongoing subplot with the deranged john, a motorcycle cop named Lumley (played with convincing intensity by Eb Lottimer), is standard enough stuff, although the viewer may be taken aback by Lumley's home made weapon that metes out brutal punishment. The music score by Aaron Davis is supremely effective, as is the beautiful and haunting composition "Dawn's Theme" sung by Elizabeth "E.G." Daily. The use of the locations is excellent, and in general this is quite well made and stylish. Although mostly played (very) seriously, it's not without its humorous moments. Cameos are made by ladies who'd previously starred for director Shea: Kay Lenz ("Stripped to Kill") and Starr Andreeff ("Dance of the Damned"). This is genuinely potent stuff, right up to its riveting ending, and worth watching, both for Applegate fans interested in seeing her show off her dramatic chops earlier in her career and for exploitation film aficionados. It's too good to miss. Eight out of 10.

Forgotten movie which barely got a release. I didn't even know it existed until I saw it while casually browsing at a video store. Homeless teenager hooker Dawn (Christina Applegate) angers psychotic cop Lumley (Eb Lottimer) who wants to kill her. She runs into a nice, normal teenage boy (David Mendenhall) and, together, they try to get away from the cop.Supposedly factual movie on the lives of homeless kids in Vencie, California. It was obviously made on a VERY low budget and looks appropriately grimy and gritty. It is well directed and Applegate is just fantastic as Dawn. Mendenhall has his moments too and it has an incredibly sad (but realistic) ending. Still, two things really lessen this film.One is some truly terrible dialogue--the situations are believable but the dialogue isn't. The second is Lottimer as the killer--he's not a bad actor but his character is given NO depth or insight. Also the bursts of VERY graphic violence are jarring. With a little more polish to the script and more depth this might have worked. As it stands it's only worth seeing for Applegate and some nice direction. I can only give it a 7.

Christina Applegate stars as, Dawn, a heroine-addicted teen-prostitute fighting for survival on the streets of Venice, whose narrow escape from a psychotic cop (Ed Lottimer) armed with an explosive home-made gun and bent on raping and slaughtering runaways, initiates a bloody pursuit through the hardened world of homeless teens.After thwarting her attempted rape and murder, Dawn befriends Sy (David Mendenhall), a naive middle-class teen runaway and aspiring musician, who's chosen a temporary life on the streets for seemingly artistic inspiration. Dawn takes Sy under her wing and gives him a guided tour of her world, along the way their friendship of mutual dependence blossoms into youthful love.Dawn introduces Sy to an interesting array of characters. Most notably Bob (Patrick Richwood) a heroine dealer and eccentric metaphysical philosopher obsessed with the palindromic nature of his own name and its relation to his existence. Also look for a pre-Nog Aron Eisenberg for those Deep Space 9 fans, and 2nd Unit photography by Janusz Kaminski."Streets" is a compelling look at the lives of the forgotten and abandon children forced into early adulthood combined competently with gripping psycho-killer action. The violence is superb Corman-esquire exploitation with a nice amount of gore, mostly due to the killer's use of a special gun capable of blasting material into oblivion. However one of the more violent executions is entirely off screen accompanied by a descriptively muffled bang.The performances are convincing and Katt Shea's direction is outstanding. There are many inventive sequences that utilize techniques that are often misused by others. There is a first-rate use of off screen sound and dialogue, especially Bob's rants, plus a gorgeous temporal ellipsis that brings the audience from one time to the next within the same space. When watching this I was struck how the image of the motorcycle cop hunting down the innocence of a child is something that we've assigned almost icon status to the villain in Terminator 2, however this film demonstrated that same notion of a symbol of protection and justice twisted into the complete opposite -and a couple years before James Cameron's version.This film is so underrated… why is it not on DVD???