The Aura (2005)

A film with more than the usual spoiler issues. Talking about it in any detail feels akin to handing you a gift-wrapped present and saying, "I hope you like it -- It's a thriller about a diabolical secret experiment."

This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.

The film's masterful storytelling did its job. The message was clear. No need to overdo.

One of the most extraordinary films you will see this year. Take that as you want.

Very refreshing and intriguing movie about an -nearly- ordinary person getting involved into a gangster business.I love this movie. It is slow, but that just gives you the time to think "what would I do ?". Unique story, unique colors and pictures. Very good characters and actors. Just watch it if you can.

The Argentinian writer-director Fabián Bielinsky gained international fame and recognition for his twist-filled feature length debut feature "Nine Queens" in 2000. Sadly, he only completed one more film before dying unexpectedly in 2006. "The Aura" is a much more obscure film that did not receive anything like its predecessor's worldwide distribution and attention, and when you see it you kind of understand why - it's a less accessible, less enjoyable film. That does not mean it's not worth seeing, though. First of all, you should know that - despite what the title or the poster might suggest - there are no supernatural elements here; it is, essentially, a heist movie like "Nine Queens", albeit a more serious one. Bielinsky directs with a sometimes mesmerizing virtuosity, but his script could have been tighter; the film is overlong at 2 hours plus. Darin's mostly impassive performance also requires some audience adjustment. But the final 15 minutes are quite suspenseful, and overall it is clear that Bielinsky was a gifted artist. **1/2 out of 4.

The Aura (2005)A special film, set in southern Argentina, that plays with the interior mechanizing thoughts of a taxidermist with epilepsy who by accident is on the fringe of a major crime. The leading man, Esteban, played by Ricardo Darin, is penetrating and subtle and persuasive. The story supports his high level of sheer acting by turning and turning further as you go. There are times it seems slow, for sure, but the deliberate pace is something like the deliberate thinking done on screen by Esteban.One of the brave strengths of the style of filming has become common in the last decade or two--we see something happen and only later realize it is completely imagined by the character. The surprise is fun, and your mind has to quickly reposition yourself as a viewer to what the current reality actually is. This happens right away and it's a brilliant kind of storytelling. In a similar way, we see Esteban's thoughts race visually as he thinks through his answers--a fast series of mental images from earlier observations has him logically assembling his next move right before our eyes. The effect is both fast and engaging. And Darin is so likable and respectable in his quiet brooding, it's easy to join him in his head.Director and writer Fabian Bielinsky shows brilliant planning and a lyrical photographic vision (with cinematographer Checco Varese), and it's a sad loss to read he died just after the release of this movie. If you can adjust to the methodical pace, and enjoy the construction and psychology of movies like this ("Memento" comes to mind as a flashier American film in a similar vein), you'll really appreciate it. Yes, it reveals its cleverness a little too much sometimes, or adds characters (like the guy at the casino) who are interesting and yet end up a it peripheral. You can study and quibble over the details in a movie like this. But overall it's a special film, worth watching with appreciation.

Ricardo Darin's Espinosa portrait is just like my reflection in the mirror. I found myself in it. Fabian Bielinsky's 3rd directing and 5th screenplay experience happened to be his last step of his career. With El Aura, he carries us away into the world of a misunderstood desolate man. For most films, people don't like reading a review or collecting detailed information before actually seeing the film. But if the film you're approaching is a mystery and cannot be understood easily in the first view, you should get some clue of it before watching. Anyhow, El Aura is one of them. Esteban Espinosa earns his life with taxidermy, filling up animal hides of wild-life. He is a naturalist and jack of all trades, has a strong memory and is very observant. One day waiting at a queue at the bank, he shares his most marvellous dream -to rob a bank- with his friend; while he is being offered to accompany his friend for shoot day out in the forest. On a Monday, they settle into a motel in the forest, where they weren't hosted well enough and were questioned if they are local; putting them on the jitters. With this bad mood, they start arguing while hunting for deers. After his friend insulted him and left him alone; he gets caught into a major epilepsy fit for a moment and falls in a faint. When he wakes up he is unconscious; and while aiming to shoot a deer, he suddenly turns his rifle to an old man walking in the forest and shoots him. Gaining back his conscious, he goes near to the man he shot; whose cell-phone starts to ring. Espinosa takes his cellphone and his i.d. ; then hides the corpse in a pit. To avoid the trouble he fell into, he remains calm and turns back to motel to stay there longer than planned. His friend goes back to the city, then he starts stepping towards his mysterious journey; when he finds out that the man he killed is the owner of the motel. The screenplay segments work completely perfect: Plot is very well built, script is written professionally in a plain format, story developing at its best, character developing is well crafted, and the main theme is so wisely gives multiple messages and views. Everything we see, we hear, we witness are elements of a complete mystery. This film needs to be seen very carefully. Flashback sequences will be refreshing our memory of the earlier scenes where it's completely necessary. Also it's clearly to see that the editing and the full post-production job with music and sound effects are best fit. I find it essential to analyze Esteban Espinosa's characterization work. There are 4 basic factors that differentiates Espinosa's character: 1/His life... 2/His dreams... 3/His self-defensive attitudes... 4/His disability:EpilepsyHe is not happy living his life on his own. He has a hidden adventurous character. He likes trouble, he likes testing his limits. Thus he pokes his nose into everything. He steals, collects and carries with him almost everything he thinks it's useful. In fact, Esteban Espinosa character may be an awesome sample of a Point-and-click Adventure Game. His character has been designed to be another Guybrush or another George Stobbart. Overall, El Aura is among the best of all-time Mystery/Adventure movies.