Love and a Bullet (2002)

Pretty Good

I don't have all the words right now but this film is a work of art.

Boring

Although it has its amusing moments, in eneral the plot does not convince.

When I first saw the trailer to this movie on some other action DVD, I thought, "You must be kidding me. This has got to be the worst straight-to-video HK-action rip-off ever made." But after watching the first few minutes of it on cable, I knew the trailer was all wrong. They'd focused on all the wrong elements. I found "Love and a Bullet" to be something of a black "Snatch"-type movie (no jokes, now), very tongue-in-cheek and enjoyably self-referential. The final battle, as silly as it was, was easier to swallow after the movie's setup. After all, it's not a straight gangsta-action movie; it's more of a black comedy. In both senses of the word. Definitely worth the 90-minute investment.

Picture this: a light-hearted action movie about a cold-blooded killer that does not hold back on the violence. Well that pretty much describes Love and a bullet. Ironically, whyat makes the the movie light-hearted is the honest and probably realistic reactions to many of the little speeches as well as certain actions that the main character has. A key example being when a fellow hitman gives him a speeck about "the life" and the main character simply says that after thinking about it for awhile he has no clue as to what his associate was talking about. Also, there are many points where this movie will fall into the typical hollywood syndrome of making the character overyl pathetic with the rush of emotion but it doesnt, instead, it makes him even more of a badass. Another unique aspect is that the majority of the movie is the main character reflecting on how he became a a hitman, eventually going into into his confusion over his presetn situation and comparing it to another similar event in which he fall s on love with a fellow hitman (or hitwoman to be more accurate). As for the action scenes, three movies came to mind: The Way of the Gun, Eqilibrium, and Legend of Drunken Master. The final martial arts bout at the end clearly shows its Legend of drunkne master unfluence with the villian fighting mainly on one foot and at oppne time balancing himself on one foot in a kick stance. Also, you kinda see a rugh draft of Equilibrium's gun-kata although Love and a Bulllet's obviously has break-dancing as a basis for it. As for way of the gun, i only though of that becuase there is an instance where a baddy is hiding behind a corner and his foot is visible by the hero resulting in the baddy's foot being shot.

I must admit that THE BIG HIT is one of the cooler action comedies in the history of cinema and it definitely belongs among the best movies made in the last five years. It was produced by John Woo and Wesley Snipes and these guys never miss.I mean, John Woo per se cannot guarantee anything these days. He will need time to recover from MI-2 and WINDTALKERS done back-to-back, but in 1998, it was his heyday. He was fresh from making his true Hollywood masterpiece FACE/OFF and producing a very fine HK pastiche REPLACEMENT KILLERS by certain Antoine Fuqua.On the other hand, Snipes truly belongs to the group of my very favourite actors. I love his roles, especially all the genre stuff he does. By the time THE BIG HIT was released he was fresh from the work on the first BLADE which proved to be pivotal for the genre.Anyhow, THE BIG HIT rocked big time and I`m glad it even made some cash. Time went by. Director Kirk Wong did some TV work, got attached to SIX, Elie Samaha actioner with Michael Jai White that never got made, then got attached to IRON FIST and promptly fired, and in the end he directed Wesley`s biker project.Kirk failed to make anything fly but he kept himself inside the game.Screenwriter Ben Ramsey, on the other hand went AWOL for four years. The guy was gone. I don`t know whether he did some uncredited work or not. I guess not because some other films would rule. Now he`s back with LOVE AND A BULLET, a film that allegedly played some theatrical venues but ended up on video soon enough.This movie is very, very cool. It is smart and it has this balls-to-the-wall attitude that graced THE BIG HIT. This low budget film was made for half a million bucks and it was cut by TriStar, so it doesn`t deliver lots of action. Even though this hitman comedy provides enough comic gore and violence to look dignified.The story never gets half-cocked and it feels like it doesn`t actually belong to the tired hitman comedy subgenre.Anthony "Treach" Criss of Naughty By Nature fame stars as Malik Bishop, a tough-as-nails gangsta kid turned elite hit man. While staking out his next assignment - the innocent girlfriend of his notorious boss - Malik reflects on the dark path he's chosen but cannot escape. Torn between his sense of duty and his newfound sense of humanity, he finds that the only way out is a perilous showdown with men who are every bit as cold-blooded as he is.But this whole thing is done with witty ironic edge that made quiet scenes of THE BIG HIT so cool. This movie is inhabited exclusively by hitmen with a hard-on for Yaphet Kotto. This is the movie co-directed and written by a man who wrote the brilliant `dad looks like MIAMI VICE villain` gag in THE BIG HIT.Ben Ramsey`s attitude is the sole reason why this movie kicks so much ass. Rappers turned actors, low budget and anonymous direction by Kantz (from the McG, Traktor and Kaos camp) are being disinfected by his sheer attitude and ability to tune the style and create a unique cinematic universe where all these elements actually work.After seeing this movie which bravely and unasahamedly threads THE BIG HIT territory and manages to be entertaining, I cannot stop but wonder how come Ben Ramsey doesn`t write big Hollywood actioners these days if he proved to be talented. He is in the Skip Woods position now. He has one big budget screenwriting credit and an indie direction under his belt. But still, Woods first made the indie and then wrote the major while Ramsey did the same thing in reverse order.

"Love and a Bullet" adds nothing really new to the hitman genre but its a fun movie all the same. There are some really funny parts such as how Pretty Nate's crew gets down...but as mentioned before the last twenty minutes are horrible. Like a video game where you have to beat a boss w/ some special capability.Also the whole, "I'm a professional" statements got old quick. Treach like Ice Cube can handle acting and his charisma carries over from music to screen.6/10