Johnny Mad Dog (2008)

Highly Overrated But Still Good

Don't listen to the Hype. It's awful

Did you people see the same film I saw?

The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

I've been drawn to Johnny Mad Dog by the fact that Mathieu Kassovitz was one of the producers. Despite his escapades with Hollywood he was able to amass a fine body of work, so i was curious what he got involved with this time.I saw this movie as a powerful docudrama that shows the realities of a prolonged civil war in Subsaharan Africa. It follows the protagonists in a cold, almost detached, matter-of-fact way. When you give weapons to kids life becomes a simple but deadly game. The movie offers no answers, since it seems there are no answers. In this sense it is similar to Kassovitz's movie Hate (1995).But the strongest message is that this topic has been known for decades. As if the civil wars in Africa were a part of local folklore and there is nothing to be done about it.

In an unknown African country, Johnny Mad Dog (Christophe Minie), possibly 14-15 years old, leads a group of young child militia. After the successful infiltration of a TV station, who they believe support the President, they march on to try and capture the capital city. They rape, murder and destroy their way through the city, with scant regard for the cause they're fighting for or the cities inhabitants. Meanwhile, Laokole (Daisy Victoria Vandy), a young girl around Johnny's age, tries to survive with her younger brother and her wounded, legless father.Shot with a documentary-like realism, director Jean-Stephane Sauvaire employed an unknown cast, many of which are actual former child soldiers. We are shown in detail how they are taken from their families and have hatred drilled into them by their colonel, who spouts his motto "you don't want to die, don't be born." It's a savage story set in a savage landscape, and, in the central storyline, we are not allowed the comfort of having any sympathetic characters. There are moments of black comedy - at the beginning we see one of the soldiers loot a victims house and put on a wedding dress, which he wears for the majority of the film, and No Good Advice (Dagbeth Tweh) steals a pig from a victim and stubbornly struggles to carry it on his shoulders. They are clever devices that make the film all the more terrifying and almost unbelievable.The cast are superb to the point where I often forgot I was watching a film, and instead was watching a beautifully filmed documentary. As Johnny, Minie is dead-eyed and stoic, with only fleeting glimpses of a heart beating beneath his cold exterior. He is simply doing what he has been brought up believing, that what he and his crew are doing is revolutionary. They have scant regard for their own lives, being convinced from a young age that bullets won't hurt them, and their bodies jacked-up with alcohol and cocaine. As the credits roll, the sound of Billie Holiday's Strange Fruit seems a strange and ill-fitting choice, but it does not stop Johnny Mad Dog from being a powerful expose of a world that is almost alien to the West.www.the-wrath-of-blog.blogspot.com

Covering the same territory as BLOOD DIAMOND this couldn't be further away from Hollywood's treatment of child soldiers. However, although sentimental and following the classical Hollywood patterns, BLOOD DIAMOND does have its merits. I'd also compare this with SAVING PRIVATE RYAN because there's a similar visceral realism, on a budget which was probably one percent of Spielberg's film.This is difficult to watch from the opening scene onwards as the protagonists, boys from their early to late teens, commit the most appalling acts of depravity - such as forcing another child to shoot his father dead, raping a young woman. One of these acts is witnessed by a young girl, who Johnny Mad Dog is to face at the films denouement. The director overcomes his budget limitations with effective use of hand-held camera, close in, jerky, tightly edited, frequently with the look of actual documentary footage. Things are often obscured, you can't quite see whats going on, which further disorientates and unsettles making an effective portrayal of the chaos of war. Another film I'd compare this to is the Russian COME AND SEE, which follows a teenage boy whose village has been massacred by the Germans. It also works in terms of disorienting the viewer, building into a climax, with a character who is not goal directed but functions more as a figure through which we bear witness. Johnny Mad Dog works in the same way - most impact as the credits roll, accompanied by a series of photographs taken during the Liberian civil war of 1990 - 2003. The film has drawn on those images, recreating them on the screen and enabling us to bear witness.Sound...very little music and impressive use of sound. The opening scenes made all the more effective with the horror of events conveyed through screams. Dialogue is in pidgeon English, subtitled and has a raw authenticity to it, with English words put into African grammatical constructs, mixed with local dialects, or words put together to form new ones.Performances from the young cast are superb, with an utterly convincing blankness. The violence has a randomness and purposelesness to it. Shouting at their victims, randomly barking out irreverent questions such as 'what is the area of a triangle?' These kids can't be written off as 'evil' because they seem to lack any motivation. Dressed in bizarre clothes such as wedding dresses, sporting headgear, fairy wings, in a strange way they've adapted to a set of circumstances and through the violence have formed their own surrogate family. I think the best sense to make of this is through mental health and the idea of a collective psychopathy which maintains it own awful momentum.Violence is all the more shocking in the way the director avoids cinematic conventions. There isn't a build up to someone being shot: one moment the boys are 'patrolling' a street, the next moment one drops to the ground, hit by a sniper. The treatment is very matter of fact, shocking for the banality, the casual nature of the violence.Challenging, chilling, disturbing, harrowing and difficult to watch. Time will tell but I think this may well, eventually, be seen as one of the 'great' war films. I can't think of another which deals in the same way so effectively with child soldiersThere are no heroes here, no resolution, ultimately it points up the complete futility and waste of all wars.

Johnny Mad Dog is a war drama in an unknown African country. The movie follows a group of African rebel soldiers that plunder and murder civilians.To make a good summary of the movie, it's 90 minutes of African rebels harassing and shooting civilians with their AK47's. We are given a shaky camera and A LOT of close ups which is confusing since you don't really know what's going on. It ends very abruptly and leaves you with a lot of questions.No characters to care for and no logic. You feel no sympathy for the main character this "Johnny Mad Dog". You just want him to die.I don't know what Jean-Stéphane Sauvaire wanted to say with this movie, and to tell you the truth, you're not missing anything if you don't see it.