Maroc 7 (1968)

Touches You

Just perfect...

Instead, you get a movie that's enjoyable enough, but leaves you feeling like it could have been much, much more.

Through painfully honest and emotional moments, the movie becomes irresistibly relatable

This comes under the heading of 'could have', 'should have' been a decent movie. Instead, it is a catalog of wasted opportunities.Specifics: leading man Gene Barry acts like he would have been happier beating up suspects rather than romancing a bevy of beautiful babes.Speaking of babes, this was filmed during the 'swinging 60s' - so it wouldn't have hurt to have shown some of the great legs and/or cleavage. What was the point of casting the gorgeous girls if you were going to keep them covered up? There seems to have been a lack of energy among the movie-makers - caused by the heat of the location? When the hero pulls his car off the road (to avoid pursuers right behind him), there is a great cloud of dust which the bad guys would have seen - but didn't. A small detail - but indicative of the phone-it-in attitude of the production crew.

Considering that "Maroc 7" has an overall IMDb score of 4.6, I sure expected it to be a bad film. While in theory, a 5.0 would indicate an average film, here on IMDb the number is probably closer to 6.5--and 4.6 strongly indicates BAD. But, I was surprised--the film was actually a decent little film--not a work of genius but well worth seeing.The film begins with a guy, Simon Grant (Gene Barry) approaching a woman (Cyd Charisse) who owns a studio that photographs pretty models. He's come to tell her he KNOWS her secret--that she is a world-class thief AND that he's planning on coming with her on her next caper. This takes her and her groups of models to Morocco. But WHAT is the item she plans to steal? And how much do the ladies and their photographer know? And, just who is Grant--who is he working for and what is HIS motivation? While not a brilliant caper film, it is nice and benefits from nice scenery and pretty ladies. It's interesting and well worth your time--especially if you are in the mood for a bit of escapism.

Maroc 7 is one of those films that has a number of elements, individually of interest, but collectively failing to come together effectively.The mysterious Simon Grant (Gene Barry) breaks into the home of fashion magazine editor Louise Henderson (Cyd Charisse) in order to get material to blackmail her into letting him accompany her on a fashion layout photo shoot in Morocco. Apparently he believes she was involved in a series of jewel thefts and he wants to get his share of the next caper. They are accompanied on the trip by her top model Claudia (Elsa Martinelli), shifty photographer Raymond Lowe (Leslie Phillips) and model wrangler Freddie (Angela Douglas). They are also accompanied by several models, including one, Vivienne, played by Tracy Reed. In Morocco they meet cynical police Inspector Barrada (Denholm Elliott), his attractive assistant Michelle Craig (Alexandra Stewart) and dubious antiquities expert Professor Bannen (Eric Barker).The plot involves secret maps, robbing tombs and multiple double crosses. It doesn't really generate a lot of excitement but does have the decided attraction of being fast moving. They do try to enhance the ending with a fun plot twist. A major attraction is the colorful setting in Morocco, which is shown to great advantage.Similarly the acting is professional, I don't think there is any bad performances per se, but it doesn't generate much emotional involvement. Perhaps the combination of 1940's Hollywood (Berry, Charisse) with 1960's swinging London was simply never going to be a comfortable fit. Although the photo shoot scenes, obviously dated to the 1960's (although I have no objection to miniskirts), provides some visual flair to match the Moroccan scenery. Denholm Elliott creates the most interesting character, while Elsa Martinelli and Alexandra Stewart are attractive love interests.Leslie Phillips also produced the movie and he talked briefly about that experience on the commentary track for the British DVD release of Very Important Person (1961). Apparently he was interested in directing and thought that producing a movie would be a step in that direction. While he didn't say what, if anything, he enjoyed about producing, he was very clear about disliking all the financial management that went with producing. He mentioned, in passing, that the budget of Maroc 7 was approximately half a million dollars. According to IMDb this is the only movie he produced and he never directed any films (although his commentary referenced extensive theater directing). As an aside I would be interested in knowing whether the name of Alexandra Stewart's character, Michelle Craig, was an "inside joke" on Leslie Phillips' Doctor In Love co-star Michael Craig.The quality of the print, in the German DVD release version I saw, could best be described as acceptable. In truth, having seen the movie on TV several times over the years, I have never really seen a pristine print of the film. The deterioration is regrettable given the colorful scenery in Morocco.Overall the film is an acceptable time waster, although the elements are more workmanlike than inspired.

Although by no means a spy thriller ,"Maroc 7" has its eye on Hitchcock and too many James Bond movies.The action takes place in Morroco ,like the first part of "the man who knew too much" and the final scene between Gene Barry and Elsa Martinelli resembles a "North by Norwest" in miniature ,complete with (Morrocan ) rocks.Martinelli,Cyd Charisse and Alexandra Stewart are given here the royal treatment of beauties in the tradition of the James Bond Girls.Gene Barry,although American, looks very British ,like Sean Connery ,and he does not take seriously this story of an invaluable medallion (which used to belong to none other than Cleopatra 's and Marc Antony's daughter Salome no less).No masterpiece ,but fun to watch ,and Morocco is the real star of the film.