Nakam (2022)
Ukraine during the German occupation in 1943. 12-year-old orphan Mitka earns a living in a tavern under a false name by playing music every night for the mainly German guests. He is accompanied in his playing on the violin by the pianist Yegor. Even beyond the music, he tries to be a friend and mentor to the boy. Mitka, however, finds it difficult to accept the budding friendship. This is because none of the people involved has any idea that Mitka belongs to a Jewish partisan movement.
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Thanks for the memories!
It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.
All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.
It is neither dumb nor smart enough to be fun, and spends way too much time with its boring human characters.