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The Stooge

The Stooge (1952)

December. 31,1952
|
6.7
|
G
| Drama Comedy Romance

Bill Miller is an unsuccessful Broadway performer until his handlers convince him to enhance his act with a stooge—Ted Rogers, a guy positioned in the audience to be the butt of Bill's jokes. After Ted begins to steal the show, Bill's girlfriend and his pals advise him to make Ted an equal partner.

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Reviews

Marketic
1952/12/31

It's no definitive masterpiece but it's damn close.

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Onlinewsma
1953/01/01

Absolutely Brilliant!

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TrueHello
1953/01/02

Fun premise, good actors, bad writing. This film seemed to have potential at the beginning but it quickly devolves into a trite action film. Ultimately it's very boring.

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Caryl
1953/01/03

It is a whirlwind of delight --- attractive actors, stunning couture, spectacular sets and outrageous parties. It's a feast for the eyes. But what really makes this dramedy work is the acting.

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MartinHafer
1953/01/04

I would LOVE to know more about the background for this film. After all, so many elements are reminiscent of the real team of Martin & Lewis that it's hard to know how much is fiction and how much is autobiographical. I do know, however, why Jerry Lewis loved this film. And, you could probably assume that Dean Martin didn't, as it really made him look like an awful person.In many ways, this film is not really a comedy--making it unique for the team. And, in many ways, the act on screen looked a lot like Martin & Lewis' real stage act--something that people particularly loved on television where they made a HUGE splash. Dean plays a straight man who croons and Jerry an obnoxious guy in the crowd who disrupts the act and acts really goofy. However, unlike the real team, Jerry plays a really dumb guy--a guy who is successful just being himself. The problem in the film is that Dean's character is totally selfish and exploits Jerry. They are less a partnership and more Dean having hired help. But, as the act becomes more and more popular, it's more and more obvious that Jerry is an important part of the act--something Dean just doesn't want to admit. And, because Jerry is no nice and guileless, people around Dean grow to hate him. As I said, the film makes Dean look like a horrible person and Jerry a poor victim. It's very entertaining and dramatic....but as I said above, you wonder how close this is to fact.On the plus side, Jerry's performance isn't quite as broad and obnoxious as many of his other films. Dean is just fine but I would give $100000 to have been able to read his mind when this film was being made. You also wonder if, perhaps, this film may have laid some of the groundwork for the team's break up several years later. Because of this, it's a bit uncomfortable to watch--is it a case of art imitating life (or vice-versa)? Compelling and very interesting.

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bkoganbing
1953/01/05

It's hard to see why Hal Wallis and Paramount held this film for two years before releasing it. Maybe they wanted a few more straight out comedy hits for Martin and Lewis before giving this one to the public.The story has a somewhat true background based on writer Sid Silvers's experience as just such a stooge for singer/vaudevillian Phil Baker. They however didn't stay a team for any length of time in the way Martin and Lewis did.Martin has a singing/accordion act that is going nowhere until he hires a stooge with whom he can do shtick with from the audience. Of course The Stooge is Jerry Lewis.The Stooge was an uncomfortable film for both of these guys. It exposes the cracks in their own relationship. What's ironic here is that because of television in the sixties, everyone knows just how funny Dean Martin could be on his own.Dino's given a whole bunch of film standards to sing in this, mostly owned by Paramount. He recorded all of them and they wound up on his first long playing album from Capitol records along with That's Amore. I still have that album.There's one new song written for the film, A Girl Named Mary and A Boy Named Bill. Dino sings it solo and with leading lady Polly Bergen. Of course they play Bill and Mary in the film. On the Capitol recording Dean ends it in a falsetto that puts him poaching in Frankie Valli territory. It's one of my favorites of his film songs.Fans will no doubt recognize Frances Bavier, Aunt Bee herself, as Jerry's mom. And Jerry has some great moments with nervous Percy Helton and with slow burn short order cook Donald MacBride.Hal Wallis was nervous for nothing. The Stooge is one of the best team efforts for Martin and Lewis.

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Michael_Elliott
1953/01/06

STOOGE, THE (1952) *** (out of four) Dean Martin plays a singer wanting to make it on his own but he needs the help of a stooge (Jerry Lewis) in order to hit the big time. Once there, Dean decides he can make it solo. Outside his performance in THE KING OF COMEDY, I wasn't really a big fan of Lewis whose humor just really doesn't appeal to me. I had been told that his teamings with Martin were much better than his solo career and that's certainly something I'd agree with because THE STOOGE turned out to be a nice little gem. The film features all sorts of wonderful gags including a scene inside a diner and another were Lewis takes his first drink of alcohol. Even the songs are pretty good, which is why I was somewhat shocked that Paramount kept this on the shelf at first.

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mifunesamurai
1953/01/07

It has its moments as a curious piece where one can't help but see this as a premonition of the future relationship between Dean and Jerry. All the laughs go to Jerry and the romance is looked after by Dean the man. I now know where Jim Carey got his facial expressions from.

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