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Day Zero

Day Zero (2007)

April. 27,2007
|
5.9
| Drama

The military draft is back. Three best friends are drafted and given 30 days to report for duty. In that time they're forced to confront everything they believe about courage, duty, love, friendship and honor. If called to serve, what would you do?

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Reviews

Console
2007/04/27

best movie i've ever seen.

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KnotStronger
2007/04/28

This is a must-see and one of the best documentaries - and films - of this year.

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Abbigail Bush
2007/04/29

what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.

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Leoni Haney
2007/04/30

Yes, absolutely, there is fun to be had, as well as many, many things to go boom, all amid an atmospheric urban jungle.

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beregic
2007/05/01

AFTER reading some viewers reviews HERE I DECIDED to watch this feature because it is reportedly "balanced". after i DID watch it, at least i know which style and type of posts i should be avoiding from now on...straight to the point, this is a PRO- war movie( very cunning, i give it that). it definitely targets young "stand-up" guys and attempts to give people a subconscious reason as why we have to AGREE with what is going on( even have a speech about "choices" people have in America and take it for granted because the youth is the "pussy" generation apparently).basically the whole thing consists of 3 youngsters in their struggle to accept the draft or not. by the time end scene IS happening , the movie has transmitted its propagandistic vibe. while it starts with a very much ANTI- war vibe it leads the viewer to believe that there is ONLY one way.this movie paves the WAY to drafting legislation. (i doubt that will happen simply because this administration will prefer private armies ,"blackwater" for example, that are not responsible to the any international tribunals upon killing civilians)it is doing so by TRYING to make choice easier for you to the point you actually could believe that it IS your choice for the "best"."are you man enough"." the survival of the fittest" , etc... the director forgets that today's youth are BETTER informed then the previous generation and playing with people feelings, in well to know "i am with you" manner. will not get the message across.( apparently, you left someone to its fate like being raped, you have to fix that by going to war to "man-up". people can do that easily here by throwing this administration out of the office as well no?). at one point it even tells new-yorkers that they should be more concerned with doing the "first-strike" because they would be the first target if "someone" acquires "weapons of mass-destruction"( so wait... this actually must be about Iran since everyone knew, by the time this feature was produced,that Iraq had no such "evil" things?). what a DEEP INSULT TO THE 9/11 VICTIMS Memory!another interesting observation is that while playing with the idea of deserting, the option is never considered out of FEAR. well guess what, i am in Toronto, Canada , and we have many American deserters here and they do not seem "pussies" at all. by contrary they are OUTSPOKEN, just as any FREE individual DOES INDEED HAVE THE CHOICE TO do in a democracy. i quiet had a laugh at this aspect particularly.this has been marketed as an "indy" film. i assure it is not.IF the subject matter would been different and not propagandistic i would give this production a 6-7 due to good acting but slower towards the end( another observation point i have in spotting propaganda; when the movie slows down towards end to make sure your sentiments and feelings can properly have a meltdown, get you to sleep, hypnotize, and make your dreams play the role of influencing your conscious when waking up).well, you can TRY to enjoy it if you already have made-up your mind. good luck with that.

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gradyharp
2007/05/02

The Draft as a means for supplying the armed forces with manpower ended with the Vietnam War. DAY ZERO is a thought provoking film that raises the question of how today's youth would respond were the Draft reinstated as a result of the ever-growing Iraq War. Writer Robert Malkani and director Bryan Gunnar Cole respond to the question by creating three characters, long time friends, but each with a different response to the forced servitude in a wartime situation. As with any film dealing with controversial subject matter there are ideas presented that will disturb just about everyone no matter their stance on compulsive servitude, and it is that aspect that makes this film work so well in jolting our thinking.The time is New York, now, and the media has just announced the reinstatement of the Draft to cope with the drained national volunteer army. Three friends receive their draft notices simultaneously: successful lawyer George Rifkin (Chris Klein) whose marriage to a cancer survivor wife Molly (Ginnifer Goodwin) is part of the solid state of life he resists changing; fantasy writer Aaron Feller (Elijah Wood) who is in progress on a novel he must finish while his life is otherwise rather on shaky ground, controlled by his loopy therapist (Ally Sheedy); cab driver James Dixon (Jon Bernthal) who has a past history of being a loner and attempting to control violent behavior. The gamut runs from refusal to even consider the draft (Rifkin) to being nonplussed by the disruption to his psyche (Feller) to gung-ho ready to fight Dixon. The three young men have thirty days to Day Zero and in those thirty days each undergoes profound changes and introspection and self-discovery that very keenly illustrates the effect that such a governmental edict can have on today's youth.This is ensemble acting that rivals that of any fine film: there are no stars here, only actors portraying emotional changes that are universal in nature. And for a first film by director Cole it succeeds on most levels. In addition to the work of the four main actors there are fine cameos by young Sofia Vassilieva and by Elisabeth Moss. The film is meant to raise questions, challenge our current complacency and our views of the concept or war and military obligation. That it is disturbing is part of the power of the work. Grady Harp

