16 Fathoms Deep (1948)

Slow pace in the most part of the movie.

Just perfect...

Best movie of this year hands down!

To all those who have watched it: I hope you enjoyed it as much as I do.

Lon Chaney, Jr. (Dimitri), Arthur Lake (Pete), Lloyd Bridges (Douglas), Eric Feldary (Alex), Tanis Chandler (Simi), John Qualen (Athos), Ian MacDonald (Nick), Dickie Moore (George), Harry Cheshire (Miki), John Bleifer (Captain Briaeos), Grant Means (Joe), John Gonatos (Johnny), Allen Mathews (bus driver).Director: IRVING ALLEN. Screenplay: Max Trell. Adapted by Forrest Judd. Based on the American Magazine story, "Sixteen Fathoms Under", by Eustace L. Adams. Photographed in Ansco Color by Jack Greenhalgh. Film editor: Charles Craft. Music director: Lud Gluskin. Art director: Dave Milton. Special effects: Ray Mercer. Music: Lucien Maroweck, Renee Garriguene. Production manager: Belmont S. Gottlieb. Assistant director: Charles S. Gould. Sound recording: Josh Westmoreland, Tom Lambert. Executive producer: Arthur Lake. Photographed in Tarpon Springs, Florida. Underwater sequences photographed at Rainbow Springs, Florida, and at Marineland Studios, St Augustine, Florida. Producers: James S. Burkett, Irving Allen. An Arthur Lake Production. Copyright 25 July 1948 by Monogram Pictures Corp. New York opening at the Rialto: 6 October 1948. U.S. release: 25 July 1948. U.K. release through Pathé: 4 September 1950. No Australian theatrical release. 82 minutes.NOTES: This re-make of the previous "Sixteen Fathoms Deep", with Lon Chaney switching roles from hero to villain, is historically important as the first motion picture to be photographed in Ansco Color. Needless to say, it has rarely, if ever, been shown in color on TV, but was repeatedly broadcast in black-and-white, even though a color print could easily have been obtained. COMMENT: The movie was produced by Arthur Lake, taking time out from his domestic duties as Dagwood Bumstead.It might well be asked, "What does an executive producer do?" Needless to say, his duties and responsibilities varies from movie to movie, but in this particular case we know what Lake did: He bankrolled the production! And he cast himself in a major role not only because he wanted to throw off the Dagwood image, but to alert Hollywood producers to the fact that he could play other roles than Dagwood Bumstead! Although the film was shot in color, I have never seen a color print. It was broadcast on my local TV station in black-and-white!

16 Fathoms Deep (1948)** (out of 4)Lloyd Bridges play a man who gets out of the Navy and heads to Florida to get a job on a sponge boat but he's turned down by the biggest owner (Lon Chaney, Jr.) in the business. he eventually gets a job on-board a new captain's (Arthur Lake) boat and soon they head out to sea to try to do some good fishing so that they can keep the boat. 16 FATHOMS DEEP is a remake of a 1934 film and it's clear that director Irving Allen didn't have much money because there's very little going on here. The biggest problem is that the entire film is rather flat because there's never any real adventure or drama because the majority of the film is nothing but narration. I'm not sure what Bridges was paid but I'd say he would have gotten much more for a narration credit than his actual acting credit. He really isn't given too much to do in regards to acting but he does narrate throughout the entire film and this really just adds a cheapness to the entire picture. Instead of the filmmakers trying to build up tension by telling a story, instead we just get to see cheap scenes played out while the narrator tries to give the emotion and feeling of a scene. This might work when you're reading a book out loud but there's no getting around the fact that this is a movie and the visuals are quite important and director Irving simply didn't add anything to make this feel like a real movie. If he was going to take this approach of explaining everything then perhaps he should have just made a documentary on the subject because it probably would have been better. Again, performance wise Bridges really isn't given anything to do so you can't judge him on this. His narration is pretty good through. Lake is good as the new captain but he too isn't really given enough. Chaney, Jr., who appeared in the earlier film, steals the film as the bad guy but sadly he isn't on screen enough to make a major impact. 16 FATHOMS DEEP features some nice underwater stuff but there's simply not enough going on here to make it worth viewing by anyone other than film buffs.

This film would appeal more to me than the average person. First, it's set in Tarpon Springs--a small town about 45 minutes from where I live. I've visited it several times, and it's a nice place for a day trip. It's also interesting to see what the town used to be like--before it became a tourism mecca. Second, it's about sponge divers--and I love scuba diving and enjoyed seeing the underwater shots (the fish actually appeared to be Florida fish--not some fish from a Hollywood aquarium)."16 Fathoms Deep" is an odd little film, as it's about a group of guys working in the sponge diving industry. I really wish that the Netflix copy had been in color (it was originally a color film)--it would have been great to see the underwater shots in their vivid glory. Lloyd Bridges has recently mustered out of the US Navy and is looking for a job. Since he's an experienced diver, he travels to Tarpon Springs. However, he has some trouble getting hired on by the local big-shot (Lon Chaney, Jr.). But, when a young entrepreneur buys his own boat, he needs divers and Bridges is hired. Along for the ride is an inexplicable character--a bumbling Dagwood-like fellow played by Arthur Lake (who is also the film's producer). What none of them knows is that one of the crew is evil...pure evil. Or, at least he's looking to sabotage the boat. But why?! The film is shot semi-documentary in style. This means that Bridges narrated large portions of the film. Considering much of this was during the underwater scenes, it made sense. But in addition, the film takes a lot of time explaining about sponge diving--much like a documentary. It's really odd, then, that Arthur Lake is in the movie. His bumbling comic relief is incongruous with the rest of the film and he was not particularly good in the movie. Also, the way the death was handled as well as the unraveling of the mystery was poorly handled--it all happened too quickly and too matter-of-fact (long-time character actor John Qualen was NOT good in this role--he was too emotionally constricted). It should have been slower and more deliberate and seemed rushed. Overall, it's a film with a lot of problems but one I found worth my time--perhaps you will find it that way, too.A few observations: In the brief scene about Epiphany you see the young men diving along the lagoon to retrieve the cross tossed in by the Patriarch. This practice STILL occurs each year and it's a really big event (bringing in thousands of spectators). The only big difference is that the water isn't nearly so clear today--the result of a HUGE building boom in the Tampa Bay area over the last 60 years.After this film, Bridges went on to star in the "Sea Hunt" TV series. You wonder if this movie led to Bridges interest in diving and the sea.The young man in the film is played by Dickie Moore. Moore has over a hundred credits and was one of Hal Roach's Little Rascals--and a VERY popular child actor in the 30s (because he was so darn cute and talented).If you visit the Tampa Bay area, try going to Tarpon Springs for a day. It's full of nice shops, LOTS of Greek food and you can either take a fishing trip or watch sponge divers. Not a bad little tourist trap that your family would probably enjoy.

I grew up in Tarpon Springs, the small sponge & fishing village on the west coast of Florida where this was filmed. At 8 years old I watched the filming of 16 Fathoms Deep from the seat of my JC Higgins bicycle. My eyes were opened to the secrets of the movies as I watched the sponge hook being artistically planted in Lon Chaney's back and the 'blood' painted on between scenes. My mom was one of the extras in the sponge auction scenes. I saw and recognized Chick Young at a local coffee shop, where he sketched an impromptu 'Dagwood' on one of the restaurant's walls. Anyway, I saw this film when it was released and have not been able to see or locate a copy since. If I could find it again, it would sure bring back memories of simpler time. There does not seem to be many Ansco Color prints remaining - guess they just didn't hold up.