The Zone (2008)

Although it has its amusing moments, in eneral the plot does not convince.

I cannot think of one single thing that I would change about this film. The acting is incomparable, the directing deft, and the writing poignantly brilliant.

This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

An old-fashioned movie made with new-fashioned finesse.

Uruguayan screenwriter, producer and director Rodrigo Plá's feature film debut which he co-produced and which was written by screenwriter Laura Santullo, was screened in the Venice Days section at the 64th Venice Film Festival in 2007, in the Discovery section at the 32nd Toronto International Film Festival in 2007, was shot on locations in Mexico and is a Mexico-Spain co-production which was produced by Spanish producer and director Alvaro Longoria. It tells the story about a student named Alejandro who lives in a restricted area with his mother and father which is made for the wealthiest people to protect them from the not so wealthy people who lives in Mexico City. Distinctly and finely directed by Latin-American filmmaker Rodrigo Plá, this finely paced fictional tale which is narrated from multiple viewpoints draws a gripping portrayal of how a segregated society acts when someone from the other side of the fences that shields them from the unwanted enters their community. While notable for it's naturalistic milieu depictions, sterling production design by production designer and art director Antonio Muño-Hierro, cinematography by cinematographer Emiliano Villanueva and use of sound, this narrative-driven story where class distinctions are remarkably evident depicts an empathic study of character and contains a good score by composer Fernando Velazquez.This socio-political and atmospheric thriller from the late 2000s where a young man gradually learns the true nature of the society he has been raised in and how far they are willing to go to preserve their self-made and idealistic aristocracy, is impelled and reinforced by it's cogent narrative structure, substantial character development, esoteric characters and the fine acting performances by Mexican actor Daniel Tovar, Spanish actor Daniel Giménez Cacho, Mexican actress Marina de Tavira and Spanish actor Carlos Bardem. A conversational, incisive and consistently intriguing drama which gained, among numerous other awards, the FIPRESCI Prize at the 32nd Toronto Film Festival in 2007.

Thise of us who favour the establishment of a more equal society argue that it would even benefit the rich themselves - what's the point of having money if you have to live in fear of someone taking it off you? And the idea of a film set in a secure community might seem to be a good way of exploring the corrosive effect on personal morality that comes from living on either side of a state of siege. In 'La Zona', we see residents of a posh enclave in Mexico, slum kids and a corrupt police force: at times, the movie seems to be suggesting they're all as bad as each other. After a botched robbery sees an intruder stuck in the zone, the residents resolve to track him down: unfortunately, the plot doesn't make perfect sense. In particular, the motivation of the residents, to risk their own lives for a notion of revenge, never seems wholly logical; it's hard to believe that such influential people would not have appropriate police protection, if they didn't antagonise the cops by insisting on doing it themselves. The ending is thus less powerful than it tries to be; what's really chilling is the way that legal systems often seem to care only about property rights. Some of the worst behaviour on this planet is carried out by those who never need to break a law.

Saw La Zona last night as part of the Hola Mexico film festival.Whilst I found the film reasonably entertaining I was ultimately left disappointed. Considering it was a feature film, I felt like I was watching something that was made for television.The actors do their best but ultimately the script is lacking and there is a real by-the-numbers feel to this.The characters are not fleshed out and the film lacks genuine tension which is a shame as the premise is a good one. There were lots of potential angles and ideas that were not explored.Some of the techniques used though worked well. Particularly the opening scene of the neighborhood houses in the reflection of the cars window which appears again later in the film. The security cameras in place around the zone also worked well.

In any large city of Latin America or the rest of the third world, wealth and poverty coexist side by side, not uncommonly separated by just a thin high wall. In typical fashion the rich appropriate the bulk of the country's wealth, a few of the poor reclaim a tiny portion back through robbery and muggings, and the rich react in turn by protecting themselves and even striking back. It's low intensity class warfare.La Zona is an enclave, a walled-city with massive iron gates, widely scattered security cameras and around-the-clock monitoring. It's the modern equivalent of the medieval castle. Laying siege is a slum, where live the nemeses of the inhabitants of La Zona. They have come to this enclave out of fear, for protection against further assaults, to enjoy the good life in a secure haven. Many are angry. Some have been victims. Some are vengeful.The story begins when, during a storm, the wall is breached and electrical power is lost. A threesome from the slum takes advantage to penetrate the enclave and steal a few things. The temporary invasion does not go well. Shots are exchanged. People die. That event sets the wheels of the thriller in motion.The typical characters are present. The honest police investigator whose work is subverted by a corrupt police department. The good bad-guy, the bad bad-guy, the good good-guy and the bad good-guy. They are all there, some in multiple copies. It's formulaic, but effective.