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Peter (imdb-19891)
2007/05/03

I find myself out of alignment with previous commenters on this one. Let's see: "A perfect study of those who share this fate given by wonderful cast and crew" Perfect? No flaws? Come on."A powerful film about friendship and relations" I wish it had been. The script failed to draw us in and make us care about the characters."A Powerful and Thought-Provoking Character Study" No it wasn't. It could have been. Each character was a cliché. And worse, instead of letting the viewer make their minds up, the script is busy telling us, in case we missed it.The above comments were taken from people who gave this movie 10 out of 10. That's a PERFECT score. A flawless movie. Had they rated it an 8 or 9, then you could expect there to be a difference in taste, in expectation.The acting isn't bad, as much as the script allows it, and the story has a decent premise, but the story relies to much on the audience being American, and the feelings that come with drafts, wars, Duty to country.In the end, this movie attempt to set a mood results in it being too slow and too shallow. It is presented by formula driven characters. A character study it is not. It leaves huge holes in the characters at the same time as it is spoon feeding us the obvious.5 out of 10 because the acting is good, the cinematography is good, but it gets dragged down by the script.

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magicdancer
2007/05/04

I saw "Day Zero" twice during its run at the Tribeca Film Festival and would have welcomed a third viewing. From seeing the trailer at the film's website (http://www.dayzerothemovie.com/) I knew the story dealt with future reinstatement of the military draft in the United States and how three friends spent the thirty days between receiving draft notices and reporting for duty. I was immediately drawn into the film and the lives of these men; I cared about them and what they were going through. The film is character driven and director Bryan Gunnar Cole succeeds brilliantly in getting inspired performances from the talented, but mostly not well-known (to me, at least) cast.Chris Klein very convincingly plays George, an upwardly mobile New Yorker, who at a young age, has recently made partner in a prestigious law firm. He does not want to jeopardize his career, does not support the war still playing out in the Mideast and diligently searches for ways to dodge the draft. He considers everything from seeking the help of his influential father to self-mutilation – an edge-of your-seat scene. Nor does he want to leave his wife (Ginnifer Goodwin) who has just been declared cancer-free after a five-year battle.Jon Bernthal is excellent as Dixon, a street-smart cab driver who willingly defends his friends with his fists, but is the solid, caring anchor in the life of a young girl in his building who prefers spending time with him to dealing with her drug addled mother. Sofia Vassilieva is marvelous as the young Mara and I fully expect to see more great work from her in the future. Dixon is eager to serve, which causes friction with his friends' opposing beliefs, but falling in love (Elizabeth Moss) suddenly complicates his life.The very talented Elijah Wood (and best-known cast member) once again displays the amazing versatility we've seen in all his post-"Lord of the Rings" films. His character, Aaron, is the most interesting and complex. He's a young writer with a successful book who is working against a deadline on his second book. He's clueless, out of shape, bewildered, estranged from his family and in his seventh year of sessions with an apathetic, inept psychiatrist (well done by Ally Sheedy.) He's also certain his draft notice is a death sentence. As Aaron attempts to toughen up and complete his 10-item "to do" list before going off to war, Wood provides some wonderful moments of comedy, which appear in all the right places."Day Zero" is ensemble acting at its best and cinematographer Matthew Clark's extensive use of a hand-held camera is perfect for creating a you-are-there empathy with the characters. This is a terrific film that pulls you in and makes you wonder, "What would I do?" It is not a political film; it's a perfectly cast people film and you will love these people. I hope it gets a distributor and the wide release it deserves.

